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CMA Music Festival 2018: 20 Best Free Concerts

From Ashley McBryde and Michael Ray to the Last Bandoleros and Midland, the must-see no-ticket-required sets this week in Nashville

michael ray, ashley mcbryde

Michael Ray and Ashley McBryde are among the must-see free concerts at the 2018 CMA Music Festival in Nashville.

Ricky Bassman/CSM/REX/Shutterstock; Rick Diamond/REX/Shutterstock

Brett Eldredge posted a photo to Instagram this week of his first-ever CMA Music Festival appearance in 2010 – a set that, by his account, attracted a whopping 30 fans. This year, he’s playing to thousands on the main stage at Nissan Stadium. It’s such a success story that earns CMA Fest its reputation as a launching pad for young talent, many of whom perform on the free stages scattered throughout downtown.

Ahead of CMA Music Fest’s official kick-off on Thursday (it runs through Sunday night), we’ve combed through the overwhelming schedule to pick the 20 must-see free sets of the long weekend. Many are new artists, some are established vets, but all are sure to command your attention. 

The Wild Feathers

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The Wild Feathers

When: Friday, June 8th, 4:30 p.m.
Where: Chevy Breakout Stage
Singsong harmonies have always been a key part of the Wild Feathers’ arsenal, but as the Nashville band gears up to release its third studio LP later this month, they’re ratcheting those layered vocals up a notch. “Big Sky,” the lead single from the forthcoming Greetings From the Neon Frontier, channels the peaceful, easy feeling of early Eagles and gentle, jangly picking of peak-era Allman Brothers ballads with a rustic, rough-hewn charm. Doubtless that new Neon Frontier material, along with past fan faves like “The Ceiling,” will evoke those cool mountain breezes when Wild Feathers play the Chevy Breakout Stage. J.G.

Everette

Ian Schofinski

Everette

When: Thursday, June 7th, 7 p.m.
Where: Cracker Barrel Country Roads Stage Ascend Amphitheater
One of the more intriguing label signings of late, duo Everette (Brent Rupard and Anthony Olympia) joined the Broken Bow Records roster alongside Jason Aldean and Dustin Lynch in February. Both men hail from the mostly rural Bullitt County in Kentucky and began working together when they were students at Western Kentucky University in Bowling Green, singing cover songs for the college crowd while refining the mixture of influences that would come to be their sound, from classic rock (Tom Petty) to country (Randy Travis) to guitar pop (John Mayer). The pair combine those approaches in their songwriting and original recordings (for which they play most of the instruments), like the loping, carefree “Slow Roll,” and the stormy, Spaghetti Western-evoking “Relapse.” J.F.

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