Home Music Music Country Lists

37 Best Things We Saw at CMA Music Fest 2014

From Miranda Lambert’s sass to Richie Sambora’s surprise, what entertained us most at country’s biggest festival

Dierks Bentley, Kimberly Perry and Richie Sambora

Getty Images

 The underlying theme at this year's CMA Music Festival, which wrapped up its four-day run on Sunday, was one of re-discovery: Both new acts and veterans reminded us just how powerful country music can be with performances that ranged from the massive (Miranda Lambert at LP Field) to the intimate (Striking Matches at the HGTV Lodge). As Nashville was inundated with dedicated fans, coming from as far away as Australia, Rolling Stone Country canvassed downtown, catching as many shows as possible and soaking in the country culture. Here's 37 of the best things we witnessed. By Adam Gold, Jewly Hight, Joseph Hudak, Katy Lindenmuth, Margaret Littman and Marissa Moss

Jessi Colter

Frederick Breedon IV/Getty Images

Best Family Reunion: Jessi Colter With Shooter Jennings

"You're still hot!" hooted an enthusiastic audience member to Waylon's widow, Jessi Colter, as she took the stage to join her son Shooter's Riverfront set on Wednesday, accompanied by the legendary Waymore's Outlaws. In a custom purple Manuel suit for the occasion (adorned with 226 rhinestones and razor blade decals), Jennings welcomed his mamma to sing and play keys on a Mickey Newbury tune. "But I never get paid," she joked. Then Jennings left Colter to perform "Storms Never Last" alone with the Outlaws, which they rocked delicately and with bittersweet reverence. "What a wonderful life we had with Waylon," she said, flanked by her husband's backing band. "He's not with us, but he's very much alive." And based on the number of winged "W" shirts in the crowd, that certainly seemed to be the case.

 

Michael Carter, The GRAMMY Nominations Concert Live, Nashville, Tennessee

Christopher Polk/Getty Images

Best Sideman: Luke Bryan’s Guitarist, Michael Carter

With all the in-da-club bass of Luke Bryan's current live show, it's easy to overlook the nimble guitar work of his bandleader, Michael Carter. During Bryan's Thursday night slot at LP Field, the spiky-haired Carter — who has also scored hits as a songwriter with Thomas Rhett's "Get Me Some of That" and Craig Campbell's "Outta My Head" — proved just how integral his playing is to his boss's sound. It was especially evident on such vintage Bryan tracks as "Rain Is a Good Thing," which, bolstered by Carter's crisp solo, far and away eclipsed anything from Crash My Party in Bryan's LP set.

Dierks Bentley perform

Larry Busacca/Getty Images

Best Bit of Irony: Dierks Bentley

While singing "Am I the Only One" on Thursday night at LP Field, Bentley proved his everydude status by pulling a presumably thirsty (and legal-aged) fan from the crowd to shotgun a beer with the gregarious performer. It should have been an ovation-worthy example of country's unique-to-the-genre star-fan bonding — had the young lady actually wanted the cold one. Instead, with her face on the jumbo screens flanking the stage, she mouthed the words, "I don't drink." Bentley looked clearly surprised and wondered how a country fan could be a teetotaler — and then proceeded to slam his beer. 

Brian Kelley

Rick Diamond/Getty Images

Best Rain-Soaked Crowd in Country Music

"Weather won't stop County Music 2nite!" was the dispatch from the CMA's official Twitter Saturday evening. But the gates opened and thousands of festivalgoers were herded into the concourses of LP Field to take cover while an ominous lightning storm passed over downtown Nashville. Though severe weather did indeed not stop country music, it did set the show back nearly two hours. And then it rained throughout sets from Sara Evans and Little Big Town. While Evans singing "I'm acting as if this blue sky's never gonna rain down on me," or LBT's Karen Fairchild proclaiming "I'm a tornado" may have carried more weight than usual, it didn't stop a stadium full of country fans from turning out to endure the downpour. And it was a blast watching the poncho-clad crowd romp around in the rain and toss beach balls during "Pontoon." "You guys are troupers," Keith Urban told the crowd during his late-late-night closing set, "it's, like, Sunday morning now."

Love and Theft play the HGTV Lodge at CMA Music Fest

Michael Loccisano/Getty Images

Best Barn Raising: The HGTV Lodge

Hosting intimate performances and Q&As with Dierks Bentley, Rascal Flatts, Love and Theft and Kristian Bush, the full-size "lodge" — really a barn — erected right in the heart of downtown by cable network HGTV brought a little country cool to the city streets. With photos of cowboy boots, Western jewelry and, oddly, William Shatner (the DIY network star of home-remodeling series The Shatner Project) lining the walls and leather couches for folks to lounge, the lodge was not only a rustic venue to catch live music and get a singer's autograph, but a place to relax, rest and recharge.

Will Hoge performs

Frederick Breedon IV/WireImage

Best Hank Would Be Proud Moment: Will Hoge

Following a drawling, Rolling Stones-influenced set that featured a near-religious take on Hoge's soulful "When I Get My Wings," the Tennessee-born singer-songwriter closed his Friday afternoon performance at the Bud Light Stage not with his ballad-turned-Chevy-ad single "Strong," but with a Hank Williams homage. As he and his band finished the road anthem "The Highway's Home," each member abandoned his post to join Hoge at a singular microphone, where they harmonized on "I'm So Lonesome I Could Cry." But with the crowd on its feet and singing along, there was nothing lonesome about it.

Kimberly Perry the band perry

Frederick Breedon IV/WireImage

Best ‘A Star Is Born’: Kimberly Perry

Brothers Reid and Neil are aces in their own right, but Kimberly Perry's performance on Friday night at LP Field was nothing short of spectacular. Whether defiantly pushing down her mike stand or showing off hip moves that would make Shakira blush, Perry looked every bit country's next superstar. Always a commanding presence onstage, the newly buff bride-to-be — she's engaged to MLB catcher J.P. Arencibia — displayed a confident, almost cocky, sexiness heretofore unseen. At times, she seemed downright dangerous, particularly during current single "Chainsaw" and the highlight of their Pioneer album, "Better Dig Two." If a fight had broken out in the crowd below, we've no doubt the fired-up Perry would have dived in to join.

 

Colt Ford

Rick Diamond/Getty Images for Country Thunder USA

Best Fan-Friendly Act: Colt Ford

Colt Ford played a big role in country rap becoming a thing, so it's fitting that he'd make a return appearance on CMA Fest's second-largest stage, the Riverfront. Though with "Dirt Road Anthem," which Ford co-wrote, performed by both Jason Aldean and Brantley Gilbert at LP Field, it'd have shown respect to invite him out on that stage as well. Nonetheless, Ford delivered his good-time rhymes in a baggy, brawny drawl at his American flag-flying mike stand. Mostly the songs were family-friendly, except for the occasional lyric about "doing body shots of Jäger," and plenty made backwoods joyriding sound like the ultimate way to waste a weekend. Ford saved "Dirt Road Anthem" for last, and directed the festival film crew to train their cameras on the crowd singing along, instead of on him. For a guy whose business includes boasting over beats, Ford seemed pretty dedicated to making his music about his audience.

The Warren Brothers

Tim Mosenfelder/Getty Images

Best Unbilled Act: The Warren Brothers

You didn't see the Warren Brothers on any CMA Fest printed schedules, but in authentic Nashville form, the duo showed up anyway and often. The chart-topping songwriters, also two of Music City's most notorious jokesters, got a shout-out from the Riverfront stage by Maggie Rose. Later, they performed themselves during the Whiskey Jam at the BMI Tailgate Party on Saturday, playing Keith Urban's "Little Bit of Everything" and other hits that make them the best-known unknowns around. (The brothers often play at the actual Whiskey Jam, a free Monday night collaborative show at Winners bar all year long.)

striking matches

Michael Loccisano/Getty Images for HGTV

Best Time Performing: Striking Matches

It was abundantly clear that CMA Music Fest fans were having fun, but the same cannot always be discerned of the artists. However, in the intimate HGTV Lodge, duo Striking Matches channeled a pure love of playing that led a cramped early-morning audience to mid-song applause. Sarah Zimmermann and Justin Davis met as guitar majors at local Belmont University, and saw their stock rise as several of their songs were picked for ABC's Nashville. With their infectious smiles, funny banter and clear affection for each another ("I grew up in a small town. I didn't know girls could play guitar 'til I met Sarah," Justin says), Striking Matches offered a Sunday-morning reminder of why anyone would want to get into this business in the first place.

Jamie Lynn Spears

C Flanigan/FilmMagic

Best Performer Under Pressure: Jamie Lynn Spears

Before cheerfully greeting her huge, palpably anxious audience, Jamie Lynn Spears shed quite a bit of baggage somewhere backstage: Her set showed no traces of her teen-mom notoriety, hand-me-down hang-ups from big sister Britney, nor the intrinsic challenges of being a country newbie. Even better news? The girl sang her Louisiana guts out. Amid "y'all"-laden banter and a few songs from her brand new debut EP (including the twangtastic romp, "Shotgun Wedding," and the weepy single, "How Could I Want More"), Spears tackled Tom Petty's "I Won't Back Down" — memo to her critics, perhaps? — and even teased the crowd with a few bars of "Oops I Did It Again." The youngest Spears should look back fondly at the 2014 CMA Fest, as it may have been the unofficial kickoff to her country music career.

Chase Bryant performs

Frederick Breedon/WireImage

Most Eye-Catching Instrument: Chase Bryant’s Pink Guitar

The Buddy Holly-meets-Hunter Hayes look of Red Bow Records' Chase Bryant was complete when his pink guitar was handed to him on stage early in his set. The lefty Telecaster with cream-colored pick guard and matching pale pink headstock was a perfect match for Bryant's retro vibe. The 21-year-old's grandfather played piano in Roy Orbison's first two bands and the instrument cements Bryant as straddling the generations.

 

jon pardi

C Flanigan/FilmMagic

Best Storyteller: Jon Pardi

A recent serenader on ABC's The Bachelorette, Jon Pardi performed an intimate show in the HGTV Lodge before his full-band act on the Riverfront Park stage on Sunday. With an accompanying guitarist, Pardi played some fan favorites, like "What I Can't Put Down," but also talked about the songwriting process, how he makes time to write on the road, and the pressures of having to turn around a new album in enough months — as compared with the four years it took him to write his first one, Write You a Song.

MamaDear

Photo Courtesy of AT&T

Best Up-and-Comer: MamaDear

MamaDear's CMA Fest debut took place on the tiny AT&T U-Verse Showcase Stage on Saturday, which they somehow made feel like a front porch without a set change. Credit their sound —  Americana and folk without being folksy — and singer Kelly Tillotson, who is charming without being saccharine. "It is great here because you know everyone around you loves country music," she told the crowd. "The feeling is contagious." The trio's warm single "Life Is Better on a River" might make you catch the bug, too.

big smo

Terry Wyatt/Getty Images

Best Cult Fan Base: Big Smo

"Hick-hop" rapper Big Smo's presence at the ultimate country music festivalactually, some critics might interject, his presence in the country world in general — is a bit of a head-scratcher. (So is the unfortunate way he spells the genre's name: kuntry.) But there was no mistaking the popularity of the soon-to-be A&E reality star's Friday afternoon set. The guy's got loads of loyal fans (they prefer "kinfoke"), who maxed out the Bud Light Stage's capacity and spilled into the adjacent streets for his raucous show. Curious passers-by paused in amazement at the throngs of people politely headbanging along to songs like "Kickin' It in Tennessee" and "Boss of the Stix."

Gwen Sebastian

Frederick Breedon IV/WireImage

Best Boot Stompin’ Time: Gwen Sebastian

The Voice alum Gwen Sebastian closed out her spunky six-song set with "Annie's New Gun," a bang-bang man-huntin' anthem that had the crowd hootin' and hollerin' in all the right places. Sebastian recorded two versions of the track for her 2013 self-titled album: one solo, which is how she performed it at the festival, and one featuring seasoned shoot-him-up songstress (and close pal) Miranda Lambert. Though a cameo from Ran here would've been fun, sharpshooter Sebastian singing the whole damn thing herself was just as exciting.

dustin lynch

Donn Jones/CMA

Best Sing-Along Leader: Dustin Lynch

When Dustin Lynch sidled up to the Riverfront Stage on Thursday afternoon, it was only a matter of time before he played his current feel-good smash, the riffy "Where It's At." He ended up saving this catchiest tune for last, after a new track from his upcoming album ("Halo") and a convincing Garth Brooks cover ("Rodeo"). It's hard to say who was having a better time by the tail end of the set: the koozie-toasting crowdwhich erupted into screams when Lynch told them "Y'all sound so good!" — or Lynch himself, who complemented the closer with a little hip-swiveling and a lot of genuine grinning.

 

craig morgan

Jason Davis/Getty Images

Best Use of FaceTime: Craig Morgan

After wrapping up a moving acoustic set in front of 1,000 fans — 100 of them members of the military and their families — on the Fan Fair X convention floor, Morgan, a passionate military supporter and former Army member himself, spotted a woman in the front row enthusiastically waving her iPhone. On the screen: a live image of her soldier son, stationed in Mississippi. The "Wake Up Lovin' You" singer grabbed the phone and chatted with the man via FaceTime, showing that while music may be the great communicator, a little technology never hurts.

Brothers Osborne perform

Rick Diamond/Getty Images for Country Music Hall of Fame & Museum

Best Classic Rock Cover: Brothers Osborne

Country acts tackling classic rock songs at CMA Fest is a regular occurrence, but few do them the lighter-worthy justice they require. On the festival's final day, however, Brothers Osborne turned in a version of the Band's "The Shape I'm In" so faithful it could have been included as an extra on The Last Waltz. Driven by guitarist John Osborne's blistering solos and his sibling singer T.J. Osborne's impassioned vocal — which more than a few times called to mind Richard Manuel's tortured wail — the Nashville-by-way-of-Maryland duo showed their roots go well beyond the "Hank" tattoo inked on T.J.'s wrist.

matthew gunnar nelson

Karen Hicks/CMA

Best Time Warp: Nelson

Having Nineties pop-metal duo Nelson — twin brothers Matthew and Gunnar Nelson — on the CMA Festival schedule would seem to scream "throwaway," a sure-to-be poorly attended slot on the already lesser-attended final day. But nothing could have been further from the reality. Performing their pre-grunge radio staples "(Can't Live Without Your) Love and Affection" and "After the Rain," along with new material, the sons of teen idol Rick Nelson were a revelation — and clearly maintain a passionate fan base. With Winger and Tesla t-shirts spotted in the impressive crowd, the line between modern country and hair-rock was never more blurred, resulting in an unconventional mix of fan. Even so, nearly all sang along when Nelson saluted their late dad with a show-closing "Garden Party" — and then promptly lined up for an autograph.

 

Sundy Best perform

Dusty Draper/CMA

Best Hometown Crowd: Sundy Best

Sundy Best may not have an "a" in their name, a bass player or even a proper drum kit — percussionist Kris Bentley keeps time on a cajon — but the Kentucky duo sure has some willing-to-travel fans. Before Bentley and singer-guitarist Nick Jamerson took the stage, their loud and Bluegrass State proud audience had assembled, hollering out requests for the sing-along "Home." It only intensified once they played the song, reaching a roar when Jamerson sang the line "I was born here in Kentucky." No one seemed to care they were actually in Tennessee.

dakota bradley

Rich Polk/Getty Images

Best Surprise Stage Presence: Dakota Bradley

The sunglass-wearing Dakota Bradley had a Tom Cruise in Risky Business vibe when he took the Samsung Galaxy stage on Sunday — never mind that the film was released more than 10 years before the Tim McGraw protege's birth. At just 20 years old, Bradley may be best known for his career start on the Ellen DeGeneres Show, but he commanded the stage with more sophisticated presence than his bubblegum-friendly gee-whiz lyrics and song titles ("Somethin' Like Somethin'") would imply. On "Kick It," he threw in some reggae riffs, working the by-now-CMA-exhausted audience, who could have easily lazed on the hammocks scattered throughout the lawn, to their feet

Fans sing along at CMA Music Fest

Michael Loccisano/Getty Images

Best Spontaneous Garth Brooks Sing-Along

While Blake Shelton or Luke Bryan may be the current Prom King of country radio, the throne still awaits Garth Brooks whenever he's ready to reclaim it. That was obvious after Shelton's headlining set Friday night, when an impromptu mass sing-along of Brooks' iconic "Friends in Low Places" busted out among festivalgoers making the post-show, cattle-call-like walk across the Shelby Street Bridge from LP Field over the Cumberland River to Downtown Nashville.

Jason Aldean performs

Frederick Breedon IV/WireImage

Best Version of ‘Dirt Road Anthem’: Jason Aldean

Brantley Gilbert may have co-written the codeine-infused country-rap slow jam "Dirt Road Anthem," but Jason Aldean sings (and raps) the definitive version. Gilbert and Aldean both played the song within 24 hours of each other at LP Field. While Gilbert's murky rendition on Thurdsay was mostly met with blank stares across the stadium, Aldean's impassioned version the next night was received like, well, an anthem, with festivalgoers waving arms from side to side en masse at the singer's command. Sometimes having a good tune is only half the battle.

 

Show Comments