25 Best Country and Americana Songs of 2018 - Rolling Stone
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25 Best Country and Americana Songs of 2018

Tracks by Kenny Chesney, John Prine and Courtney Marie Andrews highlight the year in country songs

best country songs of 2018

Songs by Kenny Chesney, John Prine and Courtney Marie Andrews make up our best country songs of the year.

Rick Scuteri/Invision/AP/Shutterstock; Mark Zaleski/AP/Shutterstock; Andrew Benge/Redferns

Country music addressed a number of tough topics this year: addiction, failed marriages, the passage of time and disillusionment in our leaders, among them. And while those songs excelled because of their sharp lyricism, thoughtful arrangements and stellar production, or a combination of all three, at their core they reminded us that we’re all in this together. Here’s 25 tracks that gave us reason to reflect, reconsider and celebrate existence in 2018.

Dierks Bentley

Jim Wright


Dierks Bentley featuring Brothers Osborne, “Burning Man”

Country collaborations can often feel like forced affairs, with the guest artist punching in their vocal from afar. No so with Bentley and Brothers Osborne’s “Burning Man,” a restless rocker that explores the gray area between settling down and running free. Bentley and TJ Osborne’s vocal turns complement each other in their urgency, while guitarist John Osborne unleashes a slashing solo that could only come from his guitar. One of Bentley’s all-time best. J.H.

Carrie Underwood

Courtesy of UMG Nashville


Carrie Underwood, “Cry Pretty”

For the notoriously private Carrie Underwood, it wasn’t easy to open up and let the world in, especially after an extremely difficult phase in her life where she battled public struggles — like a fall that left her with over 40 stitches in her face — and private tragedies, like the unfathomable pain of multiple miscarriages. But when she came out with “Cry Pretty,” debuted live on the ACM Awards, that all changed in an instant: this was a song about making peace with being broken, and what it’s like to share that with a world that expects perfect and pretty 100 percent of the time. Plus, it’s easy to talk about how women don’t get played on country radio, or aren’t appearing at the top of festival billing. But for “Cry Pretty,” Underwood enlisted all-women co-writers (Hillary Lindsey, Liz Rose and Lori McKenna), took up producing reins and brought along all female acts to open her tour. You can’t cry pretty, but it’s beautiful when you walk the walk. M.M.

American Aquarium

Cameron Gott


American Aquarium, “Tough Folks”

American Aquarium leader BJ Barham came back with a new band and a new outlook in 2018, grappling with Donald Trump’s election and his own Southern upbringing on the LP Things Change. In the hard-rocking “Tough Folks,” Barham sees the connections between economic depression and voting for anyone who makes wild promises. “And last November I saw firsthand / What desperation makes good people do,” he sings, as the band powers through the song’s signature crunchy riff. But it’s not politicians who will improve the lives of poor Southern folks, Barham argues — it’s their own ingenuity and ability to make something out of nothing. J.F.

Jason Aldean

Miller Mobley


Jason Aldean featuring Miranda Lambert, “Drowns the Whiskey”

Jason Aldean has developed something of a reputation for stylistic experiments since breaking out with “Dirt Road Anthem,” but the best song on 2018’s Rearview Town is as straightforward a country tune as they come. Penned by Brandon Kinney, Jeff Middleton and Josh Thompson, “Drowns the Whiskey” — in true “The Bottle Let Me Down” form — envisions a heartache that can’t be killed by the potent corn liquor made in Tennessee’s Jack Daniel’s distillery. The production is lovely, a sighing, undulating mix of electric guitars, steel and synthetic drums, finding a sweet spot where all these things sound contemporary. Lambert gets the assist, her distinctive harmonies smoothing out the song’s rougher edges and opening up the possibility that this particular heartbreak may go in both directions. J.F.

Kenny Chesney

Allister Ann


Kenny Chesney featuring Mindy Smith, “Better Boat”

Kenny Chesney has made a career out of songs about the sea, the sand and the good times had in both. But in Travis Meadows and Liz Rose’s “Better Boat,” he finds the perfect maritime metaphor for self-change. Just a vessel riding life’s current, Chesney knows he can always strengthen his hull: “Now and then I let it go/ I ride the waves I can’t control I’m learning how to build a better boat.” A stunner, made all the more impactful by guest Mindy Smith’s ethereal harmonies. Alas, it failed to break the Top 20 on the charts, further proof that country radio isn’t always the place for the best songs. J.H.

Eric Church

John Peets


Eric Church, “Higher Wire”

There’s so much space on the gloriously unpredictable “Higher Wire,” from Church’s sixth album Desperate Man, you could crawl inside if you wanted to. Who else in mainstream country (or anywhere, really) could mix a swampy, sticky guitar vamp with vulnerable falsetto, vocal effects that sometimes sound like a skipping record and production straight out of 1969? No one else but Church, who takes a completely out-of-the-box turn on “Higher Wire” to create a song both stunningly bare but thrillingly rich, thanks in part to the power pipes of Joanna Cotten. Church has said that it was “Higher Wire” that shook him out of a creative stalemate. Were it to be released as a single, perhaps it’d shake radio out its funk, too. M.M.

Lori McKenna

Becky Fluke


Lori McKenna, “People Get Old”

“And I’m older now than he was then / If I could go back in time, I would in a second,” sings Lori McKenna in “People Get Old,” from her Dave Cobb-produced LP The Tree. Aging and the passage of time is well-traveled territory for country singer-songwriters, but few of them can do it with McKenna’s humanity and wit. This unadorned tune moves with surprising swiftness, from summer days with her father as a kid to a house full of her own children and catching herself saying the same things he used to say. That McKenna handles it all with such clear-eyed matter-of-factness doesn’t take one ounce of its power away. J.F.

Kacey Musgraves

Jamie Nelson


Kacey Musgraves, “Space Cowboy”

On an album of genre experimentation and bold adventurousness, “Space Cowboy” was the most grounded gesture from the Texas wordsmith, a heartbroken ode to the moment someone realizes the inevitable end to a doomed relationship has finally arrived. That moment comes, more precisely, in the blissful two-second pause right after Musgraves sings the song’s hook (“You can have your space….cowboy”), turning the grand kiss-off into a devastatingly clever pun. J.B.

Ashley McBryde

Alysse Gafkjen


Ashley McBryde, “American Scandal”

The Grammy-nominated songwriter pines for a love as passionate (and illicit) as the one between Marilyn Monroe and JFK in this gem from McBryde’s equally stunning debut album Girl Going Nowhere. “Hold me like you ain’t mine to hold,” she belts, offering a damn-the-consequences declaration. Loving the wrong person has never sounded so right. J.H.

Pistol Annies

Miller Mobley


Pistol Annies, “Best Years of My Life”

The highest summit among the many peaks of Pistol Annies’ fantastic third album Interstate Gospel, “Best Years of My Life” is also one of Miranda Lambert, Ashley Monroe and Angaleena Presley’s most crushingly sad songs. “I picked a good day for a recreational Percocet,” sings Monroe at the top, accompanied by some guitar work and a chord progression that evoke “Help Me Make It Through the Night.” In this case, though, physical intimacy seems to be replaced with “intellectual emptiness” or a stiff drink — basically, anything to take her mind off the feeling of being trapped in a loveless marriage in a tiny town. As real as it gets. J.F.

John Prine

Danny Clinch


John Prine, “Summer’s End”

This heartbreaking ballad on John Prine’s stunning new album uses the changing of the seasons as an operating metaphor for old age and mortality. The song mixes the songwriter’s typical penchant for plainspoken absurdity (“the moon and stars hang out in bars, just talking”) with the heartstring-pulling tenderness of the simple chorus: “Come on home/ You don’t have to be alone.” But it’s the uncomfortably vivid details — damp bathing suits drying on a clothesline, a wide open car window in the middle of winter —that cement this song as a late-career Prine classic. J.B.

Courtney Marie Andrews

Laura E. Partain


Courtney Marie Andrews, “May Your Kindness Remain”

The best country and Americana song of 2018 is the one that left its mark through an indelible, essential message: how important it is to be a good, kind person, through and through. “May Your Kindness Remain,” the first track on Andrews’ album of the same name, starts subdued, with a delicate procession of organ and her pristine vocals presented as if she’s in an intimate conversation with only those close enough to feel her breath. But it soon takes a steady build from that contemplative folk to triumphant gospel, exploding with emotion as it progresses. “When your money runs out, and your good looks fade, may your kindness remain,” Andrews sings — flinging those words with all her might, like if she belted them loud enough, everyone on earth could hear. And they should. “May Your Kindness Remain” is a sentiment far more worthy of being printed on a red ball cap than anything else. M.M.

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