10 New Country Artists You Need to Know: May 2016 - Rolling Stone
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10 New Country Artists You Need to Know: May 2016

From an unapologetic cowboy singer to a dazzling chanteuse-wordsmith

Luke Bell and Caitlyn Smith; 10; New; Country; Artists; May; 2016

Former ranch hand Luke Bell and sublime vocalist Caitlyn Smith are among 10 New Country Artists You Need to Know.

Frazer Harrison/Getty, Kevin Winter/Getty

Once again, we find country and Americana artists both on the verge and under-the-radar who deserve a listen. This installment of Rolling Stone Country's Artists You Need to Know includes a ferocious Tex-Mex-tinged band, a Southern-rock badass and a trio of women who deliver sharp lyrics with angelic harmonies.

Luke Bell

INDIO, CA - APRIL 30: Musician Luke Bell poses backstage during 2016 Stagecoach California's Country Music Festival at Empire Polo Club on April 30, 2016 in Indio, California. (Photo by Frazer Harrison/Getty Images for Stagecoach)

Frazer Harrison/GettyImages

Luke Bell

Sounds Like: A rough-around-the-edges return to country traditionalism, full of honky-tonk shuffles, steel solos and the big, booming baritone of a former ranch hand who's actually lived the cowboy lifestyle

For Fans of: Dwight Yoakam, J.P. Harris, Roger Miller

Why You Should Pay Attention: Raised less than an hour's drive from Yellowstone, Bell spent his summers working on his grandparents' ranch in Shell, Wyoming. "I built fences, worked horses, stacked hay, dug sewage lines and fixed water tanks," says the 26-year-old, who later resettled in Nashville. There, a weekly gig at Santa's Pub — the double-wide trailer and karaoke bar that's become an unlikely home for Nashville's traditional country scene — helped Bell sharpen his honky-tonk chops. His self-titled debut for Thirty Tigers hits stores this summer, bringing with it a sound that splits the difference between his Bakersfield influences, Wyoming roots and Nashville ties.

He Says: "I grew up on all kinds of music, just like everybody else. I loved Nirvana. I loved punk rock. But I'm very drawn to the simplicity and timelessness of honky-tonk music. A lot of different music is about examining the human condition, but with honky-tonk, you get to have a sense of humor in the delivery. You can laugh at yourself."

Hear for Yourself: "Sometimes" is a super-sized slab of throwback Bakersfield twang (and its video was shot with Santa's regulars).  Andrew Leahey

Rick Brantley

Dean Berner

Rick Brantley

Sounds Like: If Steve Earle swapped fiddle and steel for lush piano, but retained the ability to flash from introspective ballad one moment to "Copperhead Road"-aggression the next

For Fans of: Those poets of the American experience who deliver narratives with a whisper, a holler and a growl: John Mellencamp, Bob Seger, Bruce Springsteen

Why You Should Pay Attention: Brantley was only a boy when he started perusing liner notes, becoming just as entranced by the words behind the music as the songs themselves. And what songs they were: growing up in Macon, Georgia — home of Otis Redding and the Allman Brothers — he not only soaked in those local legends but was well-schooled by his preacher father, who made sure to spend equal time exposing his son to the gospel of Kris Kristofferson as anything else. It paid off — shortly after landing in Nashville, he scored a publishing deal and did time touring with the Zac Brown Band and John Hiatt. Over a decade later, Brantley just released what could be his seminal track: "Hurt People," a "Streets of Philadelphia"-style heartbreaker that's inspired praise from artists like Brothers Osborne. It explores how our behavior, both good and bad, often has immovable roots: because "hurt people, hurt people."

He Says: After his co-writer Ashley Ray mentioned the phrase "hurt people hurt people" to Brantley, it haunted him. "Every night, I would walk around the block and couldn't get it out of my head," he says. "And I thought of this kid in the fifth grade who used to kick my ass everyday. Then I went to his house, and I met his father. And I went, 'Holy fuck, I get where this is coming from.'" It's a moment he evokes in the song, when he discovers the bully on his porch "with a welt on his face the shape of his daddy's high-school ring."

Hear for Yourself: With its Springsteen sing-speak delivery and spare piano, "Hurt People" is a ballad of both pain and healing. Marissa R. Moss

Kaia Kater

Polina Mourzova

Kaia Kater

Sounds Like: Old-time Appalachian banjo tunes — both traditional and newly crafted — with sobering, honest lyrics exploring all-too-current themes including poverty and racism

For Fans of: Gillian Welch, Carolina Chocolate Drops, Rhiannon Giddens 

Why You Should Pay Attention: A 22-year-old Québec, Ontario, native of Afro-Caribbean descent, Kater graduates from the first Appalachian Program at West Virginia's Davis & Elkins College this month. However, she already writes and performs with the skill of a folk-circuit veteran, penning such startling lines as this one that opens the title track of her debut LP, Nine Pin (named for a square-dance formation): "These clothes you gave me don't fit right, the belt is loose and the noose is tight/ Got drunk out looking for a fight, I'm soft and heavy as the night."

She Says: "I think songwriting prowess really comes through when one lyric can mean so much. I'm reminded of an incredible Canadian musician, and one of my favorite poets, Amelia Curran, who has a song called 'Time, Time.' One of the lines she sings is: 'Now that we're adding up all of the time that it took / you only promised me pages / I promised you books.' To me, it's a song about the futility of time and how it's the only thing you can't get back — which means that time itself, something we take for granted so often, is more powerful than anything. There's something magical about that type of writing."

Hear for Yourself: The plaintive, mesmerizing "Rising Down," which, with its delicate touch of her clawhammer banjo, muted trumpet, upright bass and subtle electric guitar, conjures a quiet, yet powerful storm. Stephen L. Betts

Marty Heddin

Marty Heddin

Sounds Like: An unabashed fan, and true aficionado, of all things Nineties country, who doesn't want to rock the jukebox

For Fans of: Alan Jackson, Randy Travis, Kenny Chesney

Why You Should Pay Attention: Because legendary producer Keith Stegall — who has worked with Travis and Jackson — encouraged Heddin to become a recording artist. He believes in the Texas native so strongly that the pair started a label partnership with Mike Murphy, the nightclub impresario who has employed Heddin for nearly 25 years as the house-band leader in his Cowboys Dancehall and other clubs throughout Texas and Georgia.

He Says: "The coolest thing about this whole 25 year journey is I've gotten to open for everyone. I guarantee my list is probably longer than anybody in the history of music," says Heddin with a laugh, looking back on time spent at Cowboys warming up for everyone from George Jones to Faith Hill to Kenny Chesney. After some near misses with indie deals, Heddin was satisfied with the life of a working musician in cover bands pleasing big crowds but still wondered about giving a recording career another shot. "I've always thought about doing it, but I've done cover songs so long that I thought I was stuck in a rut and nobody would take me seriously." Stegall and Murphy did take Heddin and his music seriously, however, and at 45, the artist released a self-titled, six-song EP earlier this month.

Hear for Yourself: The ruminative and lovely "Game Changer" details that sweet moment when the right one comes along. Sarah Rodman

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