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10 New Country Artists You Need to Know: July 2016

From a British singer-songwriter to an Internet-born firebrand

new country artists, country music, new country singers, kane brown, lucie silvas, lauren jenkins, tim montana, anthony damato, country new faces

Lucie Silvas and Kane Brown are among the new country artists you need to know this summer.

Sonya Jasinski; Frederick Breedon IV/GettyImages

As the country music umbrella grows ever wider, rural-minded artists who work in rock and hip-hop invariably have a place to land. This installment of Rolling Stone Country's Artists You Need to Know includes a number of country outliers, from a polarizing Internet sensation and a British import to a wild gang of Southern-rockers. 

William Tyler

Angelina Castillo

William Tyler

Sounds Like: Ry Cooder playing Kraftwerk (part country twang, part mechanical European rhythms), yielding driving music perfect for passing through ghost towns

For Fans of: Bill Frisell, John Fahey, Buddy Miller

Why You Should Pay Attention: In 2013, Lambchop guitarist Tyler had just started touring for his solo album Impossible Truth when he had a sudden attack of agoraphobia in regards to the U.S. highways system. The only way he could continue was to avoid interstates and travel the back roads. So Tyler, who was picked by Jack White to open his 2015 Nashville arena gig, spent the next few years exploring America's bypassed and dying small towns, while also reading books like George Packer's decline-of-empire narrative The Unwinding. Tyler's musical response was his new album Modern Country, a collection of beautiful instrumentals that evokes the stark desolation of this new invisible dustbowl. Wilco drummer Glenn Kotche and members of Hiss Golden Messenger are among the contributing players.

He Says: "Detouring through these weird little small towns, I started seeing this thing I tried to put my finger on: What is changing about our country during this slow fade? There's this box culture of cities and interstates and suburbs we live in, but it has also destroyed small-town commerce and left those people with nothing. I started thinking about it from a nostalgic, socialist angle. That's what I wanted this record to be about."

Hear for Yourself: Modern Country's "Gone Clear" balances clattering electronic effects with a modal folk-rock riff that recalls classic Richard Thompson. David Menconi

Lucie Silvas

LONDON, ENGLAND - JANUARY 21: Lucie Silvas performs at 229 The Venue on January 21, 2016 in London, England. (Photo by Lorne Thomson/Redferns)

Lorne Thompson/Redferns

Lucie Silvas

Sounds Like: A fiery Brit, raised for a time in New Zealand, whose musical American road trip makes pop-fueled pit stops in Nashville, Memphis and Motown

For Fans of: Brandi Carlile, Sara Bareilles, Jamie Floyd

Why You Should Pay Attention: Silvas wraps her gutsy, smoldering vocals around razor-sharp lyrics and sparkling melodies. Highlighted by the punchy title cut, the powerful, elegant country-pop ballad "Unbreakable Us," and the bubbly "How to Lose It All," Letters to Ghosts covers a lot of  ground. Silvas has done the same, having toured with Little Big Town, Kacey Musgraves and Chris Stapleton, as well as Elton John and Jamie Cullum. Making trips to Nashville since 2007, she moved to Music City permanently in 2012 and, last year, married Brothers Osborne guitar player John Osborne, who co-produced Silvas's album.

She Says: "I always felt like the music that I made didn't necessarily fit in anywhere," Silvas says of her genre-defying tunes. "Even in the U.K. there were charts full of songs that certainly weren't a girl sitting at a piano playing ballads. I remember coming to Nashville thinking that people just love songs here. It doesn't matter who you are or what you've done or what you haven't done. People just get up there and play their songs and it feels like such an emotional connection."

Hear for Yourself: The percussive "Letters to Ghosts" finds a vulernable Silvas admitting she's powerless to let go of the past. Stephen L. Betts

Kane Brown

NASHVILLE, TN - JUNE 10: Kane Brown performs on the Chevrolet Riverfront Stage on June 10, 2016 in N (Photo by Frederick Breedon IV/Getty Images)

Frederick Breedon IV/Getty Images

Kane Brown

Sounds Like: Country's own Justin Bieber, complete with tattoos and piercings

For Fans of: Chris Young, Sam Hunt, Florida Georgia Line

Why You Should Pay Attention: Like the Biebs before him, Ft. Oglethorpe, Georgia, native Kane Brown rocketed from virtual obscurity to viral sensation by posting videos of himself singing popular (mostly country) songs. Fans were still eager for more when Brown released his independent EP Closer and he was quickly snatched up by Sony Music Nashville. His major-label debut single "Used to Love You Sober" proved he was no fluke, selling over 250,000 units and showcasing his rich baritone. This summer, he's got a primo opening spot on Florida Georgia Line's Dig Your Roots Tour.

He Says: "[Social media is] kind of like my own little radio. Any other artist, I don't think [the label] would let them do it. But since that's how I got started and Sony sees that, they're very lenient on letting me do what I want to do. They've never had anybody like me so they don't want to mess anything up. Because it's working. Why try fixing something that ain't broke?"

Hear for Yourself: Brown just released the summer anthem "Ain't No Stopping Us Now," an assemblage of stuttering drum loops and gleaming guitars that should make any office drone daydream about miles of white sand and tank tops as acceptable public attire. Jon Freeman

Tim Montana and the Shrednecks

Josh Marx

Tim Montana & the Shrednecks

Sounds Like: ZZ Top with louder guitars, gnarlier riffs and dirtier beards

For Fans of: Kid Rock, ZZ Top, the Cadillac Three

Why You Should Pay Attention: Upon meeting ZZ Top's Billy Gibbons, head Shredneck Tim Montana found his spirit animal — and wrote a cult favorite with Gibbons in "This Beard Came Here to Party," co-opted by the Boston Red Sox for their 2013 post-season run. The band — fleshed out by guitarist Kyle Rife, drummer Brian Wolff and bass player Bryce Paul — recently wrapped up a tour with ZZ Top and are opening for Kid Rock on dates this summer. Following another cut with Gibbons, the outrageous "Weed & Whiskey," Montana and his gang are in the studio collaborating with Rock and working on a new album.

He Says: "My earliest musical memory was I found this Marlboro Country mixtape with songs by Charlie Daniels and Ronnie Milsap — that my mom smoked a lot of cigarettes to earn. Then a week later, I found a Guns N' Roses tape. I chuckle now, but our sound is the perfect combo of those first two tapes," says Montana, who is actually from the state that bears his name and plays there often on tour. "We're going to markets and seeing people who have seen us in other places and we're building this on our own. We're laying a brick foundation."

Hear for Yourself: Montana is currently experimenting with rapid-fire rap deliveries and drum loops in the studio, but "Weed and Whiskey" leans on harmonies and a devilish chorus. Joseph Hudak

Adam Craig

Jason Myers

Adam Craig

Sounds Like: Nineties-country sensitivity welded to modern tailgate jams by a blowtorch of a voice

For Fans of: Jason Aldean, Eli Young Band, Vince Gill

Why You Should Pay Attention: After years of writing songs for other artists — and even scoring a Top 5 hit with Parmalee's "Close Your Eyes" — Adam Craig's self-titled EP signals the arrival of an artist with a slightly different take on modern country. Born and raised in the post-grunge Pacific Northwest, his approach is more about connecting through raw emotion than us-against-them identity politics or boastful machismo, and his secret weapon is a soul-piercing, high-flying voice. Drawing inspiration from open-hearted heroes like Tim McGraw and Travis Tritt, Craig sings his young-love party rockers like a nice-guy who'll be respectful to your daughter and make sure she gets home on time. But his forte lies in revealing the messiness of his own broken heart — something nice guys are all too familiar with.

He Says: "There might not be a lot of emotion [on the radio] lately, but the thing I love about a breakup song or a cheating song — and it's never me cheating; I'm always the one getting cheated on — is it can take you there and you get to that raw emotion. You get pissed."

Hear for Yourself: Craig's first single "Reckon" captures the careening sense of confusion that follows a bad breakup, full of flip-flopping mental gymnastics and howl-at-the-moon vocals. Chris Parton

Bill Eberle

Wild Rivers Photography

Bill Eberle

Sounds Like: An old-soul folkie making sense of the modern world, bending the traditions of his heroes — Dust Bowl songwriters, train hoppers, Delta bluesmen — to suit the 21st century

For Fans of: Post-jail Steve Earle, Bonnie "Prince" Billy, Bruce Springsteen's Nebraska

Why You Should Pay Attention: Split between acoustic folksongs, revved-up roots-rockers and Americana ballads, Eberle's indie debut Matter & Time finds the Pittsburgh-born songwriter nodding to the fingerpickers who came before him. He's no revivalist, though. Songs like "Ashes (Trayvon Martin Blues)" take a hard look at America's growth — or lack thereof — since the glory days of Guthrie, and members of Nashville's world-pop buzz band ELEL make up the rhythm section, pointing Matter & Time toward the less explored wing of folk music.

He Says: "There's a difference between trying to sound old and trying to sound timeless," notes Eberle, who teamed up with co-producer Dave Coleman to capture the album in a series of live takes. "Look at Sturgill Simpson's last album. You've got this dude singing about alien reptiles over a country band. It draws you in. It's not a throwback act."

Hear for Yourself: "Ashes (Trayvon Martin Blues)" is a haunting bit of social commentary, driven by Eberle's old-timey arrangement. Andrew Leahey

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