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10 New Country Artists You Need to Know: February 2018

From the blue-collar twang of Pat Reedy to the easygoing country-pop of Brown & Gray

rs country february new artists

Pat Reedy and the duo Brown & Gray are among the 10 new country artists you need to hear right now.

This month’s must-hear artists list is populated by a number of distinct duos: the power balladry of Haley & Michaels; the somber folk of Dead Horses; the easygoing country-pop of Brown & Gray; and the Red Dirt vibe of Shotgun Rider. But there’s also some solo artists staking their claim with both traditional and avant-garde sounds. 

rs country february new artists

Wilde Company

Pat Reedy

Sounds Like: Gritty AM-country gold spinning on a truck-stop jukebox

For Fans of: Dale Watson, Cody Jinks, Merle Haggard’s “Workin’ Man Blues”

Why You Should Pay Attention: Pat Reedy knows a few things about an honest day’s work. At 36, the self-professed jack-of-all-trades doesn’t balance his music dreams with a flexible service-industry gig like many other artists. Instead he prefers construction, sweating and swearing on the high-rises going up all around Nashville. Before that he was an oil-drilling roughneck and a surface miner, among other adventures, and that blue-collar, salt-of-the-earth approach shows up big time in his music. Drawling, a little rough around the edges, and delivered with a booming baritone that could be heard over a bulldozer, Reedy’s tunes are simple and sincere throwbacks to the straight-talking country of the 1970s and before. “I like the shit Waylon Jennings rebelled against, and I like the shit he did,” Reedy says. On the 12 tracks that make up That’s All There Is (out April 6th), Reedy calls it like he sees it, celebrating calloused hands and quitting time in a way that’s rare in today’s mainstream.

He Says: “The stuff that’s out there now is just so plastic. If you listen to the lyrics it’s like they’re all written by 13-year-old girls, and it seems like there’s zero creativity allowed. It’s all about buzz words. I mean, I drive an old F-150. I enjoy hunting and fishing and giggin’ frogs. I like sweet tea and I love turnip greens, but I don’t write about that. And it used to be that country music had a sense of humor about itself. Like David Allan Coe writing about prison, trains and mama – that was funny. But now it’s like that’s the extent of the intellect that is acceptable.”

Hear for Yourself: Dripping with steel guitar, a road-weary rhythm and Reedy’s lonesome, low-down vocals, “Bloodshot Heart” is a tribute to doing things the hard way – and paying the price. C.P.

rs country february new artists

Abraham Rowe

Belle Adair

Sounds Like: Dreamy, guitar-driven melancholia with a Southern twist

For Fans of: Big Star, the Byrds, Wilco, Tom Petty & the Heartbreakers

Why You Should Pay Attention: Hailing from Alabama’s Muscle Shoals area, Belle Adair – Matthew Green, Adam Morrow, Reed Watson and Hayden Crawford – recently released their second album Tuscumbia on Single Lock Records, the indie label founded by singer-songwriter John Paul White, Alabama Shakes member Ben Tanner and Will Trapp. Nodding to the area’s extraordinary musical history, Belle Adair recorded Tuscumbia at Fame Studios under the guidance of Wilco producer/engineer Tom Schick. And while the band’s members have played behind performers like White and singer-songwriter Dylan LeBlanc, their own recordings don’t fit so neatly within the confines of Americana or country, nodding toward the jangling, idiosyncratic pop tendencies of fellow Southerners Alex Chilton and Tom Petty.

They Say: “There’s some certain things we do like vocal harmonies and the use of a 12-string [guitar] and things like that, that distinguish the band melodically,” says leader Matthew Green. “I don’t want to say ‘power pop,’ but [it is] maybe somewhere getting into that realm, rather than straight up Americana or folk or country. But three of the guys in the band, we’re John Paul’s backing band, so we definitely know that world and we definitely spend time in it and play music that falls under that umbrella. Somehow, someway it’s gotta sneak its head in there.”

Hear for Yourself: The blissful “Get Away,” with its brightly ringing guitars and unhurried groove, mixes Britpop and California country-rock cool. J.F.

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