91. Naked City, 'Torture Garden' (1990)
Iconoclastic jazz rebel John Zorn has always embraced any influence, no matter how extreme: In the Seventies and Eighties, he could often be found honking through a duck call, sowing dizzying chaos through "game"-based improvisation or channeling the turn-on-a-dime schizophrenia of Carl Stalling's Warner Bros. cartoon music. His most notorious project, Naked City, followed a love affair with the furious grindcore blastbeats spilling from England (score sketches had things like "NAPALM BLAST" scrawled on them) and the chaotic noise-punk gargling from Japan. For an album of 26 grind-length songs (longest track, 79 seconds), Zorn's pained sax, a crew of seasoned downtown jazzers and Boredoms vocalist Yamatsuka Eye screech, gurgle and spray through heavily composed, ADD freakouts. Zorn concocted a blend of extreme metal and out-jazz that was as rigorously structured as contemporary classical music, resulting in brutally disorienting, genre-defying bursts that can make Dillinger Escape Plan sound like disco. Describing the 52-second "Speed Freaks" to NPR, Zorn said, "I think there's something like 30 or 40 different styles of music in less than a minute. Each one is one bar long." Zorn's deranged, often perversely loony, switches of time and mood can still be felt across the high-minded, no-holds-barred slice-and-dice of avant-metal's composer class: Mike Patton, Kayo Dot, Yakuza and others. C.R.W.