"Luv N' Haight" (1971)
During the time Sly had disappeared into his L.A. studio, he was experimenting with playing every instrument he could lay his hands on. Riot still featured the Family players, but in many instances it was all Sly, overdubbing himself playing the various parts. With each new layer, the sound quality would gradually deteriorate into the hazy, opioid sound heard on "Time," "Thank You for Talkin' to Me Africa," "Luv N' Haight," and other songs: all slurred and half-dreamed. The affect was as alluring as it was foreboding – a journey into the heart of funk's darkness.