In the latter half of the Fifties, Chuck Berry released a string of singles that defined the sound and spirit of rock & roll. "Maybellene," a fast, countryish rocker about a race between a Ford and a Cadillac, kicked it all off in 1955, and one classic hit followed another, each powered by Berry's staccato country-blues-guitar gunfire: "Roll Over Beethoven," "School Days," "Rock and Roll Music," "Sweet Little Sixteen," "Johnny B. Goode," "Back in the USA." What was Berry's secret? In the maestro's own words, "The nature and backbone of my beat is boogie, and the muscle of my music is melodies that are simple." This collection culls the best of that magic from 1955 to 1965.