EMA, 'The Future's Void'
Erika Anderson's excellent second album builds on the stark confessional style of her low-fi 2011 debut, Past Life Martyred Saints, exploring piano ballads ("3Jane") and industrial rants ("Neuromancer") about social-media paranoia. ("Making a living off of taking selfies" is bad, TBH.) But the Hole-style "When She Comes" really sums up EMA's sinister charisma. Meet the new Miss World.