20. At the Drive-In, 'In/Casino/Out' (1998)
Even today, there are not nearly enough punk bands as eclectic as At the Drive-In. Take the bongo smacks underlining "Chanbara" which transport the band between an El Paso garage and an Afro-Caribbean jazz club; or "Pickpocket," in which Omar Rodríguez-López and Jim Ward churn out quizzical, no-wave-y whimpers of guitar. They twist and turn discordantly at the whims of a shrieking Cedric Bixler-Zavala, who warns against the suburban nuclear family model by equating it to cultural nuclear war. A stirring preface to the more relentless, aural assault of their following LP, Relationship of Command. "We didn't get to execute maybe 30% of the ideas that were initially planned for the record because of lack of time," said Bixler-Zavala. "Being rushed is cool. I mean, we work really good under pressure, I think. It really pushes our buttons." S.E.