14. Clipping., 'CLPPNG'
Opening with a full minute of ear-piercing high-pitched feedback (thanks for that), this L.A. trio spool out creatively organized noise on their second album. The band's two producers bring varied pedigrees (Jonathan Snipes composed the score to Room 237) and he's in an experimental noise band with Clipping's other soundbomber William Hutson. The tracks they make together rattle and bray with wobbling low-end, synapse-tweaking synth/sample shards and crinkly, contrarian beats, making at times funky, at times infuriating musique concrète that would probably sound more radical if we didn't live in a world where Yeezus was global superstar pop music. Rapper Daveed Diggs compliments with weedy wordpainting: The bit in the evocatively moody "Taking Off" about being broke and alone in a roach hotel apartment while your neighbor annoyingly bumps Black Flag resonates more than the stuff about girls and drugs and cops and politics, speaking in the realtalk of wan slacker suffering. J.D.