3. Traxman, 'Tekvision'
Of all the Chicago footwork architects from the frenetic genre's first wave of worldwide exposure, Cornelius "Traxman" Ferguson has proven to be the hardest rocking – the most willing to make mincemeat of heavy metal riffs. His fifth-or-so album explores a new type of harshness thanks to tweaking the minimalist textures of vintage electronic music – "Tone Deaf" is like a pulsating sine wave turned into funky morse code, "Whop Line" is a piercing wobble sent howling and wiggling onto the dancefloor. Tracks like "Gone Girl" are a more familiar return to tweaking classic pop songs, but his stuttering work – presumably his quick fingers on an MPC – leaves busted-sounding glitches and skips. C.W.