1994: The 40 Best Records From Mainstream Alternative's Greatest Year

Green Day, Nirvana, Pearl Jam and 35 other bands who made the word "alternative" lose all meaning

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Liz Phair, 'Whip-Smart'
Courtesy of Matador Records18/40

18. Liz Phair, 'Whip-Smart'

In October '94, a month after her second album arrived, Liz Phair appeared on the cover of Rolling Stone in a story titled Liz Phair: A Rock & Roll Star Is Born, in which she explained her follow-up to Exile in Guyville (a sort of concept album twisting the Rolling Stones' Exile on Main Street into a feminist sexual statement) was a sort of concept album about — a relationship. "I made a rock fairy tale," she said. "A little myth journey – from meeting the guy, falling for him, getting him and not getting him, going through the disillusionment period, saying, 'Fuck it,' and leaving, coming back to it." It seems even at that early moment, Phair knew her slightly shinier second effort had left some alienated. "The first album is for Your People," she explained. "The second is for the People; the third is for Everybody. Your People hate your second album because it isn't for them, but you have to attract the attention of the People, who will get a sound, get an idea, digest and spit it out. And the next time you can get revolted by that and go back to the original Your People mentality, which is more intimate." Phair didn't end up following her own formula exactly, but fuck the haters. Whip-Smart has a fuzzy radio-friendly hit ("Supernova") sitting right next to a spare doodle about foreplay ("Chopsticks"). It's dirty and confessional and atonal and tuneful and above all, honest and ballsy — she did, after all, stick her face in the middle of a star on its album over. Not very '94, and therefore bolder than you'd remembered. Caryn Ganz

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