4. Jeff Buckley, 'Grace'
After Jeff Buckley shrugged off comparisons to a father he barely knew, avant-folk pioneer Tim Buckley, a few tone-deaf critics lumped him in with saccharine soul propagator Michael Bolton. Suddenly, drooling record execs, including Arista's Clive Davis, frequented his Lower East Side solo shows in coffeehouses like Sin-é. His revenge was the schizophrenic, jazz-rock fever dream Grace. The only full-length released during Buckley's all-too-short life reveals a misunderstood man inspired by the boundless, and often androgynous, spirit of Led Zeppelin, Miles Davis, Edith Piaf and Nina Simone. From the barreling "Eternal Life," to the quieter riot of "Last Goodbye," to the dewy cover of "Lilac Wine," Buckley's emotional honesty is the strongest tie. His essential, falsetto-rich rewrite of Leonard Cohen's "Hallelujah," eventually became a go-to for talent shows and sentimental singer-songwriters, but deeper listens reveal an adventurous spirit owing nothing to anyone. Reed Fischer