91. "You're a Big Girl Now" (1975)
Is there a more desperately lovesick moment in Dylan's entire catalog than the point in this Blood on the Tracks gem when he croons, "I can change, I swear," and then howls like a wounded dog? Maybe only later in the same song, when he talks of "pain that stops and starts, like a corkscrew to my heart." Dylan's stunning first pass at this, the hushed New York outtake included on Biograph, sounds wounded. But here, the pain is even sharper. "I read that this was supposed to be about my wife," Dylan wrote in the Biograph liner notes, hoping to clarify the matter. "I don't write confessional songs… It only seems so, like it seems that Laurence Olivier is Hamlet."