4. "Just Like a Woman" (1966)
Dylan's finest ballad is not a love song. "Just Like a Woman" is a complex portrait of adoration and disappointment, written as vengeance but sung as regret. Dylan never revealed a specific inspiration for the woman indicted. (Dylanologists often cite Andy Warhol's star-crossed protégée Edie Sedgwick.) But the song is more about his own turbulent lessons in romance – the giving, taking and leaving. It is also Dylan's first great country-rock performance. Dylan was making thunder and headlines onstage that year with the Hawks, but he cut this song with Nashville session cats who heard and heightened his tangle of rapture and despair. "There's a lifetime of listening in these details," songwriter Jimmy Webb said. "I still marvel at what an absolutely stunning piece of writing it is."