"Circle in the Round"
"Right now I'm drawn to the Circle in the Round stuff. I'm drawn to the bridge between once Miles moved away from purely acoustic stuff — when he took Wayne [Shorter] and Herbie [Hancock] and Tony [Williams] — and his later versions of that because you see how elastic the Kind of Blue music was and how far he was able to push that stuff with those guys in his second quintet. It's like, 'How do we come from there to there?' Incidentally that is the period of time that he was with Frances [Taylor], the love of his life, 'the one that got away.' The period of time between his being with Frances and when that relationship went away, and the music from that period to where he came to at the end, is kind of what our movie mirrors."