So here are the offical awards given Saturday night for the 2008 Sundance Film Festival.
See the next entry for Sundance Awards: Mine
You don’t think I’d really agree with experts do you?
2008 SUNDANCE FILM FESTIVAL ANNOUNCES AWARDS
Frozen River, King of Ping Pong, Man on Wire and Trouble the Water Earn Top Jury Prizes;
Audience Favorites Feature Captain Abu Raed, Fields of Fuel, Man on Wire and The Wackness
Park City, UT — The jury and audience award-winners of the 2008 Sundance Film Festival were announced tonight at the Festival’s closing Awards Ceremony hosted by William H. Macy in Park City, Utah. Films receiving jury awards were selected from the four feature-length Documentary and Dramatic competition categories by distinguished jurors. Films in these categories were also eligible for the 2008 Sundance Film Festival Audience Awards as selected by Film Festival audiences. Highlights from the Awards Ceremony can be seen on the Sundance Channel, the Official Television Network of the 2008 Sundance Film Festival, beginning Sunday, January 27 as well as on the Festival website, www.sundance.org/festival.
In addition to awards for feature-length films, the Shorts Jury awarded Jury Prizes in Short Filmmaking to American and international short-form films. Other awards recognized at the ceremony included the Alfred P. Sloan Prize, awarded to a film which excels in addressing compelling topics in science or technology, and the Sundance/NHK International Filmmakers Award, created to honor and support emerging filmmakers with their next screenplays
The 2008 Sundance Film Festival Juries consisted of: Dramatic Competition: Marcia Gay Harden, Mary Harron, Diego Luna, Sandra Oh and Quentin Tarantino; Documentary Competition: Michelle Byrd, Heidi Ewing, Eugene Jarecki, Steven Okazaki and Annie Sundberg; World Dramatic Competition: Shunji Iwai (Japan), Lucrecia Martel (Argentina) and Jan Schütte (Germany); World Documentary Competition: Amir Bar-Lev (US), Leena Pasanen (Finland/Denmark) and Ilda Santiago (Brazil); American and International Shorts: Jon Bloom, Melonie Diaz and Jason Reitman; and The Alfred P. Sloan Prize: Alan Alda, Michael Polish, Evan Schwartz, Benedict Schwegler and John Underkoffler.
The 2008 Sundance Film Festival Awards Winners
The Grand Jury Prize: Documentary was presented to TROUBLE THE WATER, directed by Tia Lessin and Carl Deal. An aspiring rap artist and her streetwise husband, armed with a video camera, show what survival means when they are trapped in New Orleans by deadly floodwaters, and seize a chance for a new beginning.
The Grand Jury Prize: Dramatic was presented to FROZEN RIVER, directed by Courtney Hunt, about a desperate trailer mom and a Mohawk Indian girl who team up to smuggle illegal immigrants into the United States from Canada.
The World Cinema Jury Prize: Documentary was presented to MAN ON WIRE/United Kingdom, directed by James Marsh. The film chronicles French artist Philippe Petit’s daring dance on a wire suspended between New York’s Twin Towers and his subsequent arrest for what would become known as “the artistic crime of the century.”
The World Cinema Jury Prize: Dramatic was presented to KING OF PING PONG (PING PONGKINGEN)/ Sweden, directed by Jens Jonsson. An ostracized and bullied teenager who excels only in ping pong descends into an acrimonious struggle with his younger, more popular brother when the truth about their family history and their father surfaces over the course of their spring break.
The Audience Awards are presented to both a dramatic and documentary film in four Competition categories as voted by Sundance Film Festival audiences. The 2008 Sundance Film Festival Audience Awards are presented by Volkswagen of America, Inc.
The Audience Award: Documentary was presented to FIELDS OF FUEL, directed by Josh Tickell. A look at America’s addiction to oil, Tickell is a man with a plan and a Veggie Van, who is taking on big oil, big government, and big soy to find solutions in places few people have looked.
The Audience Award: Dramatic was presented to THE WACKNESS, directed by Jonathan Levine. During a sweltering New York summer, a troubled teenage drug dealer trades pot for therapy sessions with a drug-addled psychiatrist, and in the process falls for the doctor’s daughter.
The World Cinema Audience Award: Documentary was presented to MAN ON WIRE/United Kingdom, directed by James Marsh. The film chronicles French artist Philippe Petit’s daring dance on a wire suspended between New York’s Twin Towers and subsequent arrest for what would become known as “the artistic crime of the century.”
The World Cinema Audience Award: Dramatic was presented to CAPTAIN ABU RAED/Jordan, by director Amin Matalqa. The first feature film to come out of Jordan in 50 years, CAPTAIN ABU RAED tells the story of an aging airport janitor who is mistaken for an airline pilot by a group of poor neighborhood children and whose fantastical stories offer hope for a sad, sometimes unchangeable, reality.
The Directing Awards recognize excellence in directing for dramatic and documentary features.
The Directing Award: Documentary was presented to Nanette Burstein for her film AMERICAN TEEN, an irreverent cinema vérité which chronicles four seniors at an Indiana high school and yields a surprising snapshot of Midwestern life.
The Directing Award: Dramatic was presented to Lance Hammer for BALLAST, a riveting, lyrical portrait of an emotionally frayed family whose lives are torn asunder by a tragic act in a small Mississippi Delta town.
The World Cinema Directing Award: Documentary was presented to Nino Kirtadze, director of DURAKOVO: VILLAGE OF FOOLS (DURAKOVO: LE VILLAGE DES FOUS)/ France. The film portrays life in a castle outside Moscow, where Mikhail Morozov rules autonomously over young initiates, laying the groundwork for a rapidly growing right-wing movement.
The World Cinema Directing Award: Dramatic was presented to Anna Melikyan for MERMAID (RUSALKA)/ Russia. The fanciful tale of an introverted little girl who grows up believing she has the power to make wishes come true. She must reconcile this belief with reality when, as a young woman, she journeys to Moscow and grapples with love, modernity and materialism.
The Waldo Salt Screenwriting Award for outstanding achievement in writing was presented to Alex Rivera and David Riker for their screenplay for SLEEP DEALER. Set in a near-future, militarized world marked by closed borders, virtual labor and a global digital network that joins minds and experiences, three strangers risk their lives to connect with each other and break the barriers of technology.
The World Cinema Screenwriting Award was presented to Samuel Benchetrit for his screenplay of I ALWAYS WANTED TO BE A GANGSTER (J’AI TOUJOURS RÃŠVÃ‰ D’ÃŠTRE UN GANGSTER)/ France. Told in four vignettes, this existential comedy relates the exploits of four aspiring criminals who hope to improve their lot, but find that they might not have what it takes for a life of crime.
The Documentary Editing Award was presented to Joe Bini for his work on the film ROMAN POLANSKI: WANTED AND DESIRED. The documentary examines the public scandal and private tragedy which led to legendary director Roman Polanski’s sudden flight from the United States.
The World Cinema Documentary Editing Award was presented to Irena Dol for her work on THE ART STAR AND THE SUDANESE TWINS/New Zealand. The film profiles artist Vanessa Beecroft and how her obsession to adopt Sudanese twin orphans drives her marriage to a breaking point and fuels her controversial art.
The Excellence in Cinematography Awards honor exceptional cinematography in both dramatic and documentary categories. This year’s recipients are:
The Excellence in Cinematography Award: Documentary was presented to Phillip Hunt and Steven Sebring for their work on the film PATTI SMITH: DREAM OF LIFE, an intimate portrait of the poet, painter, musician and singer that mirrors the essence of the artist herself.
The Excellence in Cinematography Award: Dramatic was presented to Lol Crawley for BALLAST. A riveting, lyrical portrait of an emotionally frayed family whose lives are torn asunder by a tragic act in a small Mississippi Delta town.
The World Cinema Cinematography Award: Documentary was presented to al Massad for his work on RECYCLE /Jordan. A Jordanian family man living in the hometown of Muslim leader Abu Musa Al Zarqawi struggles to support his family and define his identity in a tense political climate.
The World Cinema Cinematography Award: Dramatic was presented to Askild Vik Edvardsen for KING OF PING PONG (PING PONGKINGEN)/ Sweden. An ostracized and bullied teenager who excels only in ping pong descends into an acrimonious struggle with his younger, more popular brother when the truth about their family history and their father surfaces over the course of their spring break.
A World Cinema Special Jury Prize: Dramatic was presented to Ernesto Contreras, director of BLUE EYELIDS (PÁRPADOS AZULES)/ Mexico. When Marina wins a beach getaway trip for two, her desperate search for someone to take with her leads to a complicated relationship and the revelation that she might be better off on her own.
A Special Jury Prize: Documentary was presented to Lisa F. Jackson, director of GREATEST SILENCE: RAPE IN THE CONGO, for her piercing, intimate look into the struggle of the lives of rape survivors.
A Special Jury Prize: Dramatic, The Spirit of Independence was presented to director Chusy Haney-Jardine for ANYWHERE, USA, a wildly original look at American manners, prejudices, and family dynamics.
A Special Jury Prize: Dramatic, Work by an Ensemble Cast was presented to the cast of CHOKE. An adaptation of Chuck Palahniukâ€™s novel, CHOKE is the sardonic story about mother and son relationship, fear of aging, sexual addiction, and the dark side of historical theme parks. Cast: Sam Rockwell, Anjelica Huston, Kelly MacDonald, Brad Henke.
The 2008 Jury Prize in Short Filmmaking was awarded to two films: MY OLYMPIC SUMMER, directed by Daniel Robin, and SIKUMI (On the Ice), directed by Andrew Okpeaha MacLean. The jury also presented the International Jury Prize in International Short Filmmaking to SOFT, directed by Simon Ellis. Honorable Mentions in Short Filmmaking were presented to: Aquarium, directed by Rob Meyer; August 15th, directed by Xuan Jiang; La Corona (The Crown), directed by Amanda Micheli and Isabel Vega; Oiran Lyrics, directed by Ryosuke Ogawa; Spider, directed by Nash Edgerton; Suspension, directed by Nicolas Provost, and W. , directed by The Vikings. The 2008 Sundance Film Festival Short Film Awards were presented by Adobe Systems Incorporated.
SLEEP DEALER, directed by Alex Rivera, is the recipient of this yearâ€™s Alfred P. Sloan Prize. The Prize, which carries a $20,000 cash award to the filmmaker provided by the Alfred P. Sloan Foundation, is presented to an outstanding feature film focusing on science or technology as a theme, or depicting a scientist, engineer or mathematician as a major character.
Sundance Institute and NHK (Japan Broadcasting Corporation) on Thursday announced the winners of the 2008 Sundance/NHK International Filmmakers Awards. Now in its twelfth year, the Sundance/NHK International Filmmakers Award was created to honor and support emerging filmmakers — one each from the United States, Japan, Europe and Latin America — who possess the originality, talent and vision to be celebrated as we look to the future of international cinema. The winning filmmakers and projects for 2008 are Alejandro Fernandez Almendras from Chile with HUACHO; Braden King from the United States, with HERE; Aiko Nagatsu from Japan, with APOPTOSIS; and Radu Jude from Romania, with THE HAPPIEST GIRL IN THE WORLD.
For the 2008 Sundance Film Festival, 125 feature-length films were selected including 87 world premieres, 14 North American premieres, and 11 U.S. premieres representing 34 countries with 53 first-time feature filmmakers, including 32 in competition. These films were selected from 3,624 feature film submissions composed of 2,021 U.S. and 1,603 international feature-length films. These numbers represent an increase from last year when 1,852 U.S. and 1,435 international feature-length films were considered.