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The Seven Best New Music Documentaries of the Year

From a doc on the Foo Fighters with rare footage of them performing with Eddie Vedder to the controversial Tribe Called Quest movie, here are the films you need to see

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Set to premiere Tuesday at the South by Southwest festival in Austin before opening theatrically in April, this two-hour history of Dave Grohl’s band follows the Foo Fighters from its earliest days to the recording of its forthcoming Wasting Light with producer Butch Vig. The big find: footage of the Foos’ first tour, a 1995 series of shows with Eddie Vedder’s Hovercraft side project and Mike Watt. “There were hardly any pictures from that show and we didn’t think anyone even shot it,” says Academy Award-winning director James Moll. “But it turned out [former Foos guitarist] Pat Smear’s ex-wife shot it on a videocamera and had it in storage.” Foo Fighters also benefits from candid interviews with everyone from Grohl to past members like Smear. Moll found Grohl particularly forthcoming, especially when talking about the end of Nirvana and the birth of the Foos: "For a long time, Dave didn't want to talk about Nirvana because he wanted to establish himself. That time is long passed.”

He might be biased, but Moll says it's a great time for music docs. “They’ve traditionally been about deep social issues, but now they're also more about pop culture, and they're commercially viable. I've heard people say, ‘I just saw a documentary that was better than any scripted movie I've seen in years.’”

Here are six more of the best music-based documentaries that have recently been released or are coming soon.

By David Browne

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“Color Me Obsessed, a Film About the Replacements”

"I wanted to make a documentary that didn’t play like a typical VH1 special,” says director Gorman Bechard of his two-hour tribute to the legendary beloved Minneapolis band. “I wanted it to be told by the people they influenced and by the fans.” So Color Me Obsessed features none of the Replacements on camera nor any of their music, but does include testimonials from admirers like the Decemberists’ Colin Meloy, the Hold Steady’s Craig Finn and the Gaslight Anthem’s Brian Fallon – “He says people should buy Tim because everything you’re hearing in music now can be found on that record,” says Bechard. Former Cheers star George Went was such a fan that he submitted his own Flip cam-filled tribute to the band. “It’s not just about the Replacements,” Bechard says. “It’s not just about the Replacements,” Bechard says. “It’s about how any band affects you and becomes almost part of your family.” Color Me Obsessed is set to play film festivals in Florida, Wisconsin, Chicago and Toronto, with other screenings in the works.

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“Phil Ochs: There But for Fortune”

Nearly 20 years in the making, director Kenneth Bowser’s documentary is the first to chronicle the life and career of the beloved Sixties folk protest singer who hanged himself in 1976. The film—which includes rare footage of Ochs’ troubled later years as well as testimonials from admirers like Sean Penn (who once planned to play Ochs in a film) and Christopher Hitchens—has become a surprise art-house hit, expanding to over 70 cities since its January opening in New York. “For a generation, it’s the story of their time,” says Bowser. “But there are also kids who say, ‘My parents had his records in their collection, and who is this guy?’” Surprise last-minute funding came from promoter Michael Cohl, a longtime Ochs fan currently producing Spider-Man: Turn Off the Dark on Broadway.

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“This Is Noise Pop”

Since 1993, San Francisco’s Noise Pop festival has hosted indie bands including Death Cab for Cutie, the Shins, Pavement and many more. Director Adam Werbach’s documentary (which premiered at this year’s Noise Pop and is looking for distribution) was filmed onstage and backstage between 1998 and 2009, capturing the rise of current indie rock in the process. “It’s about the idea of indie and what happens when it goes mainstream—is it still indie?” says Werbach. Among the highlights: Isaac Brock of Modest Mouse cursing out an audience for making too many requests, Ben Gibbard of Death Cab recalling the band’s rise to fame and Pavement’s Scott Kannberg offering bitter memories of the band–prior to its recent reunion.

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