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The Best and Worst Movies of 2014 So Far

Grand hotels, growing boys, reboots and robot toys — Peter Travers picks the highs and lows of the year’s films to date

The Grand Budapest Hotel, Transformers: Age of Extintion, and The Lego Movie

Photo by Martin Scali/Fox Searchlight, Photo courtesy Paramount Pictures, Photo courtesy Warner Bros. Pictures

We're almost at the halfway point of 2014, and already, we've seen some incredible, though-provoking movies, a few instant classics, and handful of straight-up duds. We've still got a long way to go before we can assess the year en toto — the depths of the summer-blockbuster dog days and the heights of the fall's prestige season, not to mention early winter's Oscar contenders, still lay ahead. But the first six months has certainly delivered its share of giddy highs and crushing lows.

The Best TV Shows of 2014 So Far

So, with that in mind, we give you the best and the worst movies of 2014 to date. Arty sci-fi headscratchers, gratuitous superhero-film reboots, old-fashioned melodramas, new films by Richard Linklater, Wes Anderson and [gulp] Michael Bay — it's the cream of the crop and the bottom of the barrel of the year so far. By Peter Travers

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WORST – 6. The Other Woman

This strained comedy about three women (Cameron Diaz, Leslie Mann and Kate Upton) who team up to get revenge on the rat bastard man who done them wrong is meant to be a triumph for feminism at the movies. But the year hasn't produced an uglier, more misogynist look at female behavior than this vile contraption — and from a female screenwriter, no less. WTF!?!

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WORST – 7. ‘Need for Speed’

As a Breaking Bad obsessive, I rooted mightily for Aaron Paul, the immortal Jesse, to make it in movies. But this strained racing drama, adapted from — yikes! — a video-game franchise, left Paul inhaling the fumes of every drag-strip cliché imaginable.

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WORST – 8. ‘Heaven Is for Real’

Christianity sells. I get it. But do all the God-fearing movies that have littered the cinematic landscape so far in 2014 have to be as treacly as Randall Wallace's film version of the bestseller about a dad (Greg Kinnear) who learns about heaven from his five-year-old son's near-death experience?    

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