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The 30 Greatest Rock & Roll Movie Moments

Unforgettable scenes from ‘Pulp Fiction,’ ‘Wayne’s World,’ ‘Almost Famous’ and more

Wayne's World, Pulp Fiction, Say Anything, Almost Famous

Everett Collection

The movies have a long history of glorious rock & roll moments. Whether the story is about gangsters, lovers, warriors or vampires, the right song can jolt an ordinary flick into something loud and wild. So behold, the 30 all-time greatest rock & roll moments in film history: from Goodfellas to Hot Tub Time Machine, from Elvis to the RZA, from Lloyd Dobler to Spinal Tap to the Dude. (We’re not talking show tunes here, so no “Let Me Entertain You” from Gypsy or “I’m Tired” from Blazing Saddles. And no TV, so apologies to Mad Men‘s “Tomorrow Never Knows” and Community‘s “Roxanne.”) These are just a few of our favorite eruptions of cinematic rockingness. Play these movies loud.

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21. The Doors, ‘The End’ in ‘Apocalypse Now’ (1989)

Vietnam movies seem to get all the cool songs, but it's only because Francis Ford Coppolla showed them how. Apocalypse Now wasn’t the first great film to use "The End" – that would be Scorcese’s 1968 Who’s That Knocking On My Door? But as "The End" crawls through Martin Sheen’s war-ravaged brain, Apocalypse Now taps into the late Jim Morrison's heart of darkness. It brought the posthumous Morrison cult to a whole new level; a couple of years later, Jim appeared on the cover of the Rolling Stone with the best headline ever: "He's hot, he's sexy and he's dead."

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20. Bauhaus, ‘Bela Lugosi’s Dead’ in ‘The Hunger’ (1983)

There are so many vampire movies out there, but none of them has a beginning anywhere near as cool as this one. It starts in a New York goth club, where the children of the night groove to Bauhaus' "Bela Lugosi's Dead." Vampire power couple David Bowie and Catherine Deneuve move through the dance floor, looking for tasty-looking trollops to seduce into a night of four-way bat-sex. They pick up a couple of foxy black-leather goth punks and lure them back to the vampire pad. But that's where the fangs come out. Before you know it, these two club kids are a plasma cocktail. Undead, undead, undead.

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19. Rolling Stones, ‘Tops’ in ‘Adventureland’ (2009)

The Stones have inspired countless classic screen moments, from "Tell Me" in Mean Streets to "Satisfaction" in Apocalypse Now to "I Am Waiting" in Rushmore. And "Gimme Shelter" is the Robert De Niro of Stones songs – every director wants to put it in every movie, whether it belongs or not, because it never fails to make a big impression. But it takes real imagination to dig up this lost gem from side two of Tattoo You. Like all the music in Adventureland, it sums up the Eighties suburban-nowhere ambience of this trashy Midwestern amusement park. "Tops" plays in the background as mall-rat queen Lisa P (Margarita Levieva) makes her grand entrance, while a couple of local geeks (Jesse Eisenberg and Martin Starr) stare in awe: "That ass is a higher truth!"

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18. New Order, ‘Dreams Never End’ in ‘Carlos’ (2010)

Carlos does for Seventies terrorism what Goodfellas did for the mob, chronicling the epic rise and fall of a real-life criminal empire. Edgar Ramirez plays Carlos the Jackal as a self-styled revolutionary guerrilla, carrying himself like a rock star and falling hard for his own celebrity image. The soundtrack is full of postpunk bands like Wire and the Feelies. The icy death-disco groove of New Order sets the perfect tone of big-city alienation, as Carlos relaxes in the bathtub after casually tossing a bomb into a London bank.

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17. Yardbirds, ‘Stroll On’ in ‘Blow-Up’ (1966)

Michaelangelo Antonioni's tour of Swinging London breaks open with this scene. David Hemmings stumbles into a mod club where the Yardbirds are playing, during the brief period when both Jimmy Page and Jeff Beck were in the band. The hipster fans stare blankly like robots while the Yardbirds do the proto-Zeppelin thrash "Stroll On," a none-too-subtle rip of "Train Kept A-Rollin'." But when the gum-chewing Beck gets mad at his equipment and smashes his guitar, he unleashes a frenzy of mob violence. Is this a critique of modern alienation? Let's just say those mutton-chop sideburns on Page are definitely a critique of something.

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16. Isaac Hayes, ‘Theme From Shaft’ in ‘Shaft’ (1972)

The wah-wah essence of pimp-strut funk. Richard Roundtree's Shaft swaggers out of the subway and through the sleaze of 1970s Times Square, stopping the traffic cold with his sheer badness, walking to the beat of his own personal theme song. Isaac Hayes tells you who this guy is (a black private dick), what he does all day (he's a sex machine to all the chicks) and what people say about him (one bad mother). This is the song we all wish could be the soundtrack of our lives.

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15. Country Joe and the Fish, ‘Section 43’ in ‘Monterey Pop’ (1967)

The film is full of unforgettable performances by charismatic stars: Jimi Hendrix, Otis Redding, Janis Joplin. This is not one of them. Instead, it's a dreamily psychedelic guitar instrumental, droning over the final morning of the 1967 Monterey Pop Festival, waking up the sleepy hippie kids for a bright new day in the California sunshine. The band is basically anonymous, because the audience is the star. The morning is fresh and full of promise. This could have been the utopian moment Robert Plant was trying to capture in Led Zeppelin’s "Going to California," as the children of the sun begin to wake.

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14. Led Zeppelin, ‘Kashmir’ in ‘Fast Times at Ridgemont High’ (1981)

Right before Ratner's first date with Stacey (the young Jennifer Jason Leigh), Damone gives him a five-point crash course in dating etiquette that ends with the most important advice: "When it comes down to making out, whenever possible, put on Side One of Led Zeppelin IV." Ratner can't even get that one right – the closest he gets is "Kashmir," from Physical Graffiti. (The sight of Ratner at the wheel, while Robert Plant sings, "I am a traveler of both time and space" – what a comical mismatch.) But that just adds to the agonizing awkwardness of the whole night. Besides, as fans have argued for years, "Kashmir" makes much better makeout music than "The Battle of Evermore."

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13. Alice Cooper, ‘School’s Out’ in ‘Dazed and Confused’ (1993)

Richard Linklater's classic portrait of small-town Texas in the summer of 1976. As your stoner uncle will tell you, Linklater depicts the Seventies aura so authentically, you can practically brush your teeth in the bongwater. The music is a constant presence in these kids' lives, whether it's "Do You Feel Like We Do?" on the car radio or "Hurricane" in the pool hall. But the best moment comes when that last high school bell rings and Alice Cooper whips the students into a riot. School's out, com-plete-ly.