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20 Best, Worst and Most WTF Moments of Oscars 2018

From Kimmel’s monologue to deserved wins (and unfortunate shut-outs), the highlights, low points and headscratchers from last night’s Oscars

All envelopes were delicately opened and oh-so-carefully read at the 2018 Academy Awards, one year after that stunning Best Picture/La La Land v. Moonlight gaffe that will likely go down in history as the Oscars’ ultimate WTF moment. And indeed, care and delicacy was the mood of the hour at this year’s 90th anniversary ceremony, hot on the heels of a year that saw some of Hollywood’s most pernicious myths about itself leveled to the ground.

From host Jimmy Kimmel’s opening monologue to speeches by presenters and winners alike, much lip service was paid to the industry’s newfound commitment to combatting its own ingrained sexism and racism. And that’s not necessarily a dig against lip service – visibility matters. Seriously, who’d have guessed we’d hear the word “intersectionality” or see an out-and-proud trans person (A Fantastic Woman‘s Daniela Vega) on the Academy Awards’ play-it-safe stage?

That said, the films, creators and actors that the Academy actually honored were a fairly predictable bunch, and didn’t necessarily reflect the “wokeness” that the Oscars seems to believe itself capable of. But whether you’re rolling your eyes or thrilled that The Shape of Water took the night’s top honors, at least we can all agree on one thing: Tiffany Haddish and Maya Rudolph should totally cohost in 2019. Here’s the best, the worst and the most head-scratchiest moments from Hollywood’s big evening. 

WTF: That Out-of-Nowhere Tribute to the Military

There was no shortage of Hooray-for-Hollywood montages (some might say too many) at the Oscars this year, and most of them were at least topical to the ceremony. But we’ll copt to being a bit flummoxed by a mid-show homage to the U.S. military and movies about war, introduced by actor/Vietnam War vet Wes Studi. Most of the clips shown – out-of-context moments from movies including Saving Private Ryan, American Sniper, The Deer Hunter and Zero Dark Thirty – seemed to glorify cinema’s romanticized idea of war rather than salute the troops; even the featured films that have dealt with the subject in complex ways were reduced here to just run-and-gun gmoments. Not that our fighting men and women don’t deserve to be honored – they most certainly do. But we don’t really get what the subject has to do with a movie awards show. JS

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