20 Best Movies of 2018 - Rolling Stone
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20 Best Movies of 2018

From personal black-and-white explorations of the past to ‘Black Panther,’ Lady Gaga to a biopic of the singer of “Radio Ga-Ga” — Peter Travers’ picks for the best movies of the year

travers top 20 best movies

Clockwise from left: 'Roma,' 'The Favourite,' Green Book' and 'A Star Is Born,' from Peter Travers' 20 Best Movies of 2018.

The best movies of 2018 created their own kind of history. The streaming giant Netflix became a major player in the Oscar race with Roma, proving that the future of film-watching will no longer be defined by its delivery system. Marvel made its strongest impact ever with Black Panther, a celebration of diversity and black power that raised the bar on what a comic-book epic could accomplish. That movie — along with A Star Is Born, Green Book and Widows — helped the studio system make a comeback after years of creative lethargy.

There were also wonders of exploration as First Man blasted off to the moon with Neil Armstrong and Eighth Grade took us inside the head of a 13-year-old girl lost in the digiverse. Harsh truth tangled with sharp humor as Spike Lee took on race in BlackKklansman and Adam McKay took down Dick Chaney in Vice. Spider-Man: Into the Spider-Verse started a new revolution in color-blasting animation and inclusive storytelling. And a documentary, Won’t You Be My Neighbor, showed us how children’s TV host Mister Rogers, who died 15 years ago, still had lessons to teach a divided nation about civility. Here are the 20 movies that prodded, provoked and entertained to make a difference this year.

Viggo Mortensen as Tony Vallelonga and Mahershala Ali as Dr. Donald Shirley in "Green Book," directed by Peter Farrelly.

‘Green Book’

In telling the true-ish story of how black classical pianist 
Don Shirley (Mahershala 
Ali) hired working-class Italian-American Tony Lip (Viggo Mortensen) to drive him on a perilous concert tour through the Jim Crow South in 1962, director/co-writer Peter Farrelly only paints inside the box. 
What earns this reverse spin on Driving Miss Daisy a place on this list is the team of Mortensen and Ali, both flat-out fantastic. Does Green Book sugarcoat the message about race in America? Maybe. But it doesn’t stop these two live-wire actors from pumping the gas and driving it home.

Christian Bale Dick Cheney


Adam McKay’s satiric takedown of Dick Cheney sees The Big Short director examine the power behind Dubya’s throne, tracing a direct link from the puppetmaster to the tyrant now occupying White House. Stupendous is too puny a work to describe the brilliance of Christian Bale (unrecognizable behind a weight gain and prosthetics) as Cheney and Amy Adams as the V.P.’s missus, Lynne — she’s steel wrapped in a sweet-tea smile. Cheers, too, for Sam Rockwell as George W. Bush and Steve Carell as the wily, war-mongering Secretary of Defense Donald Rumsfeld.

burning best films


What starts as a romance between two poor kids with a dream — Yoo Ah-in and Jun Jong-seo are perfect star-crossed lovers — morphs into a sinister meditation on murder and the class system when a wealthy charmer (Steven Yeun) enters the scene. The former Walking Dead star creates one of the most disturbing characters of the year; his portrayal of a smiling, slick sociopath keeps revealing new layers the longer you let it percolate in your memory. And the searing last moments of this mystery speak to the artistry that reminds you why Lee Chang-dong is considered a world-class filmmaker.

Liam Neeson and Viola Davis in Twentieth Century Fox’s WIDOWS. Photo Credit: Courtesy Twentieth Century Fox.


Steve McQueen, a director who’s scaled the loftiest arthouse/prestige-movie heights with 12 Years a Slave, Hunger and Shame, shocked some folks when he said he was going to take on a heist movie. He then poured all of his visionary talent into making this powerhouse thriller with real-world issues — not the least of which was showing three women, left widows thanks to a failed robbery, taking matters of survival into their own hands. Led by Viola Davis in a dynamite performance matched by Elizabeth Debicki and Michelle Rodriquez — along with Cynthia Erivo as the group’s getaway driver — these amateur criminals prove a match for any man. All this, plus Get Out‘s Daniel Kaluuya as the scariest damn psycho in, like, forever.

Miles Morales (Shameik Moore) as Spider-Man in Sony Pictures Animation's SPIDER-MAN: INTO THE SPIDER-VERSE.

‘Spider-Man: Into the Spider-Verse’

Not only the coolest Spider-Man epic ever, this animated take on the Marvel superhero is a knockout that no one saw coming. Miles Morales (voiced by a stellar Sameik Moore) is the teen son of an African-American cop and a Puerto Rican nurse. But one bite from a radioactive arachnid and guess who’s crawling the walls — and gets dropped right into a meta-universe of alternative Spideys? Eyes will pop, jaws will drop and minds will be blown as this pop fantasia with a mixed-race hero speeds into a funhouse of unleashed imagination. Credit producers Phil Lord and Chris Miller (The Lego Movie) for tempering the action with heart and making audiences feel there just might be a webslinger in all of us.

the rider

‘The Rider’

If you still haven’t seen how Chinese-American filmmaker Chloé Zhao turned the real-life story of bronc rider Brady Jandreau into a graceful character study and a breakout indie hit, then catch up this gem at once. Her docu-fiction technique, using non-pro actors, also distinguished her striking 2015 feature debut Songs My Brothers Taught Me, set among the Lakota Sioux in South Dakota’s Pine Ridge Indian Reservation. We watch as Jandreau deals with life after a career-ending injury, trains horses in real time, negotiates family crises and supports fallen friends — and we see how Zhao’s undeniable humanity shines through in every frame.

hereditary best movies


Thanks to debuting director Ari Aster and an all-stops-out performance from the great Toni Collette, Hereditary emerges the most blood-chillingest movie of the year. Which is only appropriate since bloodlines, the poisoned kind, become the focus for grieving family members who find their daily existence invaded by the supernatural. Aster builds his film slowly, but by the end your own mind will be invaded enough to make you scream your bloody head off. It’s a modern-day horror classic.

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‘Cold War’

Polish filmmaker Pawel Pawlikowski follows up his Oscar-winning Ida with a love story, based on his parents, that is shot through with political intrigue and erotic sizzle. Starting in 1949 — the year Wiktor (Tomasz Kot) invites blond bombshell singer Zula (Joanna Kulig) to join his musical troupe — and following decades of political-to-personal strife, Cold War drops in and out of the tumultuous relationship between these two sexual battering rams. With music as a constant and world events providing background commentary, this gorgeously stark black-and-white romance stays hardcore to the end. And Kulig is a major star in the making.


‘The Ballad of Buster Scruggs’

The Coen brothers go West in a six-part anthology about gunfighters, gold diggers and frontier fatalism. Some have complained that the movie is hit and miss, but dig deeper and you’ll find that the themes of each chapter come together like a well-curated short story collection. Joel and Ethan Coen love messing with audiences, but there’s nothing random about this darkly comic and sometimes just plain dark ballad about death. From Tim Blake Nelson’s homicidal singing cowboy to Zoe Kazan’s wagon-train lonelyheart — and a finale where the Grim Reaper himself makes an appearance — this open-range grabbag is a wild, wild ride.

bohemian rhapsody

‘Bohemian Rhapsody’

Mercury rises again. Paragraphs could be written about the ways this biopic of Freddie Mercury goes wrong. But Rami Malek’s go-for-broke portrayal delivered of Queen’s quixotic, flamboyant, ferociously talented lead singer captures the stadium-filling, live-wire energy of watching the frontman raise temperatures on stage. The look, strut and fever of the singer who gave us “Radio Ga-Ga,” “We Are the Champions” and that operatic title track — it’s all there in Malek’s indelible performance. But more importantly, so is the soul of the man who was never comfortable in his own skin.

5030.03_cropped_upResFred Rogers on the set of his show Mr. Rogers Neighborhood from the film, WON’T YOU BE MY NEIGHBOR, a Focus Features release.Credit: Jim Judkis / Focus Features

‘Won’t You Be My Neighbor’

In a contentious year, this easy-does-it documentary about the late Fred Rogers — the TV icon whose show, Mister Rogers’ Neighborhood, helped children cope with a cynical world — might be just the pep talk our therapists ordered. The box-office success of Morgan Neville’s timely and timeless film (it’s the top-grossing biodoc ever, with over $20 million on the books) was richly deserved. And as headlines about a world gone mad bombard us at every turn, you can’t watch this gentle giant of a film without saluting the man in the cardigan and thinking, “We need you now more than ever.”

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