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15 Films We Can’t Wait to See at Tribeca Film Festival 2016

From a punk comedy starring Green Day’s frontman to a ‘Ghostbusters’ doc, our picks for the downtown NYC film fest

Tribeca; Films to Watch

Debbie Hickey/Getty, Ique Esteves

Big-budget biopics and gut-busting comedies, microindie character studies, TV-show sneak peeks, unclassifiable avant-garde whatsits and docs on everything from drone warfare to fashionista get-togethers and Ghostbusters love — the 2016 Tribeca Film Festival has something for everyone, possibly literally. The 15th annual edition of Robert De Niro and Jane Wagner's downtown New York celebration (running April 13–24) retains its signature catch-as-catch-can programming ideology with different, eclectic movies from all over the literal and figurative map — and per usual, the 102-feature lineup has a decent amount of hits and its fair share of misses.

But there are treasures to be found in and among the festival's mix of mainstream entertainment and off-the-grid selections. Music lovers in particular should check out the shorts sections, which boasts bite-sized portraits of hard-rockin' actress Juliette Lewis (Hard-Lovin' Woman), hip-hop's verbally dexterous Timothy Parker from Blackalicious (Gift of Gab) and David Bowie's influence on Australia's indigenous culture (Let's Dance: Bowie Down Under). And deadheads will want to head straight to the Virtual Reality area, where "Grateful Dead: Truckin'" will allow folks to experience the band's version of that 1970 tune from their recent "Fare Thee Well" tour from a variety of different angles.

As for the features, non-musical and otherwise: We've picked out 15 selections you'll want to keep an eye out for. From nonfiction takes on past and present social issues to a concert film featuring color guards and Ad-Rock (!), our picks for the must-see movies at this year's Tribeca fest.

Geezer; Tribeca

Scott Miller


Old punks never die — they just become suburban middle-aged dads and pine for the guitar-smashing shenanigans of their youth. Green Day frontman Billie Joe Armstrong stars as a fortysomething dude and former lead singer of a kick-ass pop-punk outfit who remembers that the group's something-unpredictable heyday was really the time of his life (sorry). So he decides to get the band back together, much to the confusion of his wife and kids, and the consternation of his bad knees. The meta aspect of this comedy should be off the charts. DF

Ghostheads; Tribeca

Dan Aykroyd (The Heart of the Ghostbusters) in his Sony Ghost Corps office with pictures of his grandfather and father in the background along and other parapsychologist. Photo credit: Derrick Kunzer (co-producer and cinematographer of Ghostheads)

Derrick Kunzer


When there's a documentary about the fanaticism surrounding the Ghostbusters franchise and you wanna check it out, who you gonna call?! (Sing it with us, Ray Parker Jr.-style: Tri-bec-a!) Filmmaker Brendan Mertens takes a long, hard look at how the Ivan Reitman's 1984 horror/action/comedy captured the imagination of a generation, and why the long-in-the-works reboot is one of the most eagerly anticipated blockbusters in recent memory. Everyone from Sigourney Weaver and Dan Aykroyd to the new, all female 'busters movie's director Paul Feig weighs in; expect plenty of cosplay and fake proton packs at the festival's in-progress screening. DF

I'll Sleep When I am Dead

Steve Aoki travels to Tokyo to explore his family?s roots. Cinematographer: Michael Dwyer

Michael Dwyer

‘I’ll Sleep When I’m Dead’

EDM heavy-hitter Steve Aoki gets the docu-profile treatment — how they didn't end up calling this Let Them Eat Cake is a mystery to us — as filmmaker Justin Krook follows the DJ around on tour and gets him to open up about his workaholic lifestyle. (Spoiler alert: It involves his father, former wrestler and founder of the Benihana franchise, Rocky Aoki.) Expect personal confessionals, raucous parties, some choice performance clips and yes, frosting-covered baked goods. Which will probably be flung. DF

Tribeca; 2016; Keep Quiet

3. Csanad Szegedi and Rabbi Boruch Oberlander. KEEP QUIET, directed by Joseph Martin & Sam Blair. Photo Credit: G?bor M?t?, Courtesy of AJH Films & Passion Pictures.

Gábor Máté

‘Keep Quiet’

Csanad Szegedi was a rising mover and shaker in Hungary's far-right, anti-Semitic Jobbik party before he made a shocking discovery: His maternal grandparents were Jewish and his grandmother survived the Holocaust. A real-life The Believer, Joseph Martin and Sam Blair's stranger-than-fiction documentary chronicles the hatemonger's journey from neo-Nazi superstar to his sincere conversion to Orthodox Judaism. Under the tutelage of sympathetic Rabbis, Szegedi visits Auschwitz, confronts ardent skeptics and interviews his family to learn why he never knew about his past. JN

Kicks; Tribeca

Film still from KICKS.


Joseph Campbell meets Dope in Justin Tipping's exhilarating debut about a poor 15-year-old looking for that perfect pair of sneakers. It's the rare film that can have it both ways, but Tipping finds the balance between serious discussion of inner-city living and the care-free object obsession of a typical teenager. And Christopher Jordan Wallace, a.k.a. the son of Notorious B.I.G., proves that charisma runs in the family. JN

Pele; Tribeca

Young Pel? (Leonardo Lima Carvalho) in Jeff and Michael Zimbalist?s PEL? BIRTH OF A LEGEND. Courtesy of Ique Esteves. An IFC Films Release.

Ique Esteves

‘Pelé: Birth of a Legend’

How has no one made a biopic about Brazil's soccer wunderkind — and the youngest World Cup winner — before now? Newcomer Kevin de Paula plays Edson Arantes do Nascimento, better known as Pelé, as he rises from Brazil's favelas to the national team and worldwide celebrity. Sibling filmmakers Jeff and Michael Zimbalist, no strangers to the "beautiful game" (see their ESPN documentary The Two Escobars), handle the directing duties. This should be a real kick. Get it? Because you see, with soccer, you don't use your hands, you merely …. DF

My Scientology Movie

Louis Theroux sitting inside the reconstruction set. From the film MY SCIENTOLOGY MOVIE. Photo credit: Flat Creek Films Ltd ? BBC/BBCWorldwide

Flat Creek Films Ltd © BBC/BBCWorldwide

‘My Scientology Movie’

Gonzo British documentarian Louis Theroux, best known for immersing himself in niche subcultures such as white supremacists and porn stars, now aims his sardonic glare at Scientologists. Knowing he won’t be granted access to the religion's top brass, Theroux auditions and recruits young actors to play the parts of high-level officials, including the church's leader David Miscavige, to re-enact past members' encounters. You've seen the straightforward, just-the-facts-ma'am verité take on the evils this organization is capable of; now check out the mondo bizarro version. JN

Shot!: The Psycho-Spiritual Mantra of Rock; Tribeca

‘Shot!: The Psycho-Spiritual Mantra of Rock’

You know the iconic shots of Bowie, Iggy, Blondie, Freddie Mercury, and those classic album covers (Transformer, Rqw Power, Queen II, End of the Century) — now meet the man behind them. Barnaby Clay's take on rock photographer Mick Rock has the artist himself guiding viewers through decades of capturing glam, punk and good ol' fashioned rock and roll legends in action, as well as how helped them craft their images. What, you don't want to hear how the guy who snapped the cover to Aladdin Sane discuss how he did it? What's wrong with you?! DF

San Antonio Four; Tribeca

Anna Vasquez (L) and Cassie Rivera (R) in the film SOUTHWEST OF SALEM: THE STORY OF THE SAN ANTONIO FOUR. Photo Credit: San Antonio Four/Deborah S. Esquenazi

San Antonio Four/Deborah S. Esquenazi

‘Southwest of Salem’

When four lesbians in San Antonio are falsely convicted of participating in a black-mass ritual — one involving the brutal gang rape of two children — it sets off a decades-long quest for justice amid a backdrop of homophobia, prejudice and the insane "satanic panic" that swept America in the Eighties and Nineties. Like the Paradise Lost trilogy, Deborah S. Esquenazi's debut film chronicles everyday people imprisoned more for their otherness than actual evidence. JN

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