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10 Best Music Books of 2014

From the stage to the page: The year’s best biographies, rock crit, photo essays and more

Billy Idol's 'Dancing With Myself' and Sean Madigan Hoen's 'Songs Only You Know'

In 2014, the rock star tell-all autobiography train rolled on with Jimmy Page, Joe Perry, Carlos Santana, Mick Fleetwood, George Clinton, Paul Stanley and Billy Idol among others all getting their turn. But some of the years best books were the stories you didn't already know, including a great alternate history from Greil Marcus and a closer look at a post-punk pioneer.

'Jerry Lee Lewis: His Own Story,' By Rick Bragg
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‘Jerry Lee Lewis: His Own Story,’ By Rick Bragg

"He did not need a song to make him inappropriate. Jerry Lee Lewis had always been inappropriate, and being a little bit famous did not change it; you can paint a barn white a thousand times, but that won't make it a house." In this gripping biography, Pulitzer winner Rick Bragg tells the story of rock legend Jerry Lee Lewis with the full force of history, poetry and two years of exclusive interviews with the Killer himself. Bragg grounds his story in the texture and tradition of the South, but when he tells the epic tale of the creation of "Whole Lotta Shakin' Goin' On," he captures Lewis's divine madness. Reading the saga of rock's piano pioneer, you will likely agree: "It was like any life, really, but with the dull parts taken out." G.E.

'The History of Rock 'n' Roll in Ten Songs,' by Greil Marcus
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‘The History of Rock ‘n’ Roll in Ten Songs,’ by Greil Marcus

Greil Marcus carved his stern visage into rock criticism's Mount Rushmore decades ago, but he won't rest on his laurels — and he won't let rock & roll either. And so he kicks off this ferociously cerebral and warmly empathetic super-listicle with a monster sentence that reels off lots of critically acclaimed musicians — it takes, like, five pages — and by the time you've gotten from the beginning (Chuck Berry) to the end (Jay Z), his intent is clear: Forget all of this. Rest assured the 10 songs he picks from there will surprise, and/or amuse, and/or enrage and undoubtedly challenge you: They span from Joy Division (as filtered through that goofy Ian Curtis biopic) to Phil Spector (as filtered through Amy Winehouse) to Etta James (as insufficiently filtered through Beyoncé) and beyond. Whether he's talking Buddy Holly or Cyndi Lauper, Robert Johnson or the Flamin' Groovies, Marcus writes with a philosopher's zeal and a superfan's joy, drawing connections between artists and eras and solar systems you'd never even imagined. It's revisionist history of the best and most necessary kind. By Rob Harvilla

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