There’s No Way In Hell Trump Doesn’t Know Who the Proud Boys Are
Trump walked back what seemed like a call to arms for the far-right extremist group during the debate
Jim James and Co. found a treasure trove of unreleased songs from the sessions for the last album and made a fitting soundtrack for quarantine
The former Husker Du singer and guitarist focuses his anxieties on his 14th solo album, lashing out against conservatives and homophobes with renewed conviction
The reggae royal's latest is a heartening album that features Alanis Morissette, Tom Morello and others.
Her seventh album delivers uplifting messages with a common touch
Years of research on brutality cases shows that bad incentives in politics and city bureaucracies are major drivers of police violence
The president is saying the quiet part even louder
After the two civil rights giants both died last Friday, we should lament that this nation continues to require their kind of heroism
"When Rolling Stone magazine — my old high school, essentially — calls and asks for something, I answer," director says
The actor goes big in his portrayal of the unhinged abolitionist John Brown in Showtime's satirical new miniseries
The FX series' long-awaited fourth installment pits warring mobs, corrupt cops, bootstrapping immigrants, and more in a battle for 1950 Kansas City
Gillian Flynn's long-in-the-works adaptation of cult U.K. show feels like its an immaculately restored classic car with no gas in the tank
Ryan Murphy's latest Netflix series aims to explore the psyche of the sadistic mental-ward supervisor of 'One Flew Over the Cuckoo's Nest'
Adaptation of Nancy Springer's YA novels featuring Sherlock's teen sibling would be a crass I.P. grab if it weren't for its subtext — and its star
Julie Taymor's high-fiber, overstuffed take on Gloria Steinem — as played by four different actors — is a slippery megillah of a biopic
Janelle Monáe stars in a brash debut from filmmakers Gerard Bush and Christopher Renz that tackles America's original sin
Independent writer-director's first film in nine years turns a tale of three grifters into a mediation on blood ties, love and failure