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The 14-track surprise mixtape is heavy on reflection, without much fun
Her first LP since 2012's 'The Idler Wheel...' is the best work of her career
On his solo debut, the guitarist gracefully comes to the front of the stage — and delivers
Their latest LP, produced by Rick Rubin, might be their best since the glory days of the early '00s
While ordinary Americans face record unemployment and loss, the COVID-19 bailout has saved the very rich
The president’s extremist approach to immigration enforcement has created a ‘tinderbox,’ putting thousands of detainees at risk
Trump’s small-business aid program has largely shut out owners who aren’t white, adding to a GOP pandemic agenda designed to weaken the safety net
Plus More From the Stupid Bay of Pigs
In this new series based on President Trump's proposed interstellar military branch, Steve Carell's four-star general is too noxious to be true
The return of Amazon's psychological thriller features some new faces but a familiar storyline
The television adaptation of Bong Joon Ho's 2013 sci-fi thriller takes some confounding twists — including into the realm of cop procedural
Elle Fanning is fantastic in this blackly hilarious take on the twisted reign of Catherine the Great and her heinous husband, Peter
A dual character study of a rodeo legend on his last legs and an at-risk 14-year-old girl showcases one of the great screen performances of the year
Get ready to get drunk on Clark Duke's black comedy
Writer-director Tayarisha Poe's debut gives us a world of criminal teens warring over turf in a tony high school—and introduces a fresh new filmmaking voice
A revisionist, punk-rock look at the 19th-century Australian outlaw blows the dust off a calcified mythology
![<p>Former Eagles guitarist Bernie Leadon in 1979. “I was going to use [this shot] for an album that never got made,” Leadon says.</p>
<p> </p>](https://www.rollingstone.com/wp-content/uploads/2020/05/M_HDS_21R-BernieLeadon-Silohuette-Jan1979-1.jpg?crop=3:2,smart&w=90)
![<p>Nash took this photo of Mitchell at the home they shared in 1969. “She was in the middle of recording an album,” Nash recalls. “I normally would have left her alone, [but] there’s no way I couldn’t shoot that. She looked incredibly beautiful.” </p>](https://www.rollingstone.com/wp-content/uploads/2020/05/M_PS_BERN_JM-69.12-GN-c1_2838p.jpg?crop=3:2,smart&w=90)