Rolling Stone

Ariana Grande

Thank U, Next

Singer's second album in six months is a glorious pop rush, going double-for-nothing after the success of 2018's 'Sweetener'

Luis Fonsi

Vida

Latin pop's leading romantic serves up his biggest hits — and then some — in his ninth studio album, 'Vida'

Future

The Wizrd

Future tries to wave goodbye to his demons, but ends up reveling in the qualities that brought him acclaim

Sharon Van Etten

Remind Me Tomorrow

The singer-songwriter balances darkness and dreams on a fantastic new album

Russian Doll

As co-creator and star of the new Netflix comedy, the actress has written herself the part her talents deserve

Black Monday

The comedic half of this new series about the stock market crash of 1987 is a rollicking good time, but its dramatic side takes a nosedive

I Am the Night

Chris Pine's kinetic performance is the best part of TNT's sluggish noir mystery series

Brooklyn Nine-Nine

It's got a new network, but 'Nine-Nine' is as giddy, goofy and stupid-grin-inducing as ever

Alita: Battle Angel

James Cameron and Robert Rodriguez's long-in-the-making adaptation of a popular manga is all bells and whistles

High Flying Bird

The scrappy auteur's satirical takedown on Sports Inc. and corporate strangleholds is one mic-drop of a movie — and a must-see

Lords of Chaos

Jonas Åkerlund's look at the fast rise and bloody fall of Mayhem should be the real deal — so why does it hit all the wrong notes

What Men Want

Taraji P. Henson comes out swinging in this female-centric update of the 2000 Mel Gibson rom-com 'What Women Want,' but the cliché-ridden film can't go the distance