A History of Violence
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TV Features
Alan Sepinwall: Why I Loved Cop Shows, and Why They Must Change
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Album Reviews
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Taylor Swift
Folklore
Her eighth album is a radical detour into the deepest collection of songs she's ever come up with
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Juice WRLD
Legends Never Die
The rapper's posthumous LP is another reminder of his navel-gazing pop mastery
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The Chicks
Gaslighter
The trio's first album in nearly 15 years is their most pop-sounding yet, and their most honest
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Rufus Wainwright
Unfollow the Rules
Singer-songwriter's ninth album of original material is a stately pop throwback full of his signature vocal grandeur
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Columnists
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Why Policing Is Broken
Years of research on brutality cases shows that bad incentives in politics and city bureaucracies are major drivers of police violence
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Mississippi’s Youngest Black Lawmaker on the Fight to Remove the Confederate Flag
"I like to believe that a lot of lawmakers had a change of heart"
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America Failed John Lewis and C.T. Vivian
After the two civil rights giants both died last Friday, we should lament that this nation continues to require their kind of heroism
Video
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Kadir Nelson’s Inspiration for the July Cover of Rolling Stone
Culture"I want everyone in this painting — particularly the African American women and children — to know that they matter," artist says
TV Reviews
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Brave New World
The Peacock original series, based on Aldous Huxley's 1932 dystopian novel, has pretty packaging but a hollow center
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P-Valley
Katori Hall adapts her strip club-set play to a wonderfully moody and finely etched small-screen drama
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The Baby-Sitters Club
Netflix's reboot of the Nineties series based on the famous kids' books brings a diverse cast and of-the-moment topics to a beloved franchise
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Perry Mason
HBO's new iteration of the classic courtroom hero gives him an origin no one asked for and ignores some key character developments
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Movie Reviews
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Palm Springs
Destined to repeat themselves, Cristin Milioti joins Samberg for a romcom that doesn't disappoint
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The Old Guard
The 'Atomic Blonde' star leads a group of immortal warriors into battle in this surprisingly character-driven take on superhero epics
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Irresistible
Steve Carell and Rose Byrne are partisan spin doctors who try to shape a small-town election —a nd deliver a scathing state-of-the-nation comedy
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Da 5 Bloods
Part war film and part heist thriller, the director's story of black veterans returning to old battlegrounds feels made for our current moment
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![<p>“People get annoyed with me, but I’m very poised. This is me – I’m relaxed. It’s annoying we have to explain something that is common sense. We just want to be treated equally. Why is there a debate?”</p>
<p> </p>
<p>“I have friends that are just now realizing it. It took 10 to 15 years for you to understand this and I’ve been right here. It’s exhausting to constantly be surrounded by all these experiences that I endured in my childhood. It’s like pulling my old skeletons out of the closet. I’ve been silenced for years and years and years and now it’s everywhere.”</p>
<p> </p>
<p>“I am mad at the system for having me think that when I protest I am doing something wrong. We’ve developed this slave mentality because we’ve been silenced for so long. The fact that we’ve [black people] been robbed of a proper social life. For example, I felt deprived from having a real dating relationship growing up — or even now. I was ‘too dark’ within my race and basically a sin to even consider attractive for white people and when you grow up with that for so long it just constantly chips and chips and chips at your self esteem. I know beautiful black girls who couldn’t get a date to prom, never had a boyfriend, and if they did they were second to last choice. This repeats through preschool to college, and a lot of black women like myself are desensitized to having a high standard or a high value of themselves due to this pattern and I tell people that’s the heart of racism.”</p>](https://www.rollingstone.com/wp-content/uploads/2020/07/amara.jpg?crop=3:2,smart&w=90)
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