The singer has a good time for the first time in a while on her fifth album
Disparaged at the time, the follow-up to 'Exile on Main St' now feels historic
After dabbling in arena-pop, the Colombian reggaetonero returns to his self-consciously smutty safety zone.
The singer-songwriter expertly channels Springsteen's Nebraska in her most vulnerable album yet
Years of research on brutality cases shows that bad incentives in politics and city bureaucracies are major drivers of police violence
The president is saying the quiet part even louder
After the two civil rights giants both died last Friday, we should lament that this nation continues to require their kind of heroism
"When Rolling Stone magazine — my old high school, essentially — calls and asks for something, I answer," director says
Families on a U.S. Army base in Italy struggle with love, duty, and identity in a place where conformity rules
The FX series' long-awaited fourth installment pits warring mobs, corrupt cops, bootstrapping immigrants, and more in a battle for 1950 Kansas City
In Netflix's new series about the first manned mission to Mars, the Oscar-winner plays a stoic commander — but she's upstaged by a lively international crew
Hulu's half-hour comedy about a black man's sudden struggle with systemic racism in America lags behind the moment
Disney's live-action take on the iconic story doesn't dig deep enough to do its heroine justice
A 14-year-old Cambodian tries to stay alive and afloat in terse, intense tale of contemporary bondage
The filmmaker's big-gamble brainteaser finally arrives in U.S. theaters (and only theaters) — and it's a dizzying, delirious ride
The writer-director returns with an adaptation of Iain Reid's novel that doubles as an emotional sucker punch — and reminds you how much his voice has been missed
![<p>I had shot a bunch of shows of theirs, and I knew what part of the song David Lee Roth would do this jump. So I would watch him, and when I saw him get up on the back of the drum riser, I tried to get the shot. You only get one chance to get that perfect shot. With this one, I had to use a flash to stop the motion, and I had to prejudge the focus because I never used automatic focus, and it’s hard when they’re moving. I wanted to get more Eddie [Van Halen] in there, but you gotta go with what you can. I think it’s kind of cool to get a little bit of Eddie screaming. But with Dave, I don’t even know how he got up there that high. He just jumped off. It was almost like he had a trampoline, but he didn’t have one. It was amazing.</p>
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<p>It was always just a party touring with them. They used to give me passes to give to the girls. I remember, Dave would put your initials on the pass, and if the girl he ended up with had your initials on it, you’d get a bonus. I don’t even know how much that was. I definitely gave out some passes, but I never collected.</p>](https://www.rollingstone.com/wp-content/uploads/2020/06/van_halen_1980_rt_DS_weiss.jpg?crop=3:2,smart&w=90)
