On their spare but striking debut album, England's Siouxsie and the Banshees deftly meld the edgy, death-rattle guitar and walloping drums of the best post-punk bands with the soaring vocals and shivery power chords of the oft-maligned early Jefferson Airplane. The Scream's sound, stark though fully realized (thanks partly to a most simpatico co-producer, Steve Lillywhite), is lent added...