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<copyright>&#xA9; Copyright 2009 Rolling Stone</copyright>
<pubDate>Tue, 24 Nov 2009 01:09:27 PST</pubDate>
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<pubDate>Sun, 09 Aug 2009 08:59:41 PDT</pubDate>
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<![CDATA[
Asher Roth poses with fans during Lollapalooza on August 7, 2009 in
Chicago.
&bull;
Get all of Rolling Stone's Lollapalooza coverage &mdash;
live reports, video, interviews and more.
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Asher Roth poses with fans during Lollapalooza on August 7, 2009 in
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<br />
&bull; <a
href="http://www.rollingstone.com/news/story/29523903/rolling_stones_essential_lollapalooza_coverage">
Get all of <em>Rolling Stone</em>'s Lollapalooza coverage &mdash;
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<pubDate>Sat, 08 Aug 2009 06:23:11 PDT</pubDate>
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<![CDATA[
Asher Roth performs during Lollapalooza at Grant Park on August 7,
2009 in Chicago.
&bull;
Get all of Rolling Stone's Lollapalooza coverage &mdash;
live reports, video, interviews and more.
]]>
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Asher Roth performs during Lollapalooza at Grant Park on August 7,
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<br />
&bull; <a
href="http://www.rollingstone.com/news/story/29523903/rolling_stones_essential_lollapalooza_coverage">
Get all of <em>Rolling Stone</em>'s Lollapalooza coverage &mdash;
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<title>New Release : Asleep In The Bread Aisle</title>
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<pubDate>Sat, 02 May 2009 05:43:29 PDT</pubDate>
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Artist: Asher Roth
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<title>New Release : Asher Roth: The Rhapsody Interview</title>
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<pubDate>Sat, 18 Apr 2009 10:57:24 PDT</pubDate>
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Artist: Asher Roth
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<pubDate>Wed, 15 Apr 2009 07:22:38 PDT</pubDate>
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Artist: Asher Roth
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<title>Album Review : Asleep in the Bread Aisle</title>
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<pubDate>Mon, 13 Apr 2009 09:23:40 PDT</pubDate>
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Artist: Asher Roth
Album: Asleep in the Bread Aisle
Review: Three decades after hip-hop first cracked the Top 40, white MCs remain, first and foremost, a joke: fodder for sketch-comedy routines, YouTube parodies and reality TV. Eminem is the exception that proves the rule, and he had to create an outsize tragicomic persona &#8212; the trailer-trash bane of Middle America &#8212; to justify his existence. In a culture saturated by hip-hop, shouldn't anyone...
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Asher Roth<br>
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Asleep in the Bread Aisle <br>
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<p>Three decades after hip-hop first cracked the Top 40, white MCs
remain, first and foremost, a joke: fodder for sketch-comedy
routines, YouTube parodies and reality TV. Eminem is the exception
that proves the rule, and he had to create an outsize tragicomic
persona &mdash; the trailer-trash bane of Middle America &mdash; to
justify his existence. In a culture saturated by hip-hop, shouldn't
anyone...</p>
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