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<title>Rolling Stone Movie Reviews</title>
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<description>The final word on all the movies everyone's talking about,
straight from the editors of Rolling Stone.</description>
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<copyright>&#xA9; Copyright 2009 Rolling Stone</copyright>
<pubDate>Sun, 05 Jul 2009 11:00:30 PDT</pubDate>
<lastBuildDate>Sun, 05 Jul 2009 11:00:30 PDT</lastBuildDate>
<item>
<title>Public Enemies</title>
<guid>http://www.rollingstone.com/reviews/movie/21799117/review/28816302/public_enemies</guid>
<link>http://www.rollingstone.com/reviews/movie/21799117/review/28816302/public_enemies?source=movie_reviews_rssfeed</link>
<pubDate>Tue, 23 Jun 2009 08:45:58 PDT</pubDate>
<description>
<![CDATA[
Starring:
Johnny Depp, Channing Tatum, Christian Bale, Billy Crudup,
Marion...
Review: Infamous bank robber John Dillinger was at the movies on the steamy July night in 1934 when FBI agents gunned him down outside Chicago's Biograph Theatre. In Michael Mann's jolting Public Enemies, sparked by a ball-of-fire Johnny Depp as Dillinger, America's most wanted man sits in a crowded theater watching Manhattan Melodrama, starring Clark Gable as a racketeer facing the electric chair with attitude &#8212; "Die like you live: all of a sudden." Hearing the line brings a smile to Dillinger's lips. Depp cannily plays the moment as an acknowledgment of how Hollywood romanticizes gangster life in contrast to the bruising reality. The gulf between the two &#8212; violence giving way to existential angst &#8212; is what gives Public Enemies its explosive kick.
Rating:
3.5 Stars
]]>
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<content:encoded>
<![CDATA[
<table border="0" cellpadding="10" cellspacing="10" style="margin:10px;">
<tr valign="top" align="left"><td valign="top" align="left" width="90" height="160">
<a style="width: 90px;height:140px;" href="http://www.rollingstone.com/reviews/movie/21799117/review/28816302/public_enemies?source=movie_reviews_rssfeed">
<img height="140" alt="Photo" width="90" src="http://i.realone.com/assets/cs/6h1/064566h1.jpg" border="0"></img>
</a>
</td>
<td valign="top" align="left"><b>Starring: </b><br>
Johnny Depp, Channing Tatum, Christian Bale, Billy Crudup,
Marion...<br>
<b>Review: </b><br>Infamous bank robber John Dillinger was at the movies on the steamy July night in 1934 when FBI agents gunned him down outside Chicago's Biograph Theatre. In Michael Mann's jolting Public Enemies, sparked by a ball-of-fire Johnny Depp as Dillinger, America's most wanted man sits in a crowded theater watching Manhattan Melodrama, starring Clark Gable as a racketeer facing the electric chair with attitude &#8212; "Die like you live: all of a sudden." Hearing the line brings a smile to Dillinger's lips. Depp cannily plays the moment as an acknowledgment of how Hollywood romanticizes gangster life in contrast to the bruising reality. The gulf between the two &#8212; violence giving way to existential angst &#8212; is what gives Public Enemies its explosive kick.
<br/>
<b> Rating: </b>3 Stars
</td>
</tr>
</table>
]]>
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<item>
<title>Transformers: Revenge of the Fallen</title>
<guid>http://www.rollingstone.com/reviews/movie/25458013/review/28840142/transformers_revenge_of_the_fallen</guid>
<link>http://www.rollingstone.com/reviews/movie/25458013/review/28840142/transformers_revenge_of_the_fallen?source=movie_reviews_rssfeed</link>
<pubDate>Wed, 24 Jun 2009 11:57:34 PDT</pubDate>
<description>
<![CDATA[
Starring:
Shia LeBeouf, Megan Fox, Josh Duhamel
Review:
It's tempting to dismiss Michael Bay's long, loud and ludicrous
sequel to 2007's Transformers with one word &mdash;
hunkajunk. On every level this movie is as bankrupt as GM. But
there is more to be said about a movie this gargantuan ($200
million spent on robot hardbodies) and galactically stupid.
Transformers: The Revenge of The Fallen is beyond bad, it
carves out its own category of godawfulness. And, please, you don't
have to remind me that the original was a colossal hit ($700
million worldwide) and the sequel will probably do just as well. I
know it's popular. So is junk food, and they both poison your
insides and rot your brain. But I do accept that Bay is unique. No
one can top him for telling a story with such striking, shrieking
incoherence.
Rating:
Not Rated
]]>
</description>
<content:encoded>
<![CDATA[
<table border="0" cellpadding="10" cellspacing="10" style="margin:10px;">
<tr valign="top" align="left"><td valign="top" align="left" width="90" height="160">
<a style="width: 90px;height:140px;" href="http://www.rollingstone.com/reviews/movie/25458013/review/28840142/transformers_revenge_of_the_fallen?source=movie_reviews_rssfeed">
<img height="140" alt="Photo" width="90" src="http://i.realone.com/assets/cs/0h1/061240h1.jpg" border="0"></img>
</a>
</td>
<td valign="top" align="left"><b>Starring: </b><br>
Shia LeBeouf, Megan Fox, Josh Duhamel<br>
<b>Review: </b><br>
It's tempting to dismiss Michael Bay's long, loud and ludicrous
sequel to 2007's Transformers with one word &mdash;
hunkajunk. On every level this movie is as bankrupt as GM. But
there is more to be said about a movie this gargantuan ($200
million spent on robot hardbodies) and galactically stupid.
Transformers: The Revenge of The Fallen is beyond bad, it
carves out its own category of godawfulness. And, please, you don't
have to remind me that the original was a colossal hit ($700
million worldwide) and the sequel will probably do just as well. I
know it's popular. So is junk food, and they both poison your
insides and rot your brain. But I do accept that Bay is unique. No
one can top him for telling a story with such striking, shrieking
incoherence.
<br/>
<b> Rating: </b>0 Stars
</td>
</tr>
</table>
]]>
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<item>
<title>Cheri</title>
<guid>http://www.rollingstone.com/reviews/movie/25910186/review/28818819/cheri</guid>
<link>http://www.rollingstone.com/reviews/movie/25910186/review/28818819/cheri?source=movie_reviews_rssfeed</link>
<pubDate>Tue, 23 Jun 2009 10:06:45 PDT</pubDate>
<description>
<![CDATA[
Starring:
Michelle Pfeiffer
Review:
As a cougar chasing a teen twink: That's a crass pr&eacute;cis
for the elegant, witty pleasures that Pfeiffer, director Stephen
Frears and writer Christopher Hampton &mdash; who last collaborated
on 1988's Dangerous Liaisons &mdash; carve out of this
tale by the French novelist Colette. Set in Paris in the early
1900s, the film begins as retired courtesan L&eacute;a (Pfeiffer)
enters into a six-year affair with Cheri (the excellent Rupert
Friend), 19, the son of her colleague Charlotte (a wickedly frisky
Kathy Bates). L&eacute;a and Cheri will pretend there is no such
thing as love, and ultimately be scarred by it. With Pfeiffer, 50,
radiating uncommon beauty, grace and feeling, Frears uncovers a
fragile story's grieving heart.
(Check
out more news and reviews from Peter Travers on the...
Rating:
3 Stars
]]>
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<content:encoded>
<![CDATA[
<table border="0" cellpadding="10" cellspacing="10" style="margin:10px;">
<tr valign="top" align="left"><td valign="top" align="left" width="90" height="160">
<a style="width: 90px;height:140px;" href="http://www.rollingstone.com/reviews/movie/25910186/review/28818819/cheri?source=movie_reviews_rssfeed">
<img height="140" alt="Photo" width="90" src="http://i.realone.com/assets/rn/img/2/2/4/7/28847422-28847424-thumbnail.jpg" border="0"></img>
</a>
</td>
<td valign="top" align="left"><b>Starring: </b><br>
Michelle Pfeiffer<br>
<b>Review: </b><br>
As a cougar chasing a teen twink: That's a crass pr&eacute;cis
for the elegant, witty pleasures that Pfeiffer, director Stephen
Frears and writer Christopher Hampton &mdash; who last collaborated
on 1988's Dangerous Liaisons &mdash; carve out of this
tale by the French novelist Colette. Set in Paris in the early
1900s, the film begins as retired courtesan L&eacute;a (Pfeiffer)
enters into a six-year affair with Cheri (the excellent Rupert
Friend), 19, the son of her colleague Charlotte (a wickedly frisky
Kathy Bates). L&eacute;a and Cheri will pretend there is no such
thing as love, and ultimately be scarred by it. With Pfeiffer, 50,
radiating uncommon beauty, grace and feeling, Frears uncovers a
fragile story's grieving heart.
(Check
out more news and reviews from Peter Travers on the...
<br/>
<b> Rating: </b>3 Stars
</td>
</tr>
</table>
]]>
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</item>
<item>
<title>The Hurt Locker</title>
<guid>http://www.rollingstone.com/reviews/movie/21799075/review/28818800/the_hurt_locker</guid>
<link>http://www.rollingstone.com/reviews/movie/21799075/review/28818800/the_hurt_locker?source=movie_reviews_rssfeed</link>
<pubDate>Tue, 23 Jun 2009 10:02:29 PDT</pubDate>
<description>
<![CDATA[
Starring:
Jeremy Renner, Anthony Mackie, Brian Geraghty
Review:
Here's the Iraq War movie for those who don't like Iraq War
movies. The Hurt Locker doesn't preach. Director Kathryn
Bigelow, working from a strong script by embedded journalist Mark
Boal, gets right down to business
(watch Peter Travers' video review of The Hurt
Locker). She takes us deep into an elite U.S.
bomb-disposal squad in Baghdad. The dazzling virtuosity of her
ticking-bomb thriller includes staying alert to what's ticking
inside the men. At the start, soldiers J.T. Sanborn (Anthony
Mackie) and Owen Eldridge (Brian Geraghty) watch in horror as their
sarge (Guy Pearce) suits up to defuse a bomb that goes off in his
face. Enter Staff Sgt. William James (Jeremy Renner) as the new
head of the unit. Sanborn thinks James is all kinds of reckless,
and Renner and Mackie are outstanding at...
Rating:
3.5 Stars
]]>
</description>
<content:encoded>
<![CDATA[
<table border="0" cellpadding="10" cellspacing="10" style="margin:10px;">
<tr valign="top" align="left"><td valign="top" align="left" width="90" height="160">
<a style="width: 90px;height:140px;" href="http://www.rollingstone.com/reviews/movie/21799075/review/28818800/the_hurt_locker?source=movie_reviews_rssfeed">
<img height="140" alt="Photo" width="90" src="http://i.realone.com/assets/rn/img/9/1/4/7/28847419-28847421-thumbnail.jpg" border="0"></img>
</a>
</td>
<td valign="top" align="left"><b>Starring: </b><br>
Jeremy Renner, Anthony Mackie, Brian Geraghty<br>
<b>Review: </b><br>
Here's the Iraq War movie for those who don't like Iraq War
movies. The Hurt Locker doesn't preach. Director Kathryn
Bigelow, working from a strong script by embedded journalist Mark
Boal, gets right down to business
(watch Peter Travers' video review of The Hurt
Locker). She takes us deep into an elite U.S.
bomb-disposal squad in Baghdad. The dazzling virtuosity of her
ticking-bomb thriller includes staying alert to what's ticking
inside the men. At the start, soldiers J.T. Sanborn (Anthony
Mackie) and Owen Eldridge (Brian Geraghty) watch in horror as their
sarge (Guy Pearce) suits up to defuse a bomb that goes off in his
face. Enter Staff Sgt. William James (Jeremy Renner) as the new
head of the unit. Sanborn thinks James is all kinds of reckless,
and Renner and Mackie are outstanding at...
<br/>
<b> Rating: </b>3 Stars
</td>
</tr>
</table>
]]>
</content:encoded>
</item>
<item>
<title>My Sister's Keeper</title>
<guid>http://www.rollingstone.com/reviews/movie/27810121/review/28818793/my_sisters_keeper</guid>
<link>http://www.rollingstone.com/reviews/movie/27810121/review/28818793/my_sisters_keeper?source=movie_reviews_rssfeed</link>
<pubDate>Tue, 23 Jun 2009 10:01:17 PDT</pubDate>
<description>
<![CDATA[
Starring:
Cameron Diaz, Abigail Breslin, Alec Baldwin
Review:
Adapted from a bestseller by Jodi Picoult that I hope to never
read, My Sister's Keeper starts with an intriguing
premise.
(Watch Peter Travers' video review of My Sister's
Keeper.) Cameron Diaz and Jason Patric conceive a child to
keep her leukemic older sister (Sofia Vassilieva) alive through
transfusions and transplants. But when Anna (Abigail Breslin), 11,
hires a lawyer (Alec Baldwin) to sue for the right to her own body,
all hell breaks loose. So does the movie. Though the actors give it
a go, notably Diaz, who plays the "crazy bitch" mom with no-bull
restraint, director Nick Cassavetes shifts to Notebook
mode and jerks tears at every turn. Almost everyone Anna encounters
has his or her own tragedy (cancer, epilepsy, a dead child). And
each story is set to treacly songs (cue "Life Is...
Rating:
1.5 Stars
]]>
</description>
<content:encoded>
<![CDATA[
<table border="0" cellpadding="10" cellspacing="10" style="margin:10px;">
<tr valign="top" align="left"><td valign="top" align="left" width="90" height="160">
<a style="width: 90px;height:140px;" href="http://www.rollingstone.com/reviews/movie/27810121/review/28818793/my_sisters_keeper?source=movie_reviews_rssfeed">
<img height="140" alt="'My Sister's Keeper' Photo" width="90" src="http://i.realone.com/assets/rn/img/9/8/5/1/28461589-28461593-large.jpg" border="0"></img>
</a>
</td>
<td valign="top" align="left"><b>Starring: </b><br>
Cameron Diaz, Abigail Breslin, Alec Baldwin<br>
<b>Review: </b><br>
Adapted from a bestseller by Jodi Picoult that I hope to never
read, My Sister's Keeper starts with an intriguing
premise.
(Watch Peter Travers' video review of My Sister's
Keeper.) Cameron Diaz and Jason Patric conceive a child to
keep her leukemic older sister (Sofia Vassilieva) alive through
transfusions and transplants. But when Anna (Abigail Breslin), 11,
hires a lawyer (Alec Baldwin) to sue for the right to her own body,
all hell breaks loose. So does the movie. Though the actors give it
a go, notably Diaz, who plays the "crazy bitch" mom with no-bull
restraint, director Nick Cassavetes shifts to Notebook
mode and jerks tears at every turn. Almost everyone Anna encounters
has his or her own tragedy (cancer, epilepsy, a dead child). And
each story is set to treacly songs (cue "Life Is...
<br/>
<b> Rating: </b>1 Stars
</td>
</tr>
</table>
]]>
</content:encoded>
</item>
<item>
<title>Whatever Works</title>
<guid>http://www.rollingstone.com/reviews/movie/21376745/review/28770887/whatever_works</guid>
<link>http://www.rollingstone.com/reviews/movie/21376745/review/28770887/whatever_works?source=movie_reviews_rssfeed</link>
<pubDate>Thu, 18 Jun 2009 01:17:47 PDT</pubDate>
<description>
<![CDATA[
Starring:
Larry David, Evan Rachel Wood, Patricia Clarkson
Review:
Not everything works in Woody Allen?s first New York&ndash;based
movie in five years (he?s gone European). Whatever Works
feels like something out of time and, worse, out of step. Hell,
Allen wrote the script back in the 1970s for Zero Mostel. The
grumpy old Jew at the center of this comedy of complaints &mdash;
divorced physicist and two&ndash;time suicide attempter Boris
Yellnikoff &mdash; is played not by Allen, 73, but by Larry David,
61. Allen wanted to go younger and angrier. Enter David, the
fulminating joke engine of Curb Your Enthusiasm, whose
Boris kvetches at the camera (meaning us) just like Allen?s Alvy
Singer did in Annie Hall in 1977. ?The universe is
expanding,? a worried young Alvy tells his mother. Her retort,
?What is that your business?? is...
Rating:
2.5 Stars
]]>
</description>
<content:encoded>
<![CDATA[
<table border="0" cellpadding="10" cellspacing="10" style="margin:10px;">
<tr valign="top" align="left"><td valign="top" align="left" width="90" height="160">
<a style="width: 90px;height:140px;" href="http://www.rollingstone.com/reviews/movie/21376745/review/28770887/whatever_works?source=movie_reviews_rssfeed">
<img height="140" alt="Photo" width="90" src="http://i.realone.com/assets/rn/img/9/8/9/0/28770989-28770991-thumbnail.jpg" border="0"></img>
</a>
</td>
<td valign="top" align="left"><b>Starring: </b><br>
Larry David, Evan Rachel Wood, Patricia Clarkson<br>
<b>Review: </b><br>
Not everything works in Woody Allen?s first New York&ndash;based
movie in five years (he?s gone European). Whatever Works
feels like something out of time and, worse, out of step. Hell,
Allen wrote the script back in the 1970s for Zero Mostel. The
grumpy old Jew at the center of this comedy of complaints &mdash;
divorced physicist and two&ndash;time suicide attempter Boris
Yellnikoff &mdash; is played not by Allen, 73, but by Larry David,
61. Allen wanted to go younger and angrier. Enter David, the
fulminating joke engine of Curb Your Enthusiasm, whose
Boris kvetches at the camera (meaning us) just like Allen?s Alvy
Singer did in Annie Hall in 1977. ?The universe is
expanding,? a worried young Alvy tells his mother. Her retort,
?What is that your business?? is...
<br/>
<b> Rating: </b>2 Stars
</td>
</tr>
</table>
]]>
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