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Smashing Pumpkins Mix Elation With Frustration at NYC Anniversary Stop

11/10/08, 1:25 pm EST

Photo: Chris Owyoung for RollingStone.com

In the lobby of United Palace, the grand theater in Harlem where Smashing Pumpkins spent two nights celebrating their 20th anniversary last week, a T-shirt for sale declared “Smashing Pumpkins: 20 Years of Sadness.” Based on the two unique sets Billy Corgan scowled through, a more accurate phrase would have been “20 Years of Frustration With Glimpses of Transcendence.”

Photo Gallery: The Smashing Pumpkins Celebrate 20 Years in New York

Corgan is a problematic character, as he is a petulant control freak who gives into most of his artistic urges without questioning the context or repercussions. He’s always been a man not quite in sync with the rest of the music world — when everybody was making gritty grunge, Corgan abandoned his noisier tendencies to make a Boston album (Siamese Dream); a few years later, he made a Depeche Mode record during a time when that was not even fashionable for Depeche Mode. The current iteration of the Pumpkins — the version that released last year’s Zeitgeist — is a hulking big-rock monolith that nods to the group’s harder-edged past but generally lacks the finesse and grace. This was the band that walked into New York — their first time in the city in nearly a decade — and delivered a pair of sets that had the crowd full of mostly die-hards from the Mellon Collie and the Infinite Sadness days scratching their heads.

Thursday night’s show, dubbed “Black Sunshine,” mined Corgan’s prog urges and stuck to the heavier tunes from Zeitgeist with only a few nods to some of their biggest singles. The early run of “Tarantula,” excellent new single “G.L.O.W.,” “Siva,” “Eye,” “Mayonaise” and “Tonight Tonight” felt like an actual 20th anniversary set, with modern monsters skulking amongst the radio hits. But things quickly fell off a cliff, bogged down by tuneless dirges like the reworked version of “Heavy Metal Machine” and a noisy, directionless cover of Pink Floyd’s “Set the Controls for the Heart of the Sun.” Even a rote version of “Today” couldn’t save the evening from ending on a sour note, where during “Everything Is Beautiful” Corgan mocked the audience members exiting the house early.

Friday night, called “White Crosses,” should have been better, as the set list was more even and balanced, with a focus on the prettier side of the Pumpkins. But in many ways, it was infinitely more problematic. Again, the night started relatively strong, with the band opening with underrated single “Ava Adore” (which featured Corgan wearing a vampire cloak and carrying a plastic jack-o-lantern full of silver glitter) and moving on to fan-favorites like “Soma,” “Cherub Rock” and “Zero.” It was as though Corgan was giving everybody what they wanted up front so they couldn’t complain later. And there was much to complain about: New songs like “Song for a Son” and “As Rome Burns” got lost in the theater’s strange acoustics, while even favorites like “Disarm” lacked teeth. Clearly losing the crowd, Corgan invited a fan onto the stage to voice his opinion about Thursday’s show. The fan told him, “Last night’s show sucked,” and for a minute it looked like Corgan was going to take criticism in stride for once. But as the fan was walking back to his seat, Corgan shouted, “By the way, I liked that song you wrote. What was it called? ‘Take Your Dick Out of My Ass and Stick It in My Mouth’? That was a big hit in Europe.” For a guy who has made his money airing out his own tales of childhood torment and abuse, it seemed strange and hypocritical for him to resort to playground name-calling and juvenile homophobia.

Corgan then rewarded his devoted audience with the 20-plus minute prog jam “Gossamer” and an utterly ridiculous version of “The March Hare” that devolved into a percussion jam that channeled Stomp. By then, the audience that hadn’t physically left had certainly checked out mentally. Corgan still cares deeply about his own credibility and likely sees these shows as a powerful statement of purpose for him, but he needs to find a better balance if he wants to draw crowds for his 25th anniversary.

Set List: Black Sunshine (Thursday)
“Roctopus”
“Everybody Come Clap Your Hands”
“Tarantula”
“G.L.O.W.”
“Siva”
“Eye”
“Mayonaise”
“Tonight, Tonight”
“Speed Kills”
“Transformer”
“Superchrist”
“United States”
“Once Upon A Time”
“Again, Again, Again (The Crux)”
“The Rose March”
“Today”
“Bullet With Butterfly Wings”
“The Beginning Is The End Is The Beginning”
“Heavy Metal Machine”
“Glass’ Theme”
“Set The Controls For The Heart Of The Sun”
“We Only Come Out At Night”
“Everything Is Beautiful”

Set List: White Crosses (Friday)
“Ava Adore”
“Cupid de Locke”
“1979″
“99 Floors”
“Owata”
“Sunkissed”
“Soma”
“Cherub Rock”
“Zero”
“Bodies”
“Crestfallen”
“I of the Mourning”
“Song For A Son”
“Landslide”
“Disarm”
“Mellon Collie and the Infinite Sadness”
“Galapagos”
“Gossamer”
“As Rome Burns”
“The Sound Of Silence”
“Little Red Riding Hood”
“The March Hare”
“Suffer”
“The March Hare (Reprise)”
“Age of Innocence”
“That’s The Way (My Love Is)”
“I Am One, Part 2″

Related Stories:

Smashing Pumpkins Prep New Album, 20th Anniversary Tour

Exclusive Q&A: Billy Corgan’s Fury

Classic Feature: Billy Corgan’s Rolling Stone Interview

Album Review: Smashing Pumpkins, Zeitgeist


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Comments

ironic | 3/23/2009, 8:57 pm EST

he wants do make new music, but regressed to the band name he abandoned when sales didn’t follow

he went straight downhill once he took voice lessons in the late 90’s and started writing music designed to be solely carried by the vocals

Katie | 2/28/2009, 3:04 pm EST

Between the 2 nights I count 17 well known SP songs that they performed. So I’m not quite sure what all the complaining is about. The Cleveland show was awesome!

danformer | 12/10/2008, 11:53 am EST

ive been in love with the pumpkins since 8th grade when i heard s.dream on cassette. i got to see billy do a aco set at the cat’s cradle in chaple hill back in 00, it was great and ive missed out on the many shows in my state in fear that i’ll be turned off by billy haveing a bad night and shitting on everyone. he really seems like the type of guy who gets things stuck in his head and runs with it 100%. thats all good and well but the past is who you are . i think so long as he keeps not playing old songs for the sake of new song the band will in time burn its self out.people pay rock bands to play rock music the hits the b-sides and the new shit. and adore was a masterpiece!!!

chad from californi | 12/4/2008, 6:30 pm EST

I was at the white crosses show in Los Angeles and it was f-ing rad. A little long winded at points, but still a great show. Billy added at the end of the show that he’s been pissing people off for 20 years and he’s not about to stop now. cheers, guy can play an electric guitar like nobodys business, and the leather dress didn’t hurt either.

Young Fan | 12/4/2008, 11:42 am EST

I went to the 20th anniversary show at the Borgata in Atlantic City, a couple nights after the NYC shows, and it was obvious that Billy was very happy the entire time. Billy seems to have problems with certain cities, namely NYC and Chicago. Every non-NYC and Chicago review I have heard was that the Pumpkins were great and rocked and were not negative towards the fans at all, and also it is quite obvious that Billy, as always, attempts to bring himself down at times. There is nobody in the music business harder and more down on themselves than Billy Corgan. He wants to be teased, he enjoys being told that his jams suck because honestly, if you listen to Gossamer fully you would notice the sheer beauty in how Corgan can take two guitars and layer them together to make it seem like he has an entire orchestra behind him. Yes, he may be a weird guy, but he is possibly one of the best songwriters of this current adult generation and he is showing that now by taking chances in his music, making songs like “Superchrist”, “United States”, and “Gossamer” which seem a little long and redundant but are really just Billy attempting to take his music in another direction. Billy’s not 25 anymore. He’s not in the music business for the hits anymore, he’s in it for the love of it and for the chance to do something different than he has ever done before musically. Just calm down and pay attention to his music instead of worrying about what kind of sets the pumpkins play, because it’s never going to be exactly what you want and maybe if you open your mind you will find a few new great songs like “As Rome Burns”, “Owata” and “99 Floors”. Just enjoy what Corgan is doing and stop criticizing him, because he’s doing his best to please his fanbase and his band at the same time.

kirshy | 12/3/2008, 1:20 pm EST

i saw the show last night in la and
thought they were great. they’re
taking chances and genuinely having
a good time, and rocking it pretty
damn hard. that’s good enough for me!

perplexed... | 11/24/2008, 1:20 pm EST

You people are pathetic, spending so much time and emotional energy online arguing over a famous persons actions. A famous person who, in all likeliness, you will never even meet. Go do something worthwhile with your human brains. …Jesus fucking Christ…

Don Patch | 11/22/2008, 9:09 pm EST

this hurt me and it was hard for me to read. i knew billy was a jackass but not this much. i just went from a huge SP fan to nothing…

billy not-corgan | 11/21/2008, 2:30 am EST

didn’t billy get rich because WE, the FANS, made him rich? didn’t we all buy him his mansion, one CD at a time?

time to bend over and own up, billy. like it or not, you OWE your fanbase.

what was that song you wrote? the big single your fans want to hear? take your dick out of your mouth and sing it, you singing, dancing monkey. amuse us.

Fan Once | 11/21/2008, 2:12 am EST

I saw the Pumpkins at Lollapalooza the year they headlined. The Beastie Boys played right before them and were received enthusiastically by the crowd. Then the Pumpkins took the stage and proceeded to bore the hell out of everyone. When people started leaving, Billy said,”Sorry we’re not the Beastie Boys” and walked out into the crowd and sat down. He refused to play anymore. I was a pretty big fan at the time and ever since then, I can’t stand his whiny ass.

zightguyst | 11/17/2008, 9:46 pm EST

“Take Your Dick Out of My Ass and Stick It in My Mouth’? Wasn’t that track #4 on that Billy Corgan solo record.”

LOL - that made me laugh for quite a while. Dear lord, the solo album was absolute garbage. I’m a huge pumpkins fan, but I couldn’t even pretend to like that one.

I went to the “Black Sunshine” show in Boston, and I was one of the fans turned off by the lack of actual SP music (not just ‘hits’, but SP MUSIC in general).

On any other tour, I probably wouldn’t have minded so much.. but on the 20th anniversary tour celebrating 20 years of Pumpkins I expected more. But I remain optimistic, and hope the next tour will be more promising.

stuporfly | 11/15/2008, 8:42 pm EST

Corgan and his spare parts band of misfit toys should play whatever the fuck they want to play.

The worst thing all you assholes did was buy that fucking double album, Mellon Collie, like it had the secrets of the universe. You let Corgan believe he was an artist, and look where that led him. Any of you showing up at a 2008 Smashing Pumpkins gig with at least one post-Siamese Dream album in your collection deserves what you get, all the Nosferatu emo prog-wank the spoilt little rich boy can cram down your fat, sweaty gullets. It’s all your fucking fault.

See what happens.... | 11/15/2008, 5:44 pm EST

…when you f around with Courtney Love?

ZZTOPER | 11/14/2008, 8:57 pm EST

Billy needs to stop with the BS.No myspace,no video-game music, and no more concerts with stupid costumes.Just make music dude…

Orange Peel | 11/14/2008, 1:15 pm EST

My favorite bc moment was in Asheville: “This song is about how none of you know what love is like I do.” Too true.

bleeblarblar | 11/13/2008, 6:43 pm EST

Oh, this was painful to read. Because I can believe it. SP is the most important bad I’ve ever come across but I’ve seen him taunt the crowd and leave the stage for extended periods back in ‘93. I had thought that he had matured by now.
And I’m also sick of bands who have no perspective about their “older” music. Is the music of Bach no longer good because its old? If you wrote it, celebrate it! Unless it was just written as a fashion accessory.

Alligood | 11/13/2008, 2:53 pm EST

I went to the show on Friday at the United Palace Theater in Manhattan. I had read the blogs about the night before and how the show wasn’t that great, but I knew they weren’t “real fans” and didnt appreciate billy’s creative tangent. Being apart of 7 smashing pumpkin shows including two last year, I can easily say this was the worst show billy has performed thus far. The best way to describe it was like seeing your girlfriend go away for a while and come back 70 pounds fatter, or like going to watch your favorite sports team play, and they blow it in the sixth inning. The show got off to a good start, but when billy started howling like a wolf and dancing around the stage to african tribal music the hands dropped, the cheers subdued, the energy was drained, and the crowd died… By the end of the show I didnt see one head even bobbing to the music. Certain artists have charisma as they move around the stage (Anthony Kiedis, Scott Weiland) and certain artists lack it. Billy - You got to keep that guitar in your hand, because you are one awkward dude without it. I think its great to be creative in your work, but you still have to tie in the very roots that made you the smashing pumpkins in the first place. That includes heavy guitar riffs and strong vocals, not bongos and weird howling noises.

K3rM1t | 11/13/2008, 2:21 pm EST

Gossamer was only 14 minutes long, not 20 minutes plus.

Lola | 11/13/2008, 10:11 am EST

Sorry, I can’t read a review when the writer can’t even get the location correct. The United Palace Theater is in Washington Heights, NOT Harlem.

Anon Lib | 11/12/2008, 12:33 pm EST

It’s tragic that a musical talent such as BC cannot grasp the concept of humility. Most can agree he’s a talent but how about removing that 20 year-old stick from your ass? This has been his MO throughout his career. What is so bad about fans LOVING the older songs? I simply believe that you cannot defend such arrogance. Some commented that those turned off by his demeanor should just stop listening to Smashing Pumpkins. Done. He’s all yours. Maybe that verse from ‘Range Life’ is actually valid…”out on tour with the Smashing Pumpkins, nature kids, they don’t have no function..”

usedtobeapumpkinsfan | 11/12/2008, 8:35 am EST

I’ve been a pumpkins fan since the early 90’s. They were my favorite band to come out of that decade even though Billy was often a douchebag. But his egomaniacal behavior since this comeback has really put me off for the first time. To insult fans who spend their hard-earned money to see a band that has lost its way in these economic times is truly reprehensible. I have no problem with bands playing new material; U2 is one such band that does it beautifully without pissing off the people who just want to hear the hits. But to make people sit through 20 minute freeform performances of songs that are unreleased is asking a lot. The 70’s are over Billy. Led Zep and Pink Floyd have come and gone. Last night I watched SP’s new documentary and Billy really came off like a whiny little bitch. Throwing his guitar around because people want to hear songs like Soma. Cut me a fucking break. If this guy is so miserable with all his hit songs and money, then just stay the fuck home. Try living in my world Billy. Try a mortgage payment, 2 car payments, a wife and a 4 year old kid plus a high pressure job and then see what you have to bitch about motherfucker.

Treg | 11/12/2008, 3:21 am EST

Wow.. Billy, you’re such a class act. Good to see you grew up.. =/

chrisothoulos | 11/12/2008, 12:31 am EST

Billy Corgan is making new music. If you don’t like new, then listen to the old CD’s and dont goto concerts, because he will play new stuff. And as for the cover songs they play, including ’set the controls’, they play these as a tribute to the bands they loved growing up. If you dont like it, dont be a fan. They don’t need fans like you anyway. He is a great songwriter. Give him a break. To you people that shout ‘play bullet’ ‘play soma’ play today’ shut the fuck up.

Angry fan | 11/11/2008, 5:14 pm EST

I cannot believe he told some fan: “By the way, I liked that song you wrote. What was it called? ‘Take Your Dick Out of My Ass and Stick It in My Mouth’? Billy has lost it. He is all out of ideas and is filling the void with antics like these. The self-indulgence has hit new heights of pomposity. He is a douchebag

kliffee | 11/11/2008, 4:06 pm EST

Corgan is a self-important ego-turd. He thinks he ranks up there with real legends such as Zeppelin, Beatles, Stones, The Who, Hendrix.
Just a pop act that had some really good songs but he wants to forget them and wank off on drivel.

JasonG | 11/11/2008, 2:02 pm EST

I was at Thursday nights show. It was BAD. It wasn’t just the set… there was no flow. Billy was TAUNTING the audience. “So you guys just want to hear songs you lost your virginity to”

Hell yes! They have a ton of good material and the stuff they played was just off.

The long, space jams, were torturous. I’m a Deadhead too! There was no music there.

Joe | 11/11/2008, 12:57 pm EST

Adam, I agree. I just tried to make a comparison about bands being confident in their new material. ZOO TV and Achtung Baby were, and still are, groundbreaking. Zeitgeist, at times hard rockin and pretty good, is nowhere near that level, or even 90% of the Pumpkins material. The simple fact remains, new or old, this pair of concerts was a misstep.

Thursday attendee | 11/11/2008, 12:24 pm EST

I was at the Thursday show, and it was indeed pretty weird. Especially since at the Philly show I went to a year ago, they played it pretty straight and were excellent.

But then again, Corgan has said (in a recent RS article) that he knows people expect him to just play the old hits, and he doesn’t really like that - he cites Bon Jovi in that article. Nobody goes to Bon Jovi to hear 15 minute jams and kazoos. So he knows what he is doing, and so it is.

While I did expect a more traditional show, I am not going to go out and say that I “deserved” one - he will put on the show he puts on, and if it costs him fans moving forward then so be it. He should just go all the way and cover Revolution #9 at some point.

cegelis | 11/11/2008, 10:17 am EST

they need to stick to their classics, and not try to impress anyone with new rock shit…do what the pumpkins do best…

Told You So | 11/11/2008, 9:33 am EST

I was the biggest Pumpkins fan, not anymore… and I told you so. What has he become? I loved Zwan, Djali Zwan, the Solo album… but this? What a waste.

If I was on stage and he said something like that to me, I don’t know… is he looking for validation or what?

Sad.

JOE, by the way, the Pumpkins are no U2 circa ZOO TV Era… that was brilliant, “Zeitgeist” is just desperate.

Adam

Steve Clouds | 11/11/2008, 8:04 am EST

Billy, You’re killing us with new junk and over-inventing the classics.

Rocktopus | 11/11/2008, 6:47 am EST

B O R I N G & W R O N G

Bad acoustics - maybe if you have a pair of bananas stuffed in your ears. 40 minute jam - my word - was your reporter actually there, in not one of the 20th anniversary shows have they played anything approaching 40 minutes. Get your facts right and stop going on about Billy Corgan - talk about the music for a change; the amount of genres they traverse with aplomb & ease. Oh and the fact that they have one, if not the best, drummer on the planet behind them.

As for the so called fans here - if you don’t like the new stuff stick to listeing to the old. And if you haven’t even seen or heard one of these shows, just shut up. It’s really as simple as that.

Joe | 11/10/2008, 10:59 pm EST

Being a U2 fan myself, I remember the ZOO TV days when U2 would open the show with 7 to 8 straight songs from Achtung Baby. This was at a point in their careers when they had a solid setlist and run out about 12 to 15 songs and pleased their “post-punk” neo wave muscle-shirted “War” worshipping fanbase. But they KNEW they had great material on their hands and played it confidently from day one. Billy, don’t outthink yourself. Without the fans, none of this exists for you or any other band. They come to be entertained. Work your Zeitgeist, trot out the hits, celebrate your catalog. They are hits for a reason. The studio is for following your muse. The stage is for showing your fans a great time, not for asking their opinion and then attempting to save face with a high-school stoner wisecrack.

neverthehero | 11/10/2008, 7:58 pm EST

I can’t wait until Led Zep gets back together, charges out the ass for their tickets and everyone bitches and moan because they won’t play Stair Way for the whole show. I agree with Joe, either you bring the goods or you don’t. From what I seen so far in the four times I’ve seen them(since reforming), they’ve brought the goods around 85% of the time. And for entertainment, I’d say that’s damn good. How many albums or movies you like every second of them on a regular basis.

Prophet Margin | 11/10/2008, 7:39 pm EST

once a hype band, always a hype band. Sometimes it just takes time for everyone else to notice.

neverthehero | 11/10/2008, 7:30 pm EST

The intresting thing going on here, is that a lot of critics(i.e. people who do this for a living) never liked them as a live band anyway. Now that they are playing questionably shows in many eyes, they act like they were the greatest live band back in the ’90s. I only had the chance to see them once before the breakup at the United Center circa ‘00 before the Metro show. I can safely say they are a better live show now. It’s funny how everyone hates labels but we slap rock/pop band to the Pumpkins then all of a sudden we are shocked they play some songs more than four mintues. I wonder how many people got pissed when Pink Floyd went on forever. Yes, I know how dare I compare but remember they did let Corgan introduce the band at the HOF>

Joe | 11/10/2008, 6:47 pm EST

It’s really sad when a “fan” defends an artist who is being exclusionary and elitist with his audience by being elitist themselves. A fan deserves the best from their artist when that artist takes the stage, REGARDLESS of setlist or greatest hits content. I think Billy should send out a pre-concert questionnaire filtering out his “true” fans from the non-believers so that way he can have an Oprah-like audience ready to bend their will to him and question nothing he does or wears.

Anonymous | 11/10/2008, 6:07 pm EST

“if those same people are going to the concerts now thinking they deserve their ‘92 thru ‘97 Pumpkins back, screw off.”

“Deserve”?!? An interesting choice of words for a paying audience who — ironically enough — “deserves” better than what they’re getting from the Pumpkins these days.

You aren’t Billy Corgan by any chance are you?

schultz | 11/10/2008, 5:45 pm EST

ears = years - btw

schultz | 11/10/2008, 5:43 pm EST

nice guy slamming a fan that paid good money to come see the band - I have been an SP fan for ears, but alas it seems that Billy has fallen into the realm of douchebaggery like so many other musical has beens.

At least Axl hasn’t had the chance to alienate his fans… yet.

Josh | 11/10/2008, 5:09 pm EST

Wow, Billy Gorgan was a jerk at a Smashing Pumpkins show? Color me shocked… I saw the Pumpkins at Lollapalooza years ago, and Corgan managed to alienate the entire crowd at the Gorge by trashing Seattle, coffee, flannel, Sub-Pop, etc. And I showed up with an open mind, ready to be impressed… instead I just walked away amazed at what a douche Corgan is. And I’ve shown up as a neutral observer at other concerts back in the day (Alice In Chains, STP) and walked away RAVING about the bands because of what they brough to the live show. Pumpkins were just annoying.

neverthehero | 11/10/2008, 4:20 pm EST

Let’s see over 40 Pumpkin songs and a few covers thrown in; someone want to explain why it’s so horrible if they play some jams? It’s funny the comments are from people that seem haven’t seen the Pumpkins since they reformed but yet have the same opinions of the Pumpkins they had over 12 years ago. People abandoned the Pumpkins durning Machina so if those same people are going to the concerts now thinking they deserve their ‘92 thru ‘97 Pumpkins back, screw off. Oh, unless the sound was really messed up, I seen Rome Burns twice live now and it’s laughable to say it doesn’t have teeth.

Cloudman | 11/10/2008, 3:10 pm EST

Billy Corgan is a douche to adoring fans, more at 11. But our first story tonight: the sun rose today.

Wow... | 11/10/2008, 3:09 pm EST

…and to think this guy was once considered the future of rock n’roll. It’s pretty obvious the only reason he’s even onstage these days is to satisfy his own enormous ego.

BTW Billy, fans don’t write songs, they pay good money to see your perform yours. And as the old saying goes, I don’t have to be a chef to know when food tastes like crap.

I was a huge Pumpkins fan in the 90’s, but their dismal performance opening for Kiss at Dodger Stadium pretty much killed it for me. I truly feel sorry for the fans who shelled out money hoping for something special here.

Billy, come on. | 11/10/2008, 2:53 pm EST

If all of “Cherub Rock” and about 6 songs off of Melon Collie were the set list, plus “tarantula” “United States” and “ava adore” I’d be happy. thank god they didn’t play “Starz” off of Zeitgeist. what a wretched song.

one-time huge fan | 11/10/2008, 2:39 pm EST

Take Your Dick Out of My Ass and Stick It in My Mouth’? Wasn’t that track #4 on that Billy Corgan solo record.

Way to reward the fans billy.

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