Previous Next Latest

Vince Gill, Emmylou Harris Talk Rock at Country Music Hall of Fame

10/16/08, 4:17 pm EST

Photo:Gries/Getty

In the new issue, Rolling Stone’s Andy Greene reports on why mainstream artists like Bon Jovi and Jewel are going country, but what do country’s legends have to say about the trend? Rock Daily found out last night at the Country Music Hall of Fame/All For the Hall NY Benefit at Nokia Theatre in Times Square.

Darius Rucker Leads Country Crossover Pack

“There wouldn’t be rock & roll if there wasn’t country,” host Billy Bob Thornton announced after a performance with his band The Boxmasters. “So any time you’re up there bumping your ass on the dance floor, remember that.”

Country luminaries Emmylou Harris, Vince Gill, Levon Helm, Jerry Douglas and Rodney Crowell were all in attendance, as well as Larry Campbell, who joined them for a haunting, two-hour guitar pull filled with impromptu collaborations of Harris’ “Tragedy,” Crowell’s “Still Learning How to Fly” and the Band’s epic “Evangeline.”

Before the show, 2008 CMHOF inductee Emmylou Harris took some time to address the country crossover that seems to be dominating the music industry. “I could have been considered an interloper myself, coming from the world of rock and folk with Gram Parsons,” she said. “But I don’t think anything should be closed off to anybody. People are influenced by a lot of different things, so everything is bleeding into everything else.”

Vince Gill, who serves as president of the Board of Officers and Trustees of the CMHOF, also embraced the crossover. “I always root for the lines to be blurry,” he said. “The Eagles were always country, but the records in 1975 weren’t country at all in comparison. Music is so much more important than the label you stick on it.”

Related Stories:

Darius Rucker Leads Country Crossover Pack

Eagles, Kenny Chesney Lead Country Music Award Noms

Beyoncé Ropes in Country Fans

Jewel Goes Country


Previous Next Latest

Comments

Anonymous | 10/16/2008, 7:09 pm EST

Somebody PLEASE knock BBThornton upside the head with a Gibson L-1.

R. Shankle | 10/16/2008, 11:32 pm EST

The thing that REALLY irritates me about so-called “cross-over country” and “new-country” artist/acts is that fact the music industry and media call this music country. All the new country artists/bands sound is by definition, American Southern Rock or Southern California country rock. Its simple, the new country sound is either one of the other; classic Eagles (Greatest Hits 1971–1975) or Lynard Skynard (Second Helping-era) maybe with a banjo or fiddle added, some not even that much.

The music industry and the music media need to STOP calling the “new” country, country music. Its not…its Southern Rock or at the least Country Rock. Listen to the latest Big & Rich, then classic 38 Special and tell me I’m wrong.

Garth Hudson Brooks | 10/17/2008, 8:51 am EST

R. Shankle, I agree, but I would expand it to “mid-80s Heartland Rock” as well. Kenny Chesney is nothing but John Mellencamp during the “Scarecrow” era. And Bon Jovi’s “country” success is not because he altered his sound, it’s because country music has altered its sound to him.

By the way, I wouldn’t call Levon a “country luminary”, RS. I agree with Gill regarding labels, but that one’s just plain wrong. I love Levon, and he’s a ROCKER, baby!

Trev | 10/17/2008, 9:02 am EST

R. Shankle is so right. The southern rock influence is definitely there. But the press will always use labels. Look at the “grunge” era. Wasn’t Soundgarden just a heavy rock band?

Larry Onischuck | 10/18/2008, 1:53 pm EST

Rock,Hard Rock, Soft Rock, Southern Rock, Heavymetal, Country, Country Rock, Pop, New country, Classic Rock, Classic Country are just names and labels the boundaries blur and change over time it is all just opinion. The last sentance of the article says it all Music matters what it is called does not.

Post A Comment

Caution: Off-topic comments will be deleted

Name:

Comments:



Advertisement

Advertisement