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Frank Zappa’s Raunchy Rock Opera “Joe’s Garage” Debuts in L.A.

9/29/08, 4:33 pm EST

Almost 30 years since the original release of Frank Zappa’s unrealized stage play Joe’s Garage, director Pat Towne has brought the Rolling Stone-dubbed “unproducible” musical to Hollywood’s Open Fist Theatre. Joe’s Garage imagines a world where music is banned — the plot follows its protagonist as he discovers the obscene powers of rock & roll, the lazy appeal of religion and the benefits of a nice yellow apron when having sex with a robot (Joe dons that ass-less costume for the bulk of the show).

The show debuted Friday during the first presidential debate, and the irony wasn’t lost on Zappa’s widow, Gail, who says the current political climate was no small factor in finally bringing the show to life. “[Joe's Garage] is made for people who love this country and love the Constitution,” she told Rolling Stone after the premiere, which she attended with a crew that included daughter Diva. “It’s just so relevant… these are desperate times and people are trying to convince themselves that information is knowledge, and it’s not.”

Joe’s Garage has no shortage of vulgarity, charade fellatio or STDs (one of the songs, “Why Does it Hurt When I Pee,” is performed in a Styrofoam toilet with chomping teeth). But the effect is signature Zappa, balancing brilliant arrangements that manage to be at once dissonant and melodic with a satirical use of shock value. At the end, though, it’s one to many shocks for Joe — after uncovering his love of rock & roll, turning to religion for redemption, having sex with appliances and being raped by the music industry (literally) in prison, he goes mad. “As you can see,” says the Central Scrutinizer, narrator of the show, “music can get you pretty fucked up.”

“I never thought it would get off the ground,” said Gail. “Frank tried many times in his lifetime and there were many people that would talk to me about [producing the show]. But they were always concerned about the language.” Gail herself has held a notoriously tight fist on everything Zappa, fighting to ensure the artistic integrity of her husband’s songs. But now, the timing and people felt right. The show runs through November 22nd.

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Comments

Anonymous | 9/29/2008, 11:54 pm EST

This show is the best thing I’ve seen in LA in a long time!

Lloyd Francis | 9/30/2008, 1:55 am EST

The show is awesome, powerful and scorchingly funny. The whole concept would have fallen flat though without the brilliant and disciplined staging and choreography by Jennifer Lettelleir, literally the juicy creative glue that illuminates the great music, and holds the whole enterprise together. Don’t miss this!

Kevin Mills | 9/30/2008, 4:07 am EST

Yes, but do they play Watermelon?

zappy | 9/30/2008, 2:40 pm EST

this show is great, thanks for giving it props.

Denny Miller | 9/30/2008, 5:41 pm EST

Congratulations, Jennifer! When’s the tour coming to Florida? Our new theater should be finished by next fall!
Grins!
Denny

Lloyd Francis | 9/30/2008, 9:22 pm EST

Yes, Kevin. Frank’s masterpiece, Watermelon in Easter Hay, is in the show. I won’t spoil the surprise of how its done, but its one of the high points.

Jay Krull | 10/1/2008, 9:14 pm EST

I saw Saturday night’s performance, and I found it lacking in cohesion and unable to approach the nuance and complexity of Zappa’s vision.

There are some spirited performances, but the choreography, while ambitious, is decidedly amateur.

earwax | 10/5/2008, 11:13 pm EST

I strongly recommend anyone even
slightly curious about Zappa or Joes Garage to order tickets NOW.

Thanks to Gail and the Family Trust, Franks vision explodes in an authentic and colorful celebration that speaks to the dark politcal truths of Amercan culture. The musicains and cast are so fresh, energetic and enthusiastic that they engage and immerse you into Franks universe totally through out all three acts.

Do not miss this historic event.

Lifelong Zappa Fan | 11/17/2008, 6:25 pm EST

Do not miss. I laughed constantly and cried 3 times. Strong musicianship for the hardcore FZ fans. Highly inventive choreography (remember that Frank was a fan of dance and wrote a ballet called ‘Sinister Footwear’ and allowed La La La Human Steps to accompany his ‘G-Spot Tornado’ when played during the Yellow Shark performance by Ensemble Modern). The actors are top notch – this is not a show that you can perform if your heart is not in it. I applaud the Open Fist Theatre and appreciate that Gail Zappa blessed this important performance. If you have never heard Zappa this might be the show you remember forever.

Kevin McGuire | 11/24/2008, 12:04 am EST

I hope they bring it to the San Francisco Bay Area coinciding with the New Years Show of Zappa -plays-Zappa as we are a jammed packed group of Frank Fans up here. I was so disapointed when “Thing Fish ” was canceled here in San Jose which I had tickets for after playing the night before in Berzerkely!KMc

andreasghb | 12/20/2008, 8:37 pm EST

Excellent job. Went to see it twice. Granted I’m seeing it from a huge FZ fan’s perspective, not a musical theater fan, so I have nothing to compare it to in that regard. If there was some hamming it up and amateurishness, I’m sure it was quite deliberate (and quite appropriate for the subject matter). FZ himself apparently once told a studio engineer to “make it sound stupid”. From my perspective it was a lot of fun, and I think they did the material justice. Hats off to them too for not toning it down!

I have friends in various cities around the world who would love to see it.

Bijpefcc | 7/13/2009, 10:27 pm EST

3yYmd4

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