Fricke’s Picks: Jon Cleary, Pine Leaf Boys and Kermit Ruffins

5/19/07, 4:58 am EST

jon cleary
In New Orleans, the funk always comes hard and heavy. But at the 2007 edition of the city’s Jazz and Heritage Festival, local soul men hit the classic-rock and heavy-metal songbooks with a vengeance. Singer-pianist Jon Cleary, a British native long resident in the Crescent City, salted his mix of Meters and Professor Longhair covers with vintage U.K. blues rock: Free’s “All Right Now,” rearranged as if Allen Toussaint had written it for Lee Dorsey. Trombone Shorty and his band Orleans Avenue remade AC/DC’s “Back in Black” with brass-band fury. Yet for airborne pow, there was no beating the four-trombone front line of Bonerama, which made dirty blues and swamp gas of Led Zeppelin’s “The Ocean” and the Beatles’ “Helter Skelter” with crushing ensemble riffing, human-feedback shrieks and wah-wah growls. (Co-founder Mark Mullins plays an electric horn.) Both covers are on the group’s third album, Bringing It Home (bonerama.net) — like the first two, taped live with no overdubs and a whole lotta mule kick — along with brass-tornado spins through the Meters and Thelonious Monk and a six-pack of originals. The results definitively answer the age-old musical question: What would Black Sabbath sound like with the P-Funk horns instead of guitarist Tony Iommi? You can hear Cleary’s take on that Free number on his new demos EP, Hotel Room Ruffs (FHQ).

The Pine Leaf Boys are a biracial Cajun band — no common thing — steeped in tradition (singer-accordionist Wilson Savoy is the son of Cajun performer-scholars Marc and Ann Savoy) but with free-range ambitions in soul, Canned Heat-style boogie, zydeco (the country funk of black Louisiana) and Mardi Gras Indian chants. They did it all — sometimes all at once — in their Jazz Fest set with the tight, headlong delight that makes Blues de Musicien (Arhoolie), their second album, the next best thing to a Saturday night dance in Lafayette.

It’s hard enough making music in New Orleans now. Getting it out is a whole other struggle. Basin Street Records, one of the city’s most prolific labels before Katrina, has finally issued its first post-flood album: Live at Vaughan’s by singer-trumpeter Kermit Ruffins made at the Ninth Ward club that has been his party central every Thursday for fifteen years. “Tremé Second Line” and “Hide the Reefer” are enough to make you forget anything interrupted that run — until the hip-hop funeral march into James Brown’s “Talking Loud and Saying Nothing,” a blast of disgust at the way politicians at every level have left this city to save itself.


Comments

Bubbles | 2/13/2008, 9:05 pm EST

That greasy bastard is a Mustard Tiger

Anonymous | 2/2/2008, 2:37 am EST

holy shit who the hell do you expect to understand the mustard tiger reference? except me who just scroogled (not googled, look it up) mustrad tiger>

P-lip | 7/19/2007, 9:45 am EST

Groovediver, the appalled Cajuns were addressing the comment from “Alexandra,” not the biracial observation in the article. She insulted the Savoys, and clearly doesn’t know about the times Amede Ardoin spent playing music at the Savoy farm. She should probably read Ann Savoy’s book.

The funny thing about Cajun, Zydeco, and Creole music and culture (each unique but in close proximity) - the bands you see on stage are just snippets of what all goes on in Louisiana. Musicians of different races, ages, and backgrounds will pick up a fiddle or an accordion and play together at the drop of a hat. The music is CONSTANTLY evolving and being played as a community experience. The populations of these cultures probably have more musicians per capita than most others, not because of formal training, but because its a way of life. Some people play board games when they get together, people in Louisiana roast pigs and play music.

That’s not to say there are no bigots or that everyone is a phenomenal musician, of course, but hats off to the PLB’s for representing the heart and diversity of our culture! The new generation of Louisiana musicians continues to impress me.

groovediver | 7/15/2007, 12:55 pm EST

Perhaps the appalled Cajuns who wrote in should check in their dictionary of choice for the definition of ‘biracial’. The man was simply pointing out that Cajun bands rarely are biracial, meaning having members of two races. How many true Cajun bands can you name that are biracial in membership? Under the circumstances, the only thing inaccurate Mr. Fricke said is that the Pine Leaf Boys are a Cajun band, as they are beyond that narrow description.

Glad you dug Jazzfest, David. It was extra-exceptional this year.

Appalled | 7/6/2007, 11:37 am EST

The Savoys are some of the kindest people I have ever known and have opened their home and their hearts to musicians and fans from all over the world. For shame on anyone that would say a bad thing about them.

cajun in ya face | 6/16/2007, 2:32 pm EST

alexandra
I am a cajun and a non racist. I know the savoys and know for a fact that you have ignorantly accussed loving people of something that you dreamt up. This is irresponsible and you should be ashamed of yourself. Shame on you.
The cajun culture is something shared between whites, blacks, Native Americans, Creoles, etc. because we were all poor and all lived together. It is not restricted to any race, that is something of geneology, not culture. All of the races’ cooking styles make cajun food, all of the races have contributed to what is called “cajun music”, etc. For example, Black Zydeco singers, sing in french. Get it?

Segar | 6/15/2007, 2:27 pm EST

Well I’m a Cajun, personal friends of the Savoys, grandson of Hall of Fame Cajun fiddle player Sady Courville, and also a professional musician…..so what does that tell you about us Cajuns? I’d like to hear your reason instead of guessing at some veiled racial remark.

Alexandra | 6/5/2007, 4:14 pm EST

those chants the baby pine leafers are singing are not mardi gras indian chants, but jure chants that are a LA Creole tradition and another example of how white artists love to emulate black music. you are right about how few cajun bands have black band members, zydeco bands on the other hand dating back to Amede Ardoin have been bi racial. what does that tell you about the cajuns, including wilson’s own parents.

Don Vito | 5/21/2007, 2:51 pm EST

the guy in the pic is a mustard tiger

Don Vito | 5/21/2007, 2:51 pm EST

the guy in the pic is a mustard tiger

Post A Comment

Caution: Off-topic comments will be deleted

Name:

Comments:



Advertisement

Advertisement