So last night, despite a wicked hangover, we dragged ourselves to Bowery Ballroom to catch Australian trio the Grates, and Montreal indie rockers the Dears (whose forthcoming album we discuss in greater depth here). And damned if we aren’t glad we did, cause the show effing ruled. This post would be grossly un blog-like in length if we expounded upon the various reasons the Grates are our new favorite band (most of which involve lead singer Patience Hodgson’s unrelenting awesomeness) so we thought we’d start with a little list to keep things concise:
- Patience hops up and down during every blessed song like a hyperactive pre-schooler who just ate twelve cupcakes and still gets her voice to sound gorgeous and strong and totally on-key.
- She wears colorful tights.
- She makes pronouncements onstage like “Dog barks are like fingerprints – everybody has a different one!” and “I’m going to call you a motherfucker in this next song.”
- She does rhythmic gymnastics with a big pink ribbon while singing heartbreaking songs like “Rock Boys” from the band’s album, Gravity Won’t Get You High.
- The Grates make awesome garage-punk tunes with super-clever lyrics inspired by everyday stuff like really dirty cars.
- They speak with cute Australian accents.
The Grates won many a new fan last night, but most of the audience (which included an astonishingly high percentage of hot indie-rock dudes) was there to see the Dears, who blew our socks off with their lush, passionate psych-rock tunes. Like their latest album, Gang of Losers, the band ditched the strings and horns live, sounding more raw and rocking than ever. We were immediately hooked by the surging “Ticket to Immortality,”which kicked off the ninety-minute show. Under the sinister blood-red lights, Murray Lightburn and mates blew through their set with such fierce energy that we are already clamoring to see them again. Word is this was just a small warm-up gig, and the band will be back on a proper tour later this fall. Can we get a hell yes?

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