Dukes of Hazzard
Starring: Johnny Knoxville, Seann William Scott, Jessica Simpson, Burt Reynolds, Willie Nelson
Directed by: Jay Chandrasekhar
2005 Warner Bros. Pictures Action
The big news is the casting of pop princess Jessica Simpson as sexpot cousin Daisy Duke (Catherine Bach created the role for TV). Simpson had never acted in a movie before squeezing into Daisy's short-shorts. As far as I'm concerned, her record is clean. Simpson's body is unimpeachable, but her thespian talent is still undiscovered country. It's as if director Jay Chandrasekhar (Super Troopers) told her to treat her performance like a photo shoot: Turn. Smile. Pout. Primp. Her stiff line delivery could be a reaction to John O'Brien's labored, laugh-free script. Let Meryl Streep try to get a redneck to fix her car by sticking out her boobs and saying, all flirty-like, "I think something bounced up into my undercarriage."
Simpson's star billing is misleading. She merely visits the movie from time to time, letting the camera photograph her like a prize heifer. The heavy lifting falls to the boys. Scott does his Stifler thing, and Knoxville does his Jackass thing. Nothing there to erase the memory of the TV Bo (John Schneider) and the TV Luke (Tom Wopat). For Schneider, who has a gig on Smallville, and Wopat, who is a strong stage actor (Glengarry Glen Ross), Hazzard hasn't been a career hazard. Scott and Knoxville, who expend their energy climbing in and out of the General Lee, should be so lucky.
The other actors must fight over the script's slim pickings. As Boss Hogg, Burt Reynolds carries what passes for a plot. Hogg uses the auto race that ends the film as a decoy to win court permission to strip-mine Hazzard County and steal the farm where Uncle Jesse Duke (Willie Nelson) makes his moonshine. Nelson shuffles through the movie cracking jokes: "What do you call a hillbilly carrying a sheep under each arm?" Answer: "A playboy."
As Dukes drags to a close, you might ask yourself how many car chases you can watch before your eyes glaze over. At one point, the film's narrator says, "If you have to go to the bathroom, now would be the wrong time." I beg to differ. There is no wrong time to flush this turd. The only bright spot comes during the outtakes over the final credits. Suddenly, the actors seem loose, Simpson's smile is warm and natural, and we watch the stunt drivers ply their trade like kids with the world's best toys. For a few minutes, the movie flickers with a party spirit. It's too little and too late.
(Posted: Aug 4, 2005)
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