Clearly, Inarritu and screenwriter Guillermo Arriaga aren't afraid of tackling big issues or splintering a plot -- as they did in Amores Perros -- to make audiences work at putting the pieces together. They intensify the puzzle by adding two equally damaged characters. Cristina (Naomi Watts), an ex-junkie, is the widow of the man whose heart Paul carries. Jack (Benicio Del Toro), the cause of the heart donor's death, is an ex-con Jesus freak and alcoholic who loves and menaces his two kids and his wife (Melissa Leo, in a staggering portrayal of conflicted devotion). How these characters -- all kicked hard by fate -- unite in a brutal, erotic and achingly tender dance of death is for the film to tell you, not a review.
But know this: You won't see more explosive acting this year. Penn's continuing mastery of his craft amazes. Del Toro gets so far inside this ruined hulk that you flinch; he's astonishing. And Watts is miraculous in an all-stops-out performance that bleeds with anger, guilt, sexual hunger and incalculable loss. That Inarritu shapes something redemptive out of blasted lives is proof that he is a filmmaker of rare and startling grace.
PETER TRAVERS
(November 20, 2003)
(Posted: Nov 20, 2003)
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