Hayden Christensen, a wooden George Lucas puppet in the last two Star Wars fizzles, is sensational as Glass, finding the wonder boy and the weasel in a disturbed kid flying high on a fame he hasn't earned. Glass charms the staff at The New Republic, including writer Caitlin Avey (Chloe Sevigny) and editor Michael Kelly (Hank Azaria). It is under new editor Charles Lane (Peter Sarsgaard) that Glass unravels. Adam Penenberg (Steve Zahn) and other writers at Forbes Digital Tool find the holes in Glass' reporting, leading Lane to uncover falsehoods in twenty-seven of Glass' forty-one articles.
Director Ray calls his movie a "little brother to All the President's Men." It's a fair assessment. Glass breaks out in a cold sweat, and you will, too, when Lane takes him to the places he described in one article and rubs his nose in his lies. Sarsgaard (Boys Don't Cry) makes a devastating impression, finding the steel of principle in the starchy Lane. The film never digs deep enough into the pressures on Glass from his family, his peers and himself to achieve psychological depth. But as an inside look into the hothouse of journalism, it's dynamite.
PETER TRAVERS
(October 23, 2003)
(Posted: Oct 23, 2003)
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