The hammering direction, by Martin Campbell (Criminal Law) -- irritatingly matched by Curt Sobel's score -- makes it even harder for the actors to bring nuances to their roles. But they persevere. Walsh slyly reveals the churning evil beneath Seldes's bland fatade, and Hurt is fiercely compelling as a steel magnolia who has closed her eyes for too long. Shepard shambles through his role -- as if he took it to buy paper for his word processor so he could go back to writing plays -- but his easy charm is welcome. It's Hershey who keeps the film charged. Despite award-caliber performances in movies (A. World Apart) and on TV (A Killing in a Small Town), she remains an undervalued resource. Hershey can bring intelligence and wit to the most implausible role. Defenseless proves it.
PETER TRAVERS
RS 613
(Posted: Dec 8, 2000)
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