To the dismay of Officer Tim Sullivan (W.H. Macy), his Irish buddy, Gold shifts loyalties from his uniform to his heritage. Seeing the woman's murder as part of an antisemitic conspiracy, he gets involved in the Jewish defense underground. In one shocking scene, he bombs a store loaded with Nazi paraphernalia.
Gold's swift transition from cop to terrorist is hard to swallow, but its suddenness is integral to a man whose sense of duty is inextricably linked to violence. In trying to trade one identity for another, he winds up in limbo, a permanent outsider. The film's climax places Gold in a bloody police shootout that is shattering in its desolation. Mamet is not an ingratiating filmmaker. Purposely out of step with the feel-good-movie era, he offers caustic wit instead of gags, blunt questions instead of glib answers and challenges instead of reassurances. Bless him.
PETER TRAVERS
RS 616
(Posted: Dec 8, 2000)
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