Shine On : Jet : Review : Rolling Stone

There are two bands calling themselves Jet on this record. One is the Seventies-boogie-brained Australian quartet that made the 2003 corker Get Born. The other has spent much of the time in between opening for and hanging out with Oasis. I prefer the former, and that Jet doesn't show up - or at least turn it up, all the way - until five tracks into Shine On, with the hellbent-guitar and hammering-drums rush of "That's All Lies." That kind of charge keeps coming but only in fits and starts, between long stretches of booming balladry and acid-flavored big-guitar pop. The Oasis factor is all over the place. Dave Sardy, who produced that band's latest album, Don't Believe the Truth, does the honors here, and Jet's Beatlemania in "Bring It On Back" and the paisley-guitar chime of "Come On Come On" is a lot like Noel Gallagher's spin on the '68 John Lennon. There is a pleasant shock late in the album in "Eleanor," a lusty acoustic homage to the Everly Brothers. But Jet are at their best in the high power-riff gear of "Stand Up" and "Rip It Up" (not the Little Richard hit), with singer-guitarist Nic Chester barking and bawling like an improbable trinity of Liam Gallagher, Bon Scott and Axl Rose. When those songs take off, you fly.