The groups were segregated. Men with men, women with women. Each group was led by a life coach, who was actually a recent graduate of the program. At the beginning of the group stage, the coaches were all called up to the front of the chapel, and Fortenberry would call out the coach's name first, then the names of his group members.
My coach's name was Morgan. Morgan was a big man, ex-military, with curly black hair, a black mustache and a softening middle. He looked a little like a post-rehab version of Keith Hernandez — soft-spoken, deferential, all nose and mustache.
There were four other men in our group. Besides myself, there was José, a huge Mexican with a sheepish expression and a steam-boiler body; Aaron, a squat and alert Pennsylvanian with a clean-and-jerker's build; and Dennis, a somewhat vacant and medicated-looking man pushing forty with a bald head and stubbly beard. Dennis looked like a distantly menacing version of Homer Simpson after electroshock therapy. Seated just a few feet away from us in our tight circle, he gazed out at us like he could barely make out our faces.
Once Morgan had us all gathered together, we looked for table space in the cafeteria area of the main building. Ominously, each of the cafeteria tables had a fresh box of Kleenex resting on top of it.
"Well," Morgan said, "I think what we're going to do to start is this. I'm going to tell you my story about my wound, and then we're going to go around in a circle, and each of us is going to just tell his story. Is that OK?"
Everyone nodded. I noted with displeasure that I was seated first after Morgan in clockwise order. Already I was panicking; what kind of wound could a human cipher like myself possibly confess to?
Morgan told his story. Even a perfunctory look at my fellow group members told me that we had people here with some very serious problems, and yet Morgan's wound was a tale that wouldn't have even ruined a week of my relatively privileged childhood, much less my whole life — something about being yelled at by his dad while he was out playing with remote-controlled airplanes with his friends as a thirteen-year-old. He hammed up his trauma over the incident in classically lachrymose Iron John-in-touch-with-his-inner-boy fashion (again, there is something very odd about modern Christian men — although fiercely pro-military in their politics and prehistorically macho in their attitudes toward women's roles, on the level of day-to-day behavior they seem constantly ready to break out weeping like menopausal housewives), but his words were bouncing off a wall of unimpressed silence radiating from the group.
Blank stares. This was a tough crowd. Five minutes into our group acquaintance, we were at a full 9.5 out of 10 on the International Uncomfortable Silence scale.
Morgan turned, glanced again at my name tag and sighed.
"Well, uh, OK, then," he said. "Matthew, do you want to tell your story?"
My heart was pounding. I obviously couldn't use my real past — not only would it threaten my cover, but I was somewhat reluctant to expose anything like my real inner self to this ideologically unsettling process — but neither did I want to be trapped in a story too far from my own experience. What I settled on eventually was something that I thought was metaphorically similar to the truth about myself.
"Hello," I said, taking a deep breath. "My name is Matt. My father was an alcoholic circus clown who used to beat me with his oversize shoes."
The group twittered noticeably. Morgan's eyes opened to tea-saucer size.
I closed my own eyes and kept going, immediately realizing what a mistake I'd made. There was no way this story was going to fly. But there was no turning back.
"He'd be sitting there in his costume, sucking down a beer and watching television," I heard myself saying. "And then sometimes, even if I just walked in front of the TV, he'd pull off one of those big shoes and just, you know — whap!"
I looked around the table and saw three flatlined, plainly indifferent psyches plus one mildly unnerved Morgan staring back at me. I could tell that my coach and former soldier had been briefly possessed by the fear that a terrible joke was being played on his group. But then I actually saw him dismissing the thought — after all, who would do such a thing? I managed to tie up my confession with a tale about turning into a drug addict in my midtwenties — at least that much was true — and being startled into sobriety and religion after learning of my estranged clown father's passing from cirrhosis.
It was a testament to how dysfunctional the group was that my story flew more or less without comment.
So it began. Our meetings were a prolonged, cyclical course of group-directed confession and healing that began on Friday evening and continued almost without interruption through Sunday afternoon. The basic gist of our group exercises was this: We were each supposed to reveal to one another what our great childhood wounds were, then write a series of essays and letters on the wound theme, taking time after the writing of each to read our work aloud. The written assignments began with an autobiography, then moved on to a letter written to our "offenders" (i.e., those who had caused our wounds), then a letter written to Jesus confessing our failure to forgive our tormentors.
Unfortunately, my one fleeting error of judgment about my circus-clown dad had left me shackled to a rank character absurdity for the rest of my stay in Texas. I soon found myself reading aloud a passage from my "autobiography" describing a period of my father's life when he quit clowning to hand out fliers in a Fudgie the Whale costume outside a Carvel ice cream store:
I laugh about it now, but once he chased me, drunk, in his Fudgie the Whale costume. He chased me into the bathroom, laid me across the toilet seat and hit me with his fins, which underneath were still a man's hands.
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- Portions of Album Content Provided by All Music Guide © 2009 All Media Guide, LLC.