Dylan, Kooper, Bloomfield and the rest of the Butterfield Band — booked to play their own set on Sunday — rehearsed in a nearby mansion all Saturday night, with pianist Barry Goldberg. "The Butterfield Band didn't have the best chemistry to back Dylan," Kooper notes. "It was a tough night — complicated and ugly." The ad hoc group mastered only three songs: the caustic "Maggie's Farm," from the electric side of Dylan's March '65 album, Bringing It All Back Home; "Like a Rolling Stone"; and a new song, "It Takes a Lot to Laugh, It Takes a Train to Cry," which would be on Dylan's next LP, Highway 61 Revisited. The lack of preparation was evident as soon as Dylan's set started on Sunday: Drummer Sam Lay turned the beat around in "Maggie's Farm," confusing the whole band.
There is no apparent booing on the surviving soundboard tape of the show. There is yelling. It has been suggested that the audience was complaining about the PA mix. Folk icon Pete Seeger admitted he was so enraged by Dylan's set he wanted to "chop the microphone cord," but only because Dylan's voice was so distorted. (On the tape, Dylan is front, center and bitingly clear.) The crowd was mostly upset because Dylan, the top god on the Newport bill, was on- and offstage in less time than it took some folkies to sing a murder ballad. He was so rattled when he returned alone (at the urging of Peter Yarrow, of Peter, Paul and Mary) to sing "It's All Over Now Baby Blue" and "Mr. Tambourine Man," that he had the wrong harmonica for the latter song. "Does anybody have an E harmonica — an E harmonica, anybody?" Dylan asked the crowd. "Just throw 'em all up." He got one.
The folk scene never recovered, rock & roll was never the same, and Dylan knew he was responsible. In Eric Von Schmidt's Sixties-folk memoir, Baby, Let Me Follow You Down, Maria Muldaur recalls seeing Dylan sitting in a corner, alone, at a post-Newport party. She asked him if he wanted to dance. "I would," he said, "but my hands are on fire."
[From Issue 951 — June 24, 2004]
Also See: 50 Moments that Changed the History of Rock & Roll
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