I was asked to give a statement on Johnny's passing and thought about writing a piece instead called "Cash Is King," because that is the way I really feel. In plain terms, Johnny was and is the North Star; you could guide your ship by him — the greatest of the greats then and now. I first met him in '62 or '63 and saw him a lot in those years. Not so much recently, but in some kind of way he was with me more than people I see every day.
There wasn't much music media in the early Sixties, and Sing Out! was the magazine covering all things folk in character. The editors had published a letter chastising me for the direction my music was going. Johnny wrote the magazine back an open letter telling the editors to shut up and let me sing, that I knew what I was doing. This was before I had ever met him, and the letter meant the world to me. I've kept the magazine to this day.
Of course, I knew of him before he ever heard of me. In '55 or '56, "I Walk the Line" played all summer on the radio, and it was different than anything else you had ever heard. The record sounded like a voice from the middle of the earth. It was so powerful and moving. It was profound, and so was the tone of it, every line; deep and rich, awesome and mysterious all at once. "I Walk the Line" had a monumental presence and a certain type of majesty that was humbling. Even a simple line like "I find it very, very easy to be true" can take your measure. We can remember that and see how far we fall short of it.
Johnny wrote thousands of lines like that. Truly he is what the land and country is all about, the heart and soul of it personified and what it means to be here; and he said it all in plain English. I think we can have recollections of him, but we can't define him any more than we can define a fountain of truth, light and beauty. If we want to know what it means to be mortal, we need look no further than the Man in Black. Blessed with a profound imagination, he used the gift to express all the various lost causes of the human soul. This is a miraculous and humbling thing. Listen to him, and he always brings you to your senses. He rises high above all, and he'll never die or be forgotten, even by persons not born yet — especially those persons — and that is forever.
Merle Haggard
I met Johnny in 1963 in a restroom in Chicago. I was taking a leak, and he walked up beside me with a flask of wine underneath his coat and said, "Haggard, you want a drink of this wine?" Those were the first words he ever said to me, but I had been in awe of him since I saw him play on New Year's Day in 1958, at San Quentin Prison, where I was an inmate. He'd lost his voice the night before over in Frisco and wasn't able to sing very good; I thought he'd had it, but he won over the prisoners. He had the right attitude: He chewed gum, looked arrogant and flipped the bird to the guards — he did everything the prisoners wanted to do. He was a mean mother from the South who was there because he loved us. When he walked away, everyone in that place had become a Johnny Cash fan. There were 5,000 inmates in San Quentin and about thirty guitar players; I was among the top five guitarists in there. The day after Johnny's show, man, every guitar player in San Quentin was after me to teach them how to play like him. It was like how, the day after a Muhammad Ali fight, everybody would be down in the yard shadowboxing; that day, everyone was trying to learn "Folsom Prison Blues."
Then when my career caught fire, he asked me to be a guest on his variety show on ABC. He, June and I were discussing what I should do on the show, and he said, "Haggard, let me tell the people you've been to prison. It'll be the biggest thing that will happen to you in your life, and the tabloids will never be able to hurt you. It's called telling the truth: If you start off telling the truth, your fans never forget it." I told him, "Being an ex-convict is the most shameful thing. It's against the grain to talk about it." But he was right — it set a fire under me that hadn't been there before.
We knew he'd been sick, and we'd thought he was going to die so many times over the last couple years — if you want to get really serious, he'd been near death for decades. Johnny Cash lived in constant, serious pain: On a scale of one to ten, it was somewhere around an eight for the last eight years of his life. He dealt himself some terrible years where he didn't do the right things. He didn't eat right, so his bones got brittle; his jaw broke during some dental surgery and never healed. He lived as an example of a man in pain, going from one stage of bad health to another, but he held his head up the whole way. He was like Abraham or Moses — one of the great men who will ever grace the earth. There will never be another Man in Black.
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- Portions of Album Content Provided by All Music Guide © 2009 All Media Guide, LLC.