Since Soundgarden's 1997 split, all of its members have been spotted or heard in a variety of projects — Audioslave, Pearl Jam, Wellwater Conspiracy, Hater — but the group's heavily bearded guitarist, Kim Thayil, opted to disappear from the spotlight. He hasn't been completely M.I.A., however, as evidenced by sporadic recordings and a handful of appearances onstage, including a recent Chris Cornell-less Soundgarden mini-set in their hometown of Seattle. Rolling Stone recently tracked down Thayil to get the truth behind all the reunion rumors, the status of a highly anticipated box set, and why there's no Soundgarden shirts at your nearest mall. Plus, look back at a decade of Soundgarden, in photos.
What have you been up to since Soundgarden's
split?
Mostly I've done session stuff with friends now and then. Most of
the time, I've declined opportunities to play live, record or form
bands. Just keeping it a little bit "lower," so I have time to do
other things besides be on the road [laughs]. I think the
one I've enjoyed the most is sitting in on the Altar
sessions with Sunn O))) and Boris. There's a sort of pop-grunge
singer from Japan, a woman named Aya, that was being produced by
Adam Kasper. Matt Cameron and Krist Novoselic also played on that
record, and I played solos on five songs. The album [titled
Senjou no Hana] was only released in Japan. Spent a long
time mixing that No WTO Combo record [Live from the Battle in
Seattle, with Novoselic and ex-Dead Kennedys singer Jello
Biafra]. Also, the work I did with Steve Fisk — both with
Pigeonhed and the last solo Steve Fisk record, 999 Levels of
Undo, I wrote some parts and came up with some leads. Besides
working with the guys from Sunn O))) and Boris, I really like the
work I've done with Steve Fisk. Believe it or not, in the early
'90s, I did some TV commercial soundtrack with Steve! It was a
Christmas spot — lots of weird, chaotic noise — for a
retail store.
How did the recent "3/4 Soundgarden reunion" performance
come together?
Tom Morello was coming through with the Justice Tour, and he had
asked Susan Silver [Soundgarden's manager] — Tom wanted to
get some notorious rock locals. Ben Shepherd and I were asked
separately — we were going to be on the bill separately. As
things worked out, it was getting close to the gig date, and Ben
had not put together any project, and the guys that I was jamming
with, our ideas were not gelling. We were going to do some old punk
rock covers, and have [Mudhoney's] Mark Arm sing. That fell
through. And Tom called, and said, "Would Ben and Kim like to join
me on stage to do 'Spoonman'?" And we said, "Sure. But we heard
Matt is coming down to the show, and I'm not going to play it
in front of Matt — I would play it with
Matt." So I called Matt, and he said sure. Ben said, "Let's do the
first single, 'Hunted Down'/'Nothing to Say,' and then we'll do
'Spoonman.'"
And then this left a problem with who we would get to sing with us. A lot of people that I asked were real hesitant — they didn't want to replicate Chris' performance. So it had to be Tad [Doyle], right? It had to be the guy with God's Balls to say, "Fuck yeah, I'll do it!" We went down to the Pearl Jam rehearsal space and had one practice on a Monday and rehearsed for an hour and a half. The next day, we went over them at soundcheck, and then we busted out those three songs [at the Crocodile Cafe].
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