Kanye West: Jackson's influence on hip-hop may be harder to trace, but that doesn't mean it isn't there. Of all of hip-hop's current stars, only West possesses Jackson's knack for allowing a singular vision to yield huge commercial dividends. West has Jackson's superstar drive, the consuming desire to do everything bigger and better than anyone before him, and the ability to bring a very particular vision to a mass audience. Like Jackson, West is enamored of the spectacle: the scope and grandeur of his Glow in the Dark Tour was positively Jackson-esque, and his ability to sell hip-hop — in massive quantities — to a pop crowd rivals what Jackson did for R&B.
Beyoncé: Cue up any given track on B'Day, whether the stuttering "Get Me Bodied" or the searing "Ring the Alarm," and hear Michael Jackson's trickle-down effect. Her contemporaries may have Jackson's pop flair, but only Beyoncé possesses his fierceness. The spry toughness of "Survivor" and "Independent Women" are distant cousins to Jackson's darker, meaner numbers (like "Dirty Diana" or "Give it to Me"), and Beyoncé's gradual transformation from bright-eyed ingenue to the new First Lady of Soul rivals Jackson's own ascent to power.
Chris Brown: Unlike Usher, Chris Brown's Jackson copycatting is far more shameless. Herky-jerk, borderline-impossible pop-and-lock dance moves? Check. White suit gangster chic? Check. Awards show stunt performances that often plunge into camp? Check. And now Brown is going to have to figure out how to pull off another Jackson stunt: return from controversy.
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- Portions of Album Content Provided by All Music Guide © 2009 All Media Guide, LLC.