How did you become the singer in the Kings? Nathan's
older than you, and he's got some pipes, too.
In the beginning, we wrote songs together, and if he was writing a
song, he'd sing, and vice versa. It came to a point where I knew I
wanted it, and as opposed to us literally fighting for it, I just
went to him and said, "Look, man, if we're going to do this, we
need a clear vision, and I think you should play drums and I'll
sing." There were some tough times between us, but I pretty much
said, "I'll do it. I'll be the singer. I'll take all the girls and
all the drugs. I don't want to, but I will."
What album have you listened to more than any
other?
For the last two years, I've been listening to The Late Great
Townes Van Zandt nonstop. Otherwise I'd say the Band's
Greatest Hits. It's full of untouchable songs. When I hear
them, I think, "I'm starting back at zero. I haven't fucking done
anything compared to anything they've done."
You had a big fight with Nathan and broke your arm
before you started working on this album. What was it
about?
We still don't know. It was a big one, though. We were really
drunk, and one of us said something really deep and hurtful, and
that was it. Our assistant shuffled people out the door when he
knew it was about to go down, and once the house cleared, it was
like they let two dogs off their chains — we went crazy. Just
a good old Wednesday night in Nashville.
[From Issue 1071 — February 5, 2009]
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