Scher and Wilson met over mushroom tea in New York and connected because of their mutual love of the Grateful Dead — one of this group's biggest non-Canyon influences. "The Dead had really incredible moments," says Scher. "You can't get those without completely going into abandon. You have to trust that you've got a good crew and then jump in." That's a strategy that Lewis employed for her new CD, Acid Tongue, on which her crew includes Wilson, Rice and Scher. "There was a lack of community in L.A. until this thing started happening," she says. "When you were 13, you jammed because it's fuckin' fun," says Wilson. "If you play music for a living, you think if you don't have a soundcheck, you can't play. And that's just bullshit."
Whether you credit the mythos of the place, or California's relatively lax marijuana laws or the coincidental arrivals of a bunch of like-minded musicians, this group has tapped into some rare combination of mastery and open-mindedness. Says Lewis, "When you listen to J.J. Cale, which is another person I recently discovered, it's not just vibe-y, it's also really well-executed. There's a maturity in being able to openly play music with your friends in that way." And as Rice notes, there's another benefit to breaking out of the indie-rock scene: "It makes growing old sound so sweet."
Additional reporting by Shirley Halperin
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