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• AC/DC and the Gospel of Rock and Roll
HIGH VOLTAGE
(1976)
Key Tracks: "T.N.T.," "She's Got Balls"
Quick Take: Perhaps AC/DC's most crucial
innovation is the way their lyrics make plain the boys' locker room
conception of sexuality that had previously bubbled just under the
surface of most heavy-duty rock. Shamelessly sexist panderers or
refreshingly frank entertainers? AC/DC fits both descriptions, but
none of it would matter if guitarist Angus Young wasn't such a
gargantuan riffmonger equipped with a Godzilla-like rhythm section
to boot. High Voltage established that sound that would
stick for over three decades.
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• AC/DC and the Gospel of Rock and Roll
DIRTY DEEDS DONE DIRT CHEAP
(1976)
Key Tracks: "Love at First Feel," "Dirty Deeds
Done Dirt Cheap"
Quick Take: Frontman Bon Scott perfected his
adonoidal screech for Dirty Deeds Done Dirt Cheap,
highlighted by the titel track: a trashy, irresistible revenge
fantasy grounded by the Young brothers' Howitzer-sized
attack.
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• AC/DC and the Gospel of Rock and Roll
LET THERE BE ROCK
(1977)
Key Tracks: "Let There Be Rock," "Whole Lotta
Rosie"
Quick Take: AC/DC's early albums were perfectly
frenetic, but inconsistent. Their second U.S. LP was almost all
killer. Scott sings "Bad Boy Boogie" and "Problem Child" like he's
the enfant terrible. And while "Whole Lotta Rosie""is classic
Scott, Angus' solos are true white heat. There was real flame, too
— his amp caught fire during a take of "Let There Be Rock."
The band played on.
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• AC/DC and the Gospel of Rock and Roll
POWERAGE
(1978)
Key Tracks: "Kicked in the Teeth," "Rock 'n' Roll
Damnation"
Quick Take: Despite having an excellent album
cover, Powerage marks one of the few early AC/DC albums
without a signature rocker on it, though "Sin City" has been
covered by a number of subsequent bands, most notably Twisted
Sister. Still, there's nothing essential.
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• AC/DC and the Gospel of Rock and Roll
HIGHWAY TO HELL
(1979)
Key Tracks: "Highway to Hell," "Shot Down in
Flames"
Quick Take: Superproducer "Mutt" Lange sculpted
AC/DC's rough-granite rock into a chart-smart boogie on this album,
AC/DC's first major U.S. hit. Malcolm and Angus also brought some
of their best riffs to the table ("Shot Down in Flames," "Girl's
Got Rhythm"). Scott is in exultant voice, but it's hard not to hear
some prophecy now in his outlaw growl on the title song.
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• AC/DC and the Gospel of Rock and Roll
BACK IN BLACK
(1980)
Key Tracks: "Back in Black," "You Shook Me All
Night Long," "Hell's Bells"
Quick Take: Back to work weeks after Scott's
death, Malcolm and Angus paid unspoken tribute to him in the title
song and the all-black cover of this worldwide smash. But Brian
Johnson's howl is a tailor-made complement to Malcolm's crushing
chords and Angus' lead seizures in "Hells Bells." "Rock and Roll
Ain't Noise Pollution" pretty much sums up the Youngs'
worldview.
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• AC/DC and the Gospel of Rock and Roll
FOR THOSE ABOUT TO ROCK
(1981)
Key Tracks: "For Those About to Rock (We Salute
You)," "Inject the Venom"
Quick Take: AC/DC write a lot of songs with the
word "rock" in the chorus. The title song of this album is one of
the best, with an unusual stop-start effect in the rhythm that
hooks you just as hard as their usual railroad drive. (Live, they
use real cannons for the booms.) Other rusted-throat and
guitar-fist salutes: "I Put the Finger on You" and the unsubtle
"Let's Get It Up."
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• AC/DC and the Gospel of Rock and Roll
FLICK OF THE SWITCH
(1983)
Key Tracks: "Flick of the Switch," "Nervous
Shakedown"
Quick Take: Produced by the band, Flick of the
Switch isn't quite the monster blowout that 1980's Back in
Black was, and the Young's retooling of old riffs for new hits
also teeters on self-plagiarism at times. But how can you argue
with a Molotov cocktail hour that incudes such crass fun as "This
House Is on Fire" and the whiplash rocker "Brain Shake"? Sure, if
you've heard one AC/DC album, you've heard them all, but Flick
of the Switch makes for one hell of a crash course.
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• AC/DC and the Gospel of Rock and Roll
FLY ON THE WALL
(1985)
Key Tracks: "Hell or High Water," "Sink the
Pink"
Quick Take: Fly on the Wall is a
mid-career disappointment, though Angus Young is in great form,
playing the dumbest, most irresistibly repetitive chords in his
lexicon. Even for AC/DC, "Sink the Pink" is staggeringly
sexist.
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• AC/DC and the Gospel of Rock and Roll
WHO MADE WHO
(1986)
Key Tracks: "Ride On," "You Shook Me All Night
Long"
Quick Take: A quickie soundtrack album, Who
Made Who nevertheless works as an effective introduction to
the group: Previous triumphs ("You Shook Me All Night Long")
contrast with reclaimed later efforts ("Sink the Pink," from
Fly on the Wall) and a completely out-of- character '70s
blooze number called "Ride On."
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• AC/DC and the Gospel of Rock and Roll
BLOW UP YOUR VIDEO
(1988)
Key Tracks: "Heatseeker," "That's the Way I Wanna
Rock 'n' Roll"
Quick Take: AC/DC returns to business as usual
with Blow Up Your Video, where even the hottest riffs
("Heatseeker") don't seem to detonate with the same gratifying
crunch. Still, it became their biggest selling album since For
Those About to Rock and set the stage for the band's 1990s
renaissance.
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• AC/DC and the Gospel of Rock and Roll
THE RAZOR'S EDGE
(1990)
Key Tracks: "Thunderstruck," "Money Talks"
Quick Take: After a few albums that sounded like
old ideas warmed over once too often, this is a near-comeback,
busting out with Angus' wasp-army trills in the first song,
"Thunderstruck." AC/DC were in their wilderness years —
drummer Phil Rudd, who left in '83, would not be back until the
next album. But there was enough solid rock ("Fire Your Guns,"
"Money Talks") to put this one in the Top Five.
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• AC/DC and the Gospel of Rock and Roll
BALLBREAKER
(1995)
Key Tracks: "Hard as a Rock," "Caught With Your
Pants Down"
Quick Take: After a three-year break the band
returned to the studio for the Rick Rubin-helmed
Ballbreaker. Perhaps using Rubin, whose work with bands
such as the Red Hot Chili Peppers had made him the de facto hard
rock producer of the day, was a stab at relevance. Motivations
aside, Ballbreaker has a spark that the band had been
missing on most of its late era work, with tracks such as "Hard as
a Rock" and "Cover You in Oil" sitting comfortably next to any
other behemoth in its arsenal.
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• AC/DC and the Gospel of Rock and Roll
STIFF UPPER LIP
(2000)
Key Tracks: "Stiff Upper Lip," "Come and Get
It"
Quick Take: AC/DC returned in 2000 with Stiff
Upper Lip, a somewhat tired collection, lacking the energy of
Ballbreaker and smelling suspiciously like an excuse to
rake in more arena ticket money. Guess what? None of the tens of
thousands of fans who packed those concert halls cared one whit, as
AC/DC were inducted into the Rock and Roll Hall of Fame in
2003.
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• AC/DC and the Gospel of Rock and Roll
BLACK ICE
(2008)
Key Tracks: "Rock N Roll Train," "Big Jack"
Quick Take: For a group of guys who are so
convinced they're an "album band" that they refuse to sell their
songs individually online, AC/DC have had trouble making consistent
albums since 1981's For Those About to Rock. While
Black Ice pulls away from that trend, it doesn't reverse
it: The album feels longer than its 55 minutes, thanks to a stretch
of throwaway rockers. But there's something almost elegiac about
Black Ice's multiple odes to rock, including the huge
single "Rock N Roll Train." These guys are true believers, fighting
a war no one told them ended long ago. The band still finds
resonance in words that were clichéd by 1956. And for that,
you've got to salute them.